"NATTIER, F.S. (attributed) 18th C.

18th C Portrait of Madame De Pompadour. Attributed to Jean Marc Nattier (16851766) French. Pastel on paper / canvas. Indistinctly signed. Overall size: 33 x 28 in. Sight size: 27 7/8 x 22 7/8 in. #126

A pair of attributed 18th Century Sevres putti cherub candelabras each having three branches or arms ascending upward with a putti standing in the center atop a bed porcelain flower and greenery; one

School of Jean-Marc Nattier (Fr. 18th Century) Portrait of a Lady (Possibly Marie Louise Therese Victoire) Oil pastel on paper laid to canvas, framed under glass Indistinct inscription verso 21 5/8" x

A beautiful antique oil on canvas painting depicting religious scene, signed Garofalo, attributed to 18th century Italian artist Carlo Garofalo, 29"x38.8"

18th Century Japanese Woodblock Print attributed to Kitagawa Utamaro. Professionally matted hinged mounted on board w hand carved wooden frame. Has soiled paper, faded colors and creased center. Frame

Late 18th century. Attributed to Thomas Gainsborough (British, 1727-1788) on adhered label on verso, oil on canvas, unsigned, 29 x 24 in., framed

A charming little French faience olive pot or single-glass montieth, mid 18th century, attributed to the d’Olerys workshop in Moustiers. Decorated with lion face masks on each side with polychr

Chippendale bonnet-top mahogany chest on chest, attributed to Massachusetts, 18th century, white pine secondary. Upper section with bonnet top having carved rosettes and three carved urn and flame fin

Handsome Louis XVI Provencal Canape 18th century, attributed to Pierre Nicolas Pillot (1748-1822), Nimes, France, the carved and molded polychromed frame with a central floral spray, acanthus-carved a

English Soft-Paste Porcelain Figure of Salacia, third quarter 18th century, attributed to Derby, with patch marks, on a matching stand, both richly decorated with encrusted shells and seaweed, Salacia

George III Fire-Gilt Brass and Leather-Bound Tea Caddy Late 18th century, attributed to Henry Clay Painted in the round and inset with opposing jasperware panels. Height 4 1/2 inches (11.5 cm), width

Mid-Atlantic Chippendale Cherry Corner Chairlate 18th century, attributed to Virginia or Maryland, yellow pine secondary, two pierced vasiform back splats, shaped arms, ring turned arm supports, slip

Southern Federal Walnut Table18th century, attributed to Chowan County, North Carolina, rectangular two board top, flush skirt rails, wood peg joinery, straight rounded legs with button feet. 26.25 x

New England Heart and Crown Bannister Back Armchairattributed to Connecticut, 18th century, maple and pine, finial post, turned stiles, later rush seat, shaped and notched arm terminus, double turned

Late 18th Century. Attributed Ebner Toppen, Newburyport, Massachusetts. 44in h x 43in w x 23in d. Condition: Brasses possibly original; shrinakage crack to left side panel; rubbing, wear, and abrasion

Red chalk drawing of peasant family in fields. Attributed to the 18th century French artisit, Jean-Antoine Watteau by Paris dealer noted on back of drawing. Purchased at Christies in 1992. Work size 6

Stoneware ovoid jug - 2 gallon - with deep cobalt blue watch spring decoration on front and base of handle and 3 leaf clover decorations on both sides - 18th century attributed to NY city or NJ maker

Stoneware ovoid jug - 2 gallon - with deep cobalt blue watch spring decoration on front and base of handle and 3 leaf clover decorations on both sides - 18th century attributed to NY city or NJ maker

Framed Master Drawing of a Leg, Italian, 18th century, attributed to Supervilleaux, well executed in sepia on laid paper, showing leg ending in Roman sandal, 14" x 18".

Rachel Ruysch (attrib.), oil on canvas, 18th c., Attributed to Rachel Ruysch (Dutch, 1664-1750), Floral Still Life with Gourds, Fruit and Dog, no signature observed, old label verso, 48"h x 40"w (sigh

Marco Benefial (attrib.), pencil drawing, 18th c., Attributed to Marco Benefial (Italian, 1684-1764), Archangel Michael Fighting Over the Body of Moses, graphite, ink and white pastel on paper, unsign

A finely and beautiful gilt bronze green Tara, standing on a lotus base, hands in some special mudra. Attributed to 16-18th C./Period, it is exceedingly beautiful and it has a high culture & art appre

German Rococo sculpture of Mary attributed to Ignaz Guenther, 18th Century. Carved hardwood with gesso and polychrome. Image of the Immaculate with halo of stars affixed to wire above head. Height 32?

Attributed Wu Yun (Active 18th Century): Bamboo Mounted scroll, ink on paper, inscribed, bearing a signature and three seals, framed and glazed. {51 1/4 x 23 1/2 inches (130.2 x 60 cm)} [Extensive los