Attributed to Thomas Hand (British, 1771–1804)

Attributed To Thomas Hand (British, 1771-1804) Travelers Passing A Cottage. Oil on canvas 25" x 30", Frame: 34.25" x 39.5"

"Attributed to Thomas Hand (British, 1771–1804) Extensive Landscape with Figures, Cattle, Horses and Donkeys, with Building in Distance Oil on canvas16 3/8 x 20 3/8 in. (41.6 x 51.8cm) Provenan

Travelers On A Path At A Spring, Oil On Canvas, Unsigned, Paper Labels Verso With Attribution Including Joseph Sartor, Canvas 21 x 28, Frame 28 x 34.5 x 3.5 Inches, Canvas Relined, Varnish Layer Clean

An attributed Thomas Toft hand thrown turquoise glazed ceramic bowl or vase on round form with repeating arrow pattern. Incise signed and marked 40213 and stamped 'Denmark' on underside.

ATTRIBUTED TO THOMAS LANDSEER (British, 1795-1880) The Monarch of the Glen, After Sir Edwin Landseer Engraving Unsigned H 24½ x W 22½ inches

ATTRIBUTED TO THOMAS GAINSBOROUGH (BRITISH 1727-1788), OIL ON CANVAS, UNSIGNED, H 29", W 24", PORTRAIT OF ELIZABETH GOODIN-HAUGHTON TAYLOR :A Thomas Gainsborough (British 1727-1788), a portrait of Eli

Attributed to Thomas Buttersworth (British, 1768-1842)Shipping off Gibraltaroil on canvas34 x 48in (86 x 122cm)

Late 18th century. Attributed to Thomas Gainsborough (British, 1727-1788) on adhered label on verso, oil on canvas, unsigned, 29 x 24 in., framed

Attributed to Thomas Gainsborough (British 1727-1788). Oil on board landscape depicting a villa on a hill with figures in the foreground, apparently unsigned, framed. (Sight) approx. h. 10.75",' w. 14

Attributed to Thomas Hudson (British, 1701-1779), Portrait of a Young Gentleman, oil on canvas, unsigned, canvas (oval): 30"h x 25"w, overall (with frame): 38"h x 33"w. Provenance: Purchased from Doug

Attributed to Thomas Rowlandson (British, 1756 - 1827), Noble Man, watercolor on paper, bears pencil signature, overall (sheet/unframed): 7.25"h x 5.25"w

Attributed to Thomas Sidney Cooper (British, 1803-1902) , "Cows Watering at Stream", oil on canvas, unsigned, handwritten label en verso, 48 1/4 in. x 78 1/4 in., unframed . Provenance: Property deacc

Attributed to Thomas Walker Bretland (British, 1802-1874) Chestnut and White Horses with Dog in a Landscape signed indistinctly 'T. Bretland 1863' (lower right) oil on canvas 64.25 x 85.25cm (25 5/16

19th century framed oil on canvas painting of a gentleman, attributed to Sir Thomas Lawrence (British, 1769-1830), bearing labels verso. [Art: 30" H x 25" W; Frame: 37 1/2" H x 31 3/4" W]. In good con

Attributed to Thomas Jefferson Scott (British, 1854-1927), portrait, 28 1/2" h x 23 1/2" w (view), 36" h x 31" w (frame). Provenance: from the estate of the late William Kester of Los Angeles and Palo

Attributed to Sir Thomas Lawrence (British, 1769-1830), portrait of a woman, pastel and graphite on paper, oval. Sight 9 1/4" x 7 1/4", overall 14 3/4" x 12 1/2". Provenance: Doyle, N.Y.C., English &

Framed oil on canvas painting, Country Scene with Children Fishing, signed with monogram lower left TW, attributed to Thomas Webster, R.A. (British, 1800-1886), dated 1864, sight: 16.5"h, 20.5"w, over

Attributed to Henry Thomas Alken, Sr. (British, 1785-1851)Over the fence, 1823watercolor on papersigned lower right H. Alken and dated13 x 18in (33 x 46cm)

Victorian Ruffled & Folded Case Glass Brides Basket insert, floral enameled decoration, hand blown, attributed to Thomas Webb, 11”D x 41/4”D at base, Ca. 1880

Oil on canvas, framed. Featuring landscape country lane scene. Signed and attributed to J. T. (John Thomas) Richardson (British, 1860-1942) on the lower right corner. 33.5 x 51 cm (13.2 x 20.1 inches)

Thomas Patten (active 1760 - 1762, British), hand coloured aquatint engraving entitled An East View of Montreal in Canada, engraved by Pierre Charles Canot (1710 - 1777, French), published London 1768

Thomas Patten (active 1760 - 1762, British), hand coloured aquatint engraving entitled An East View of Montreal in Canada, engraved by Pierre Charles Canot (1710 - 1777, French), published London 1768

Attributed to Thomas Barker of Bath (1769-1817) British, watercolor. Barker was heavily influenced by Gainsborough. He became highly popular in the first half of the19th Century and was extremely prol

Thomas Creswick (1811-1869) Fisher Boy and Dog at Crossing Third quarter of the 19th Century. The classic British School landscape depicting a pleasant summer day is nicely lit by the sun from left to