Benson, Six Bluebills, Drypoint Etching

Frank W. Benson (American, 1862-1951), six bluebills, drypoint etching, signed lower left, 3 3/4" h x 4 7/8" w (plate), 12 1/4" h x 12 3/4" w (frame). Provenance: From a Massachusetts estate.

A group of six drypoint etchings by Sir David Young Cameron RA (Scottish, 1865-1945). The signed works included are: a Paisley Abbey Interior, pencil signed lower right, and a Harlem, pencil signed lo

mid 20th c Frank W Benson dry point etching, sight 8 3/4" x 10 1/2"

John Watson Benson, Etching, Dry point, signed, approx 16" x 20"

Lyman Byxbe (1886-1980) The collection of six pencil signed drypoint etchings as listed here: 1. The Mountains: Drypoint etching signed by the artist in pencil below the image lower right, titled lowe

BENSON, Frank W. - Adam E. M. PAFF, compiled and arranged by. Etchings and Drypoints ... An illustrated and descriptive catalogue. Boston and New York: Houghton Mifflin Company [printed by the Riversi

"ETCHING AND DRYPOINTS BY FRANK W. BENSON", VOLUME ONECompiled and arranged by Adam E.M. Paff. Cambridge, Mass.: Riverside Press, Houghton Mifflin Co., 1917. Edition of 275, of which 255 were for sale

Original pencil signed drypoint etching by American artist Frank Benson 1862-1951. The title of this work is "The Landing", created and printed in 1915 in an edition of only 50. The image measures 7 1

Frank Benson (American 1862-1951)- Paff, Adam E. M., ''Etchings and Drypoints by Frank W. Benson, Volume Two'', Houghton Mifflin Co., The Riverside Press, Cambridge, MA, 1919, with original etching by

Frank Benson (American 1862-1951)- Paff, Adam E. M., ''Etchings and Drypoints by Frank W. Benson, Volume Three'', Houghton Mifflin Co., The Riverside Press, Cambridge, MA, 1923, with original etching

Paff, Adam, E. M.- ''Etchings and Drypoints by Frank W. Benson''- Vol. 4, Houghton Mifflin Company, Boston and New York, 1929, with pencil signed original etching as frontispiece, numbered 346 of a li

Frank Benson (American 1862-1951)- Paff, Adam E. M., ''Etchings and Drypoints by Frank W. Benson, Volume Five'', Houghton Mifflin Co., The Riverside Press, Cambridge, MA, 1959, with original etching b

Heading: Author: Benson, Frank W. Title: Etchings and Drypoints by Frank W. Benson. An Illustrated and Descriptive Catalog. Volume Four. Place Published: Boston Publisher:Houghton Mifflin Company <

drypoint etching signed and numbered 16/35 11 x 8 1/2 inches

'Ducks', 1916 drypoint etching h. 7-7/8 w. 9-7/8 in. (plate) overall: 11-3/4 x 11-1/2 in. (sheet) signed in pencil and numbered '24' lower margin, from an edition of 41, on light cream paper with acor

Two drypoint etchings overall: 9 x 11-1/2 in. (largest sheet) including 'Geese Rising' (Paff 238), 6-7/8 x 8-3/4 in. (plate), signed lower margin; and 'Alert' (Paff 242), 1925, showing three canvasbac

Two drypoint etchings overall: 11 x 10-3/4 in. (largest sheet) including 'Pair of Yellowlegs', 1916, second published state of two, signed and numbered '18' in pencil lower margin, from an edition of

TOWING A SHIP, 1919, drypoint etching, signed in pencil, from an edition of seventy-six impressions, plate 5 x 6”, sheet 18 x 12 ¾”.

This is an original etching and drypoint by American Sporting artist Frank Benson. The title of this work is "Redheads coming", it was created and printed in 1930. It appears in the Ordeman catalog as

FRANK WESTON BENSON (American 1862-1951) "Three Geese" and "Red Heads" Etching with drypoint. Sight: 8 3/4 x 15 3/8 inches; Frame: 15 3/4 x 22 1/8 inches. Sight: 6 3/4 x 8 5/8 inches; Frame: 15 3/4 x

Frank W. Benson (1862-1951) Little Bluebills, 1922 signed "Frank W Benson" lower left drypoint, 7 3/4 by 5 3/4 in. Paff #216, edition of 150 Condition: Very good. unframed, mat: 15 3/4 by 13 1/4 in.

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Rembrandt van Rijn (1606-1669)La N&#233;gresse Couch&#233;e [Nude woman lying down]Etching with drypoint and engraving, 1658, but a later impression of the final state (of six), on thick cream laid pa

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, but a later impression of New Hollstein's sixth state (of six), on cream laid pape