Byzantine Art

Circa 1200-1400 AD.This intricately formed cross is decorated with elaborate patterns in gold filigree, granulation, and wire on sheets of gold, a technique that is typical of late Byzantine art. The

Religious Middle-Eastern Chalice, Hand Hammered in Solid Silver & Gold Washed. Turquoise stones are not original setting. Style & Design is reminiscent of Byzantine Art, Craftmanship is Armenian. Heig

Item: Deesis Origin: Russian Icon Date: 1900-1930 Materials: tempera on wooden board size 45.5 x 21.5 cm In Byzantine art, and later Eastern Orthodox art generally, the Deësis or Deisis (Greek: ?????

TIFFANY STUDIOS TEL-EL-ARMANA / BYZANTINE IRIDESCENT ART GLASS VASE, green, gold, and blue iridescent, urn form with a cylindrical neck with crossed decoration, body having four vertica

Antique Ethiopian Last Supper Animal Painting, Mid 20th C. Oil on canvas, framed. Ethiopian Christian art is stylistically inspired by late Byzantine Christian art – very vivid and cartoonish.

Ca. 900-1000 AD. Silver chain, 80 cm long, with a two-part reliquary cross which shows traces of gilding. The construction and imagery of the front reveal Byzantine influence. Centrally, a stylised Ch

Ca. 1200-1400 AD.A beautiful gold cross composed of four flaring rods with drum-shaped finials to each arm. The entire body is richly embellished with intricate repeating circular openwork decoration

Ca. AD 700-800. An open-work matched pair of gold earrings in a crescent shape, with hook and eye closure. Each plaque features a central scene of two birds flanking the cross. The edges are ornamente

Ca. 600 AD A very elegant pair of Byzantine gold earrings, each composed of a hollow hoop with a hinged fastening and an openwork design of a filigree wheeled cross accompanied by scrolls composition.

Ca. 300 BC - 400 AD. A large group of terracotta oil lamps of various types, including Greek, Roman, Islamic and Byzantine. The collection comes with a detailed book containg the paperwork for each on

Circa 500-600 ADA gold ring with ribbing decoration to the shoulders tapering down the hoop shaped band. The central bezel is diamond shaped formed of a large emerald stone which has been cut and inla

Ca. 600-800 AD. A gold cruciform pendant with a rounded suspension loop, arms of approximately equal length, slightly flaring toward the ends. In the centre of the cross is a pink stone cabochon set i

Ca. 1200 AD A rare gold finger ring comprised of a faceted band with a rectangular bezel carved with an IC monogram for Jesus. The letters are connected by a stylized laurel wreath. The band bears the

BYZANTINE (E.170), 1987, cold-painted cast bronze sculpture, signed, numbered 323/375, published by Chalk & Vermilion & Seven Arts, overall 20 x 9 ½ x 3 ½”.

CA. 1200 AD A rare enameled gold pendant with a crescent-shaped body with a central inset of polychrome enamels depicting pair of birds facing each other. The borders are embellished with an intricate

Ca. 600 AD. A gold finger ring composed of a thin hoop with pairs of fine granules to each shoulder and a large bezel set with a garnet cabochon engraved with a depiction of a maltese cross with small

Ca. 600 AD A gold finger ring comprising a round-section hoop and an applied circular bezel bearing an image of seated Mary Theotokos and infant Jesus on her laps. The scene is flanked by a С&#1

Ca. 600-700 AD A stunning matched pair of gold earrings. Each comprised of a hinged and elongated hoop attached to a triangular-shaped plaque with an openwork filigree decoration. Suspended below are

Ca. AD 900 - 1200. A Byzantine bronze enclopion composed of two halves. The frontal side is decorated with engraved crucifix and an inscription: For similar see: Christie's, Live Auction 7659, Antiqui

Ca. 600-700 AD A beautiful gold cross pendant with expanding arms and ribbed suspension loop, inset pale green glass cloisons to the arms and centre. From lower and side arms short-chain dangles with

Height: 122 cm.PROVENANCE Private collection, Germany before 1990.

Ca. 600 AD A beautiful gold cruciform pendant with hollow arms tapering in towards the centre. At the junction a large raised setting with garnet cabochon framed with a filigree border. To each corner

Ca. 1200 AD An amethyst cameo depicting Christ Pantokrator which is represented in half-length and full-face, his head slightly turned to the left. He wears a tunic and a cloak that covers his arm, an

Ca. 500-700 AD A Byzantine gold ring featuring a discoid bezel joined to a solid round-section hoop, and decorated with a niello-inlaid design of a monogram in the form of a cross. For simiilar rings