Clare Mahl drypoint

Clare Mahl (1912-1988) ''An American Family''- drypoint, ca. 1935-43, signed and titled in pencil, stamped 'Federal Art Project/ NYC WPA', edition fo about 25. 10 x 8''

JOHN MARIN (AMERICAN, 1870-1953), ETCHING AND DRYPOINT, 1913, PLATE SIZE: H 12 3/4", W 10 1/4", "WOOLWORTH BUILDING #2:Pencil signed (within the plate mark); signed, titles and dated in the plate; ins

Martin Lewis (New York, Connecticut, Maine / Australia, 1881 - 1962) "Stoops in the Snow" Drypoint and sandpaper ground on cream wove paper, 1930. Second state (of 2). Edition of 115. Signed in pencil

Stoops in Snow  1930 signed in pencil outside plate l.r., signed within plate l.l. hand watermark u.r.  framed 10 x 15 in. (plate), 18 x 22.25 in. (frame)  Included are two

Pablo Picasso (Spanish, 1881-1973) Deux femmes se reposant, from 'La Suite Vollard' (Bloch 143; Baer 210) Drypoint, 1933, on Montval laid with the Vollard watermark, signed in pencil, from the edition

CLARE LEIGHTON Bread Line, New York. Engraving, 1932. 298x200 mm; 11¾x7 inches, full margins. Signed, titled and numbered 10/100 in pencil, lower margin. Fletcher 198.

Doris Clare Zinkeisen (Scottish, 1898-1991). Oil on canvas portrait painting of a woman in a elegantly draped pink gown. Signed along the lower right.Provenance: From the Estate of Horst Rechelbacher,

Very good sight condition, as shown. 1929 drypoint on paper by American artist Peggy Bacon (1895-1987) titled "Vanity", apparently one of thirty from this edition. Pencil signed and dated 1929. Bacon

Signed lower right margin: Martin Lewis and in print the plate lower left: M. Lewis. Sight: H: 12; W: 16 1/4 inches. Frame: H: 18 7/8; W: 19 inches. Prov: Kennedy Galleries Condition: Removed from fra

Martin Lewis (American, 1881-1962) Rainy Day, Queens (McCarron 94) Drypoint, 1931, on laid paper, signed in pencil, one of 70 recorded impressions, with margins, framed Plate 268 x 300mm (10 1/2 x 11

KATHE KOLLWITZ GERMAN, 1867-1945), ETCHING, DRYPOINT & AQUATINT, 1899, H 11", L 12", "AUFRUHR" ("REVOLT"):Signed in pencil lower right. Numbered 7/50 lower left. Framed.

CLARE SHERIDAN (BRITISH 1885-1970) Bust of Lenin, 1922 bronze with brown patina 29 x 21 cm (11 3/8 x 8 1/4 in.) signed lower right; signed, dated, stamped with copyright symbol and dedicated on verso:

Artist: Martin Lewis, Australian/American (1881 - 1962) Title: Ha'nted Year: 1932 Medium: Drypoint Etching, signed in pencil Image Size: 13.5 x 9 inches Frame Size: 21.5 x 17.5 inches

Pablo Picasso (Spanish, 1881-1973) Original 1968 Lithograph, "Untitled". Dated, en verso, May 1, 1968 / May 3, 1968. Pencil signed, "Picasso" and numbered 24/50. Drypoint etching was during his "347 S

Pablo Picasso (1881-1973) Etreinte I (Bloch 1110; Baer 1103 V.B.b) Etching with drypoint, 1963, on BFK Rives wove paper, signed and numbered 37/50 in pencil, published by Galerie L. Leiris, Paris, 196

Samuel Margolies (American 1897-1974) Men of Steel, c.1940, drypoint etching, signed in pencil lower right, from an edition of 250, published by Associated American Artists, matted and framed. Dimens

RICHARD DIEBENKORN (American 1922-1993) "#38 from 41 Etchings Drypoints 1965" Drypoint etching. Image: 8 1/4 x 7 1/4 inches; Frame: 18 3/8 x 15 1/2 inches. Pencil signed initials and dated lower right

Gene Kloss pencil signed drypoint etching - Penitente Fires II - 10 3/4" x 13 3/4" image; 17 1/2" x 20 1/4" O.D.

Signed by Albert Einstein and the artist. Drypoint etching "Portait of Einstein" by German artist Hermann Struck (1876-1944). Pencil signed, titled, dated, and numbered #37/50. Very good sight conditi

PABLO PICASSO (1881-1973) 1C-1-1525 347 Series: No. 451968 Aquatint and drypoint 12 3/8 × 15 1/2 inches Artist's proof aside from the edition of 50 Signed In pencilBloch 1525 Provenance: Estate o

GEORGE ELBERT BURR Longs Peak-Estes Park, No. 4. Etching and drypoint, circa 1915-20. 247x194 mm; 9¾x7 inches, full margins. Signed in pencil, lower left. A superb, richly-inked impression of thi

Doris Clare Zinkeisen (British, 1897-1991) A Lady on Horseback signed 'Doris Zinkeisen' (lower right) oil on canvas 71 x 92cm (27 15/16 x 36 1/4in). Footnotes: Provenance Sale;

Vincent Clare (British, 1855-1930) "Flowers and Bird Nest in a Hedgerow" oil on canvas signed lower right. Period frame. 12" x 18", framed 20-1/4" x 25-1/4"

Leighton, Clare (1898-1989) I: Cutting, from the Lumber Camp Series. 1931.Wood engraving on off-white Japanese paper, copy number sixteen from the English edition of thirty, signed lower right, number