Claude Lorrain, copper printing plate & etching

Claude Lorrain, copper printing plate & etching, Claude Lorrain (French, 1600-1682), "Berger et Bergere", original etched copper plate, reverse signed in the plate lower right, with later impression p

Claude Lorrain, Copper Printing Plate and EtchingClaude Lorrain (French, 1600-1682), "Berger et Bergere", original etched copper plate from which the engravings are made reverse signed in th

Claude Monet (1840 - 1926). Paysage a Antibes (Landscape in Antibes). Hand Pulled Copper plate etching and drypoint, printed in Sepia ink, on cream laid paper after the original by Auguste Marie Lauze

Claude Monet (1840 - 1926). Mueles a Giverny (Haystacks in Giverny). Hand Pulled Copper plate etching and drypoint, printed in Sepia ink, on cream laid paper after the original by Auguste Marie Lauzet

Antique etching of the "Venus de' Medici" statue along with the original engraved copper printing plate. No apparent mark's or signatures to print or copper plate (13 1/4" x 8 3/8"). Both in excellent

Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by Thomas Lupton for the "Beauties of Claude Lorraine" portfolio. The inscription sta

Richard Earlom (1743-1822), etching after a drawing by Claude le Lorrain number 178 from the Original Collection of the Duke of Devonshire, 1776, published by John Boydell. Visible approx. 11.5 x 14.7

The Landing on the Latium Coast Medium: etching and aquatint (after the drawing). Engraved by Richard Earlom (1742-1822) after Claude le Lorrain. From Claude Lorrain's Liber Veritatis, this is Plate 1

etching, likely 17th century, inscribed in plate lower left, with short scratch on shepherdess' left leg, matted and framed. Platemark 7 3/4 x 10 1/4 in.; DOA 14 3/4 x 17 in.

Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers:

etching on laid paper, appears to be an early printing, sheet trimmed to platemark, matted and framed. Platemark 5 7/16 x 7 13/16 in.; Sheet Size 5 5/8 x 7 7/8 in.; DOA 13 1/2 x 15 5/8 in. A richly-in

"Meules â Giverny". Etching in Sanguine on Arches watermark laid paper. Pulled from copper plate executed by A.M. Lauzet of Paris, dated C. 1891 and numbered 1/25. (150/300)

Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers:

Group of ten prints on wove paper after drawings by Claude Lorrain, circa 1774. All imprinted at bottom "From the Original Drawing in the Collection of the Duke of Devonshire". Includes plate numbers:

8 x 10 in. (plate), 15 1/2 x 17 1/2 in. (framed). Claude Gellee, who was called Lorrain after his native province of Lorraine, was born in c. 1600 at Chamagne, France, near Nancy. He settled in Rome p

2 piece art lot. Claude Lorrain etching after Richard S. Chattock, Cephalus and Procris, signed in the plate in the lower margin Claude and R.S. Chattock, image 6 1/2" x 8 3/4" (with frame 13 1/2" x 1

8 x 10 in. (plate), 15 1/2 x 17 1/2 in. (framed). Claude Gellee, who was called Lorrain after his native province of Lorraine, was born in c. 1600 at Chamagne, France, near Nancy. He settled in Rome p

Claude Lorrain,(French,1600-1682) Le Passage du Gué. 1634. Original etching printed in black ink on wove paper. Signed and dated in the plate "Claud Gille 1634", lower right. An impression of the f

Claude Gellée de Lorrain (France) 1660-1682. L'Enlèvement d'Europa. Etching, 1634. Manocci 14, iii/III; Russel 21, v/V; Blum 9; Robert-Dumesnil 22, iii/III. Signed and dated in the plate, l.

Armad Durand (b1831-d1905), engraver of primarily Rembrandt etchings. When he died, the Dominique Vicent et Cie company bought the copper plates and began their own line of etching printings. This wen

Armad Durand (b1831-d1905), engraver of primarily Rembrandt etchings. When he died, the Dominique Vicent et Cie company bought the copper plates and began their own line of etching printings. This wen

Armad Durand (b1831-d1905), engraver of primarily Rembrandt etchings. When he died, the Dominique Vicent et Cie company bought the copper plates and began their own line of etching printings. This wen

Armad Durand (b1831-d1905), engraver of primarily Rembrandt etchings. When he died, the Dominique Vicent et Cie company bought the copper plates and began their own line of etching printings. This wen

Armad Durand (b1831-d1905), engraver of primarily Rembrandt etchings. When he died, the Dominique Vicent et Cie company bought the copper plates and began their own line of etching printings. This wen