Dana Robes Studio, breakfast table

Dana Robes Studio, breakfast table, 1996, Enfield, New Hampshire, curly maple top and legs, short black walnut drop-leaf sides and foot caps, signed "Dana Robes Wood Craftsmen... Crafted by: Joseph Ke

After Frank Lloyd Wright Dana-Thomas House breakfast table Bexley Heath Ltd./John Widdicomb Co.USA, 1904 / c. 1996white oak veneers, solid quarter sawn oak 28.5 h x 53.75 w x 53.75 d in (72 x 1

Albert Paley Breakfast table Paley StudioUSA, 2006forged and fabricated steel with a blackened finish, glass 29.25 h × 60 dia in (74 × 152 cm) Impressed signature to base 'Al

Oil on canvas. Signed lower right. Dimensions: 18" x 24". Milo Kendall Winter, Jr. (1913-2002), was a graduate of the Art Institute of Chicago (1937), then studied at the Cranbrook Academy of Art in B

Oil on board by Mabel Ducasse (1895-1976). Framed: 11 1/2" x 10 1/4". Unsigned. Ducasse is better known as the art critic for the Providence Journal, but her own artwork was re-discovered in a Newport

An exceptional Mission or Arts & Crafts style oak dining table or breakfast table In the manner of Frank Lloyd Wright By J.B. Van Sciver Co. USA, Circa Mid-20th Century Measures: 54"W x 54"D x 28.5"H.

Attributed to Gordon & Jane Martz for Marshall Studios, circa 1960/1970s. A walnut and ceramic circular breakfast, dining table or center table, the table top inlaid with a mosaic of graduating square

After Frank Lloyd Wright Dana-Thomas House double-pedestal table lamp Paul Crist StudiosUSA, c. 1902 / c. 1989lacquered copper, leaded glass 23.5 h x 32.25 w x 19.25 d in (60 x 82 x 49 cm) <

After Frank Lloyd Wright Dana-Thomas House single-pedestal table lamp Paul Crist StudiosUSA, c. 1902 / 1989patinated copper, patinated bronze, leaded glass 24 h x 29 dia in (61 x 74 cm)

Group of 14 vintage tablecloths in linen and cotton, mostly hand embroidered, and mostly square breakfast cloth size. All have some conditions from minor to major with spots and storage discolorations

An Anglo-Colonial Carved and Specimen Woods Inlaid Tilt-Top Breakfast Table 19th Century Height 30 x diameter of top 45 inches. Property from a Private Chicago Collection

Butterscotch shade with yellow and green leaf and vine pattern. Unusual period art nouveau gilded base. Shade signed Tiffany Studio's New York #1435-132, 16dia x 22h

English, first quarter 19th century. Regency - George IV parcel gilt and ebonized walnut tilt-top breakfast or center table, having a fluted pedestal, four-part platform, and rising on winged paw feet

Albert Paley Breakfast table USA, 1993formed, fabricated and painted steel, glass 29.75 h x 52 dia in (76 x 132 cm) Impressed signature and date to base 'Albert Paley 1993 - 4'. This work is n

Fine Peter Scherpenzeel Studio Tiffany-Style Table Lamp, shade engraved "Peter Scherpenzeel Studio '97 Amsterdam", Jacob's Ladder form bronze base with spurious mark "TIFFANY STUDIOS/NEW YORK", h. 30

Early 19th c. Empire mahogany tilt top breakfast table. 52" D., 28" Ht..

A Regency Rosewood Breakfast Table Early 19th Century Height 28 1/2 x diameter of top 50 inches.

19th century Regency tilt-top breakfast table. [30 1/2 x 48 (dia) inches; Tilted: 59 inches H; 26 1/4 inches to apron].

McGuire or Boracay bamboo dining table and six chairs. The table with bound bamboo supports and an oval glass top. The chairs are bound bamboo with tan bamboo-patterned cushions.Provenance: Collection

A 19th C. English Regency rosewood breakfast table with a tilting circular top with brass inlaid foliate forms over a tapering rectangular shaft on a brass inlaid plinth base. Raised on four saber leg

With green patina metal base and blue and white inset tile top. Height 29". Width 47". Length 92 3/4". (1500/2000)

A Regency Brass Inlaid Tilt-Top Breakfast Table 19th Century Height 28 x diameter of top 50 3/4 inches.

Georgian-Style Satinwood Inlaid Mahogany Breakfast Table, 20th c., circular top with segmented veneers, turned standard, saber legs, casters, h. 29 in., dia. 72 in. Provenance: Collection of Dr. Bruce

Circa 1830. Having a circular top with brilliantly figured rosewood above lower frame boasting acanthus carving and well gilded details resting on base again nicely carved and gilt trimmed and all ato