D.I.M

Pair of DIM (Jubert et Petit) club chairs. Lateral mahogany veneer on oak frames. Stepped design bottom edge. Upholstered in white leather. Made in France circa 1925. Signed DIM on base. Purchased fro

A pair of French Art Deco designer side chairs designed circa 1925 by Rene Joubert (1878-1931) and Philippe Petit (1900-1945) for DIM (Decoration Interieure et Moderne, Paris). Moderne lounge chairs p

French, circa 1925, attributed to Decoration Interieur Moderne, mahogany and ebony inlaid frames, modern brown and black upholstery, each with loose cushion, 29-3/4 x 27-1/2 x 33 in. Provenance: Mackl

French, circa 1925, attributed to Decoration Interieur Moderne, mahogany and ebony inlaid frames, modern brown and black upholstery, 29-3/4 x 27-1/2 x 27-1/2 in.; each with pillow and ottoman, 18 x 20

French, circa 1930s, each with walnut frame set with foliate tapestry style upholstery with loose down seat cushion, 31-1/2 x 22-1/2 x 26-1/2 in. Provenance: Sotheby's (tags attached); Private Collect

D.I.M Tapis en laine tissé main à décor d’oiseaux et papillons, teintes blanc cassé, orangée, bleu clair sur fond beige. Signature "DIM" dans le tissage. A woo

ARANJOU (éditeur) : Cinq tabourets et une table basse circulaire en orme teinté. Circa 1970. Dim. table : 51 x 60 cm. Dim. tabourets: 45 x 34 cm.

Chest of Drawers in marquetry of bakelite, Indian rosewood and blonde makassar ebony with hardware in silvered bronze. Made in France c. 1925. Measures 38" H x 49" W x 18.5". 4594 Please review all ph

A pair of rosewood art deco chairs designed by DIM (Joubert et Petit). Made in France c. 1935 Decoration Interieure Modernes (DIM) They measure approx 30" H x 28" W x 34" D. Front seat cushion is 15.5

A French Art Deco metal mounted writing desk by DIM (Joubert et Petit) circa 1930. Ht: 29.75" Wd: 57.5" Dpth: 29"

Description: French art deco, marble top, marquetry demi lune by DIM (Meuble Installe De'core). With original booklet. Dimensions: 35.5" x 51" x 21'

Pair of Dim 333 floor lamp for Oluce. 1975. Painted metal and chromed metal.. Cm 38,00 x 200,00 x 30,00.

19th C. French Gilded & Cut Glass Centerpiece Tazza Dimensions: 13 x 6 3/4 x 7 5/8 Dimensions of the bowl: 9 5/8 x 6 3/4 x 1 3/4

golden metal, wood, enamel and leather, mark on the back, slight defects

275 American Modern Credenza Sideboard Cabinet with Dimensional Doors. -- Dimensions: H: 30 inches: W: 74 inches: D: 19 inches ---

Dim floor lamp for Oluce. 1975. Painted metal and chromed metal.. Cm 36,00 x 215,00 x 24,00. Literture: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p. 236 Catalogo O-Luce 2011, p

An inscription identifies the subject as Rana Pratap Singh, probably referring to Maharana Pratap Singh II of Mewar (r. 1751–1754) who, after ascending to the throne, only lived for a few years

GEORGE D'AMATO Minimalist Enameled Steel Sculpture. Dimensional interpretation of the square. . White Laminate Base. D'AMATO was an award winning art director who worked on award winning ad campaigns

Two Bakelite butterscotch carved ribbon clamper bracelets Two Bakelite butterscotch carved ribbon clamper bracelets; one with open work floral design. 2 1/3" inner dim., 1 1/4"W

GEORGE D'AMATO Minimalist Enameled Steel Sculpture. Dimensional interpretation of the square. . Black Wood Base. De Stijl Style. D'AMATO was an award winning art director who worked on award winning a

DIM 33, 1975 H 200 x diam 30 cm floor lamp with dimmer giving direct and indirect light, lacquered steel base, chromium-plated stem, heightadjustable re ector in lacquered aluminium.Oluce Manufacture.

Description: DIM (Meuble Installe De'core) French art deco burled man's chest Dimensions: 59" x 30" x 12.5"

Artist: Dima Olesh Title: Untitled Medium: Fine Art Giclee on Canvas Edition: 45 Signature: Hand-signed by the artist Image Size: Approximately 17 ½ inches x 31 inches Framed: Unframed on Unstr

Chapeau en coton, Chine - Début du XXe siècle Dim. 23 x 52 cm Bibliographie : - Costumes et textiles de Chine de la Collection de Zaira et Marcel Mis, Zaira et Marcel Mis, Bruxelles, 2012, p. 84. -