Don Swann

(GIDEON WELLES.) Extensive archive of personal and family papers of Lincoln's Secretary of the Navy. More than 1,000 items in 6 boxes (2.5 linear feet), including approximately 153 Autograph Letters S

CHARLES DEMUTH Tulips. Watercolor and pencil on paper, 1924. 457x303 mm; 18x11 inches. Signed and dated in pencil, lower recto, and with an additional watercolor study, verso. Provenance: Margaret V.

CHARLES DEMUTH Daylilies. Watercolor and pencil on paper, 1918. 456x302 mm; 18x11 inches. Signed and dated in pencil, lower left recto and with an additional pencil sketch, verso. Provenance: Margaret

JOSEPH DELANEY Third Avenue Movie. Oil on canvas, 1940. 430x535 mm; 17x21 inches. Signed and dated in oil, lower left recto and signed, titled and with the artist's address in oil on the stretcher, ve

TOM OF FINLAND (1920-1991) Portrait of Eric. Graphite on paper. 1985. 273x145 mm; 10¾x5¾ inches, image, on 13x9½-inch sheet. Signed "Tom -85" lower right. Accompanied by two Autograph L

RICHARD HAMBLETON Rodeo. Acrylic on canvas, 2003. 1830x1600 mm; 72x63 inches. Signed and dated in silver acrylic, lower right recto.Ex-collection Harold Atkins Hunter, New York; thence by descent to t

EDWARD HOPPER Night Shadows. Etching, 1921. 175x210 mm; 7x8¼ inches, full margins. Edition of approximately 500. Signed in pencil, lower right. Published by The New Republic, New York. A brillian

MARTIN LEWIS Relics (Speakeasy Corner). Drypoint, 1928. 302x252 mm; 11¾x9¾ inches, full margins. Edition of 111. Signed in pencil, lower right. A brilliant, luminous impression of this impor

ROBERT LONGO Rick. Lithograph on Arches Cover paper, 1994. 1016x597 mm; 40x23½ inches, full margins. Signed, dated and numbered 125/170 in pencil, lower margin. Published by Greenpeace, New York.

HUGH STEERS (1962-1995) Edge of the Tub. Oil on gessoed paper. 15x10 inches. Signed, titled and dated in pencil, verso. 1994.Published: Hugh Steers: The Complete Paintings, 1983-1994, New York: Visual

AL HIRSCHFELD (1903-2003) Sweeney Todd. Illustration for the 1979 original Broadway production of "Sweeney Todd: The Demon Barber of Fleet Street" at the Uris Theatre, published in The New York Times,

MARC CHAGALL (AFTER) Romeo and Juliet. Color lithograph, 1964. 640x993 mm; 25¼x39 inches, full margins. The deluxe edition, before letters. Signed and numbered 50/200 in pencil, lower right. Prin

MARTIN LEWIS Subway Steps. Drypoint printed in dark brownish black, 1930. 345x205 mm; 13x8 inches, full margins. Second state (of 2), after the reduction of the plate. One of only 8 artist's proofs in

(CIVIL WAR.) John Bachmann. Panorama of the Seat of War. Portfolio of 6 double-page chromolithographed panoramic perspective maps of Confederate states. Folio, 23½x17 inches, contemporary half mo

ANGEL BOTELLO (1913 - 1986, PUERTO RICAN) Iglesia de San José, San Juan, Puerto Rico. Oil on plywood. Signed, Botello, lower right. Inscribed, N: 1.121, on verso. 915x1220 mm; 36x48 inches.

DAVID WOJNAROWICZ (1954-1992) Untitled (Buffaloes). Platinum print on rag paper, the image measuring 270x352.4 mm; 10x13 inches, the sheet 406.4x508 mm; 16x20 inches, with the Wojnarowicz Estate stamp

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

MARTIN LEWIS Veterans. Lithograph, 1935. 250x342 mm; 9¾x13½ inches, full margins. Edition of only 8. Signed in pencil, lower right. A very good impression of this extremely scarce, first-kno

ROMARE BEARDEN (1911 - 1988) Ritual Bayou. Set of 6 editioned collages, color photo-lithograph mounted on finished plywood, as issued, 1971. Each approx. 394x508 mm; 15½x20 inches. Each signed an

MARTIN LEWIS Yorkville Night. Drypoint, 1947. 216x290 mm; 8½x11½ inches, full margins. Signed in pencil, lower right. A superb, richly-inked impression of this scarce print. Lewis (1881-1962

SADAO HASEGAWA (1945-1999) "Red Dan." Double-page illustration for the story "Red Dan" by Nat Wit published in the March 1988 issue of Advocate Men, pages 14-15. Mixed media including tempera, waterco

MARTIN LEWIS American Nocturne. Lithograph with scratchwork, 1937. 250x366 mm; 9x14 inches, full margins. Edition of approximately 17. Signed in pencil, lower right. A very good impression of this ext

(AMERICAN INDIANS.) George Catlin. Catlin's North American Indian Portfolio. 25 hand-colored lithographs, each 22½ x 16½ inches. 20 text pages. Folio, publisher's ½ calf, moderate wear

REGINALD MARSH Bathers at Coney Island. Tempera on illustration board, 1951. 402x505 mm; 15x20 inches. Signed and dated in tempera, lower right recto.Provenance: Frank K.M. Rehn Galleries, New York; T