Hermann Max PECHSTEIN: "Nach dem Bad"

Hermann Max Pechstein (1881-1955, German) 'Zwiesprache (Dialogue), 1920. Color woodcut, signed in pencil. Image 15 13/16" x 12 9/16", Sheet 20 1/16" x 14 7/8", cream, smooth laid paper. Publisher Euph

Hermann Max Pechstein, watercolor, Hermann Max Pechstein (German, 1881-1955), "St. Denis", 1908, landscape with bridge, watercolor on paper, signed, titled and dated lower right, 9"h x 12"l (sight), 1

† Hermann Max Pechstein ( 1881-1955) German "Composition (with three Arcadian nudes)", signed in pencil and in plate with monogram and dated 1918, with blind stamp "DIE SCHAFFENDEN", print on pa

Ink on paper 5?x8?

Black ink on section of printed German periodical ("Kladderadatsch"), portrait of a woman, attributed* to Hermann Max Pechstein (1881-1955). Pencil signed and dated 1916. 6 5/8 x 9 1/2 inches. Unframe

Country Road. Initialed HMP l/l, the reverse mount inscribed Hermann Max Pechstein. Watercolor on Paper. Site 10 by 14 in., overall 12.75 by 18 in.

A German statue of Martin Luther with a music box, late 19th centuryZinkguss. Vollplastische Figur Martin Luthers mit der Bibel nach dem berühmten Standbild Ernst Rietchells in Worms. Auf hohem, be

Emperor Wilhelm II and Auguste Viktoria - two portraits, circa 1900Foto nach dem Portrait des Hoffotografen Bieber 1894, Wilhelm II. in schwarzem Kürass mit Ordensschmuck, darunter seine faksimil

Archduchess Marie Valerie - five personally addressed envelopes to the Emperor, 1898 - 1915Trauerkuvert mit schwarzem Siegel nach dem Tod der Kaiserin, in violetter Tinte adressiert "Seiner k.u.k. Apo

A Vienna style dark green-ground porcelain 'Nach dem Tanz' vaseCirca 1900The painting after Max Nonnenbruch (German, 1857-1922), signed "Donald" in painting; marked to underside with blue crowned D en

Expressionismus Der Anbruch. Sammlung von vier Heften. Mit Holzschnitten und Lithographien nach Arbeiten von Emil Nolde, Christian Rohls, Ludwig Meidner, Lyonel Feininger, Otto Müller, Max Pechstein

MAX HERMANN FRITZ 1873 Neuhaus am Rennweg - 1948 Dresden Junge Frau mit dem Froschkönig Bronze, braun patiniert, schwarzer Marmor. Ges.- H. 37 cm, H. 33,5 cm (Figur). Auf der Plinthe bezeichnet 'M. H

Auf rechteckigem Natursockel schreitendes Löwenpaar. Polychrome Unterglasurmalerei. Entw. Max Hermann Fritz, 1934. Manufakturmarke. H. 29 cm. L. 54 cm. Provenienz: Aus dem Nachlass einer bedeuten

Max Pechstein (German 1881-1955) Jumpers, 1912, woodcut in colors on paper, signed in pencil,lower right, dated 1912, inscribed lower left. Dimensions: 7.5 x 12 in. image size. Condition: Laid down

Max Pechstein (1881-1955) Titelblatt zu 'Ein Dorf'; Der Morgen, from Ein Dorf (Krüger H.193, H.194), 1919 Woodcuts on laid J.W. Zanders paper with watermark, each signed in pencil, dated and numb

Max Pechstein (German, 1881-1955), "Eigendanick," 1918, lithograph, pencil signed and dated, image: 17"h x 13.5"w, overall (with frame): 18.25"h x 12.25"w. Provenance: Triton Museum of Art (Santa Clar

1918; hand colored lithograph; signed in pencil lower right; Provenance: American Masters Gallery, Los Angeles; 12 3/4 x 16 1/2 inches paper; 22 1/2 x 19 1/2 inches frame

PROBABLY RUDOLF FRIEDRICH AUGUST HENNEBERG OR CIRCLE 13. September 1826 Braunschweig - 14. September 1876 Ebenda ALLEGORY OF THE HUNT FOR HAPPINESS Oil on canvas. 82 x 145 cm. Part. min. rest. Frame.

MAX PECHSTEIN (1881-1955) Palaumädchen (Krüger R87), 1917 Drypoint, on laid paper, signed in pencil, from the edition of 50 on laid paper (there was also an edition of 20 on Japon paper), wi

Figur Nach dem Modell von Étienne-Maurice Falconet (1716-1791). Bronze, dunkel patiniert. "Badende". H 51,5 cm.

Frame: 15 5/8" x 13"/ Image: 11.75" x 9.25"

Ink on paper. Featuring sketch of a harbour with large ships at anchor. Signed "H.M.P." to the bottom left. "B-1764" inscribed on verso. "Herman Max Pechstein" inscribed on verso. "Brewerhaven 157" in

Weiblicher Kopf initial l.r. HMP, woodblock, 4 by 3 in. (image), matted, framed, under glass

Sehr seltene, zweiäugige TLR Kamera für Aufnahmen im Format 3x4 cm. Hergestellt von Wiener Camerawerkstätten Raimund Gerstendörfer, die nach dem zweiten Weltkrieg auch die Leica Ko