James D. Smillie etching

James D. Smillie (American 1833-1909)- ''A Voice From the Cliffs'' (Witthoft 42)- etching, 1886, after the painting by Winslow Homer, signed in pencil, very good condition. 6 3/4 x 10''

James David Smillie (1833 – 1909) pencil etching on paper,framed and glassed. Measurements - 7 1/4" x 11", with frame - 14" x 17 1/2". Signed - lower left.

James David Smillie (New York 1833 - 1909) etching. Artist monogram and surname 'JS Smillie' in plate lower left. Number 'No. 10' in plate lower right. Measures 11.625-in. x 8.625-in. sheet size. Imag

Artist: James David Smillie (American, 1833-1909) Title: Cedars in the Moonlight Year: 1878 Medium: etching Plate size: 8.3in X 6.3in Sheet size: 12.6in X 9.4in Unsigned, printed on felt-finish, cream

"At Marblehead Neck", signed in the plate and dated for 1883. Dimensions:Sight is 6" x 12 1/2", the frame 13 1/2" x 19 1/2". Provenance:From a Bucks County collection.

Medium: original etching. A fine impression on cream laid paper, published in 1880 by the American Art Review. Image size: 8 x 5 inches. Signed in the plate (not by hand). Reserve: $80.00 Shipping: Do

James D. Smillie (American 1833-1909)- 5 etchings- 1.) ''Nocturne''(Witthoft 20)- 1881, from Poets and Etchers, 7 3/4 x 5 3/4''; 2.) ''The Apology'' (W. 21)- 1881, from Poets and Etchers, 7 1/4 x 5 1/

Title: An Old New England Orchard.Artist: James D. Smillie (1833-1909). Etching, 1883. Signed in pencil. Image size 8 x 12" (20.4 x 30.5 cm). James David Smillie was an American etcher, engraver, pa

James D. Smillie (American 1833-1909) After Eastman Johnson (American 1824-1906) Etching “A Glass with the Squire”, signed within the plate top left “Smillie Agua Fortis 1886”, signed with the

An etching by James David Smillie directly from the watercolor by Winslow Homer. Inscribed in the plate in the lower right: "Winslow Homer 1883." Catalog: Witthoft 42. Signed by Smillie in the upper l

Etching by James David Smillie, an American artist from New York who was associatedwith the Realist and Romantic movements of the 1880’s. He was known for landscapeengravings and collaborated on ill

"A Voice from the Cliffs", 1886, etching, pencil signed, depicting three fishermen's wives, in stick frame, matted and glazed, OS: 12 3/4" x 15 1/2", SS: 8 3/4" x 10". Toned.

4 American and 1 French etchings- 1.) Charles Meryon- ''Vue Ancien Louve''; 2.) Mary Nimmo Moran- ''Solitude''; 3.) & 4.) James Smillie- ''Rough Sport in the Yosemite'' and ''Jefferson Street, Poughke

Artist: James David Smillie (after Winslow Homer) (American, 1833-1910) Title: A Voice from the Cliffs Year: 1886 Medium: etching Image Size: 6.8 X 10 inches Sheet Size: 11 X 15 inches <

Winter Scene by James David Smillie, American, 1881, plate signed and dated lower left. 11"h. 13"w., framed. "View of Borga, Finland", Swedish, early-mid 20th Century, titled and illegibly signed belo

TITLE:James Smillie Civil War Light Brigade Officer Original Drawing TYPE:Art SUB TYPE:Drawing REGION:United States SUB REGION: MEDIUM:Pencil SGD/UNS:Signed with Monogram DATE OF WORK:C 1860s-70s CATA

James Smillie, (American, 1807-1885), The Rocky Mountains, 1866 (After Albert Bierstadt), engraving with roulet, signed in pencil lower right, 16.75" x 27.75" Provenance: Provenance: Wunderlich & Comp

George Henry Smillie (American 1840-1920)- ''Old New England Orchard''- etching, 1883, signed in pencil, illustrated on p. 61 in 'The New York Etching Club Minutes' by Stephen A. Fredericks, 2009, ver

James Smillie, "Head Quarters at Newburgh" aquatint engraving, circa 1861-1877. Depicts a distant view of George Washington's headquarters along the Hudson River, Newburgh, New York. In the center of

Post-Revolutionary War to Civil War First Edition: "A Panoramic View From Bunker Hill Monument. Engraved by James Smillie, Boston: 1848" 1848-Dated, First Edition Booklet, Entitled "A Panoramic View F

Albert Bierstadt (American, 1830-1902): The Rocky Mountains (Landers Peak). Steel engraving on paper by James Smillie, signed and dated 1863 in the matrix, lower right. Matted and framed behind glass.

19th c. Thomas Cole engraving "THE VOYAGE OF LIFE…YOUTH", engraved by James Smillie. Sight 18 1/2" x 24 1/2", overall 23" x 29".

(4) After Thomas Cole engravings on paper by James Smillie after the paintings in the series "The Voyage of Life" by Thomas Cole, mounted in walnut Eastlake frames, 15-1/4" x 22-3/4" image, framed 26-

James David Smillie (1833-1909) American artist, was born in New York City. His father, James Smillie (1807ñ1885), a Scottish engraver, emigrat