Jane Bloodgood Abrams

"Autumn Radiance"; 2004; Oil on Board; 16" x 12"; Signed Lower Left; Framed.

Description - Jane Bloodgood-Abrams oil on canvas. Dimensions - Frame - 34" x 41" Sight - 23.5" x 29.5"

Jane Bloodgood-Abrams (American, born 1963), oil on board depicting a luminous sunset over the Hudson River, creating a beautiful wash of peach, violet and blue, signed "JBA '01" l.r., titled versa, 6

Jane Bloodgood-Abrams (American, 20th/21st C.) "Moonlit River," oil on panel, signed. Provenance: Ex collection of Dr. Horacio Fabrega, Pittsburgh, PA; COA from Christopher-Clark Fine Art, San Francis

JANE BLOODGOOD ABRAMS O/B TITLED SUNSET IN THE WOODS, 2008, IN BEAUTIFUL CONTEMPORARY FRAME, INITIALED AND DATED LOWER RIGHT, PAINTING MEASURES 24" X 20", DIRECTLY FROM NEW YORK CITY WEEKENDER'S HOME,

LOT OF TWO: "Mohonk Lake and Tower" and "View of the Trapps at Mohonk"; 2007; Pastel on Paper; 4.5" x 6.5"; Initialed Lower Left; Framed (under glass).

JANE BLOODGOOD-ABRAMSNew York, 1963-"Woodstock View". Signed and dated lower left "JBA '96".Pastel on paper, 4.5" x 6.5". Framed.

FRAMED PASTEL LANDSCAPE SGND JANE BLOODGOOD ABRAMS 12"X18" W/FRAME 20" X 26"

One by Peter Schnore, one by Noel Shepherson, one unsigned of a desert landscape, and one by Jane Bludgard-Abrams. From: 3"h x 5"w to 16"h x 20"w

The Pi true History of Painting: From Cave Painting to Modern Times by H. W. Janson and Dora Jane Janson. Published by Abrams, 1957. Wear to cover, pages, and spine consistent with exposure. Measures

JANE KALLIR, "EGON SCHIELE: THE COMPLETE WORKS", 1990, H 11 3/4", W 9 3/8":Jane Kallir, "Egon Schiele: The Complete Works". New York: Harry N. Abrams, Inc., 1990. With 3,075 illustrations, including 9

The Paintings of George Bellows Doezema, Marianne; Myers, Jane E.; Kelly, Franklin; Quick, Michael Published by Harry N. Abrams, New York, 1992 Bibliographic Details Title: The Paintings of George Bel

New York: Abrams, 1992. First edition in dust jacket. Signed and inscribed “To Jane lots of love George Lucas”. Provenance: From the collection of a senior staff member at Lucas Films.

New York: Abrams, 2005. First edition in dust jacket. Signed and inscribed “To Jane thanks for all your support and help over the many years with love George Lucas”. Provenance: From the collectio

A Group of Five Books Pertaining to Hunt Slonem, 20th Century, Including 'Hunt Slonem' (New York: Kunst Editions/Jane Group) and 'Hunt Slonem-An Art Rich and Strange' (New York: Harry N. Abrams, Inc.,

Wosera, New Guinea lintel, complete and intact. Wosera people, Middle Sepik Region. Decorated in polychrome red, yellow, white and black traditional paints. Line of eleven clan ancestor depictions in

A Pueblo Dance Panel of minimalistic design, circa 1900-1920. The use of the Indigo stripe on either side is unusual in a piece dating to this period. Excellent condition. Warp count 9, weft count 40.

Borneo. Hand forged iron. This dates to a period of active headhunting amongst the Kayan-Dayak peoples who had a collective belief in Animism. Taking heads was a means of revenge, and also a way of se

A set of three rare, museum quality copper "snake" currencies of spiral form from the Congo. These were associated with tribes of the Lake Leopold II Region, including the Mongo/Ngongo/and Lyembe peop

Crow parfleche case with crosses - Ex. Jay Gates, Washington, D.C. Ex. John Molloy, N.Y.C. Circa 1890.26 in. x 12 in. / 66.04 cm. x 30.48 cm.

A large granary door from Nagaland, NE India encompassing classic iconography of headhunter culture. Two carved taken heads, large, spreading mithun horns, 34 hornbills, and two dao holder representat

A Naga NE India crown of brass with spiral headhunting symbols, and trade beads. This would have been worn by a chief or warrior who had taken heads. 6 in. x 6.5 in. x 3 in. / 15.24 cm. x 16.51 cm. x

An interesting piece of folk art which parallels and anticipates abstract expressionism and many other contemporary art movements. This panel is from the home of a African-American Missouri woman, who

48 gambling sticks with "tattooed" engravings. Leather bag. 18th-19th Century. See another example Museum Natural History, NYC, Catalog No: 16.1 / 804 Field No: 63, those identified as Kitikshan, Uppe