Old Egyptian Silk Panel Tapestry Circa 1940

The ground of the textile is white and bordeaux. Large paisley motifs throughout. Almost the whole area of the textile is adorned with Organic foliate and animal motif. Upper part of the Islamic tapes

Old Chinese silk tapestry panel. Depicts numerous figures and deities within the clouds and on land, in court scenes, and in the sea. Panel measures approximately 70" x 35 1/2". Housed in metal frame

An Aubusson Wool and Silk Tapestry Panel Circa 1910 11 feet x 4 feet 6 inches. Property from the Estate of Michael L. Wilkie, Chicago, Illinois Michael L. Wilkie (1941-2021) was the owner of one of th

Old Chinese silk textile panel with embroidered decoration. Features a rectangular form depicting an elaborate figural scene with gardens, dwellings bridges and bodies of water, all bordered with a fl

A pair of giltwood open arm chairs having tapestry upholstery circa 1940. The backs having carved giltwood crest, lattice work panel over an upholstered arch form panel. Ht: 38.5" Wd: 24.5" Dpth: 22"

Indian 'Textile', India, circa 1940, silk/cotton, approx. 164 x 115 cm, condition: 3-4 (traces of age/use). Summer-Auction (160 Lots): Antique, old and decorative rugs & carpets. Please ask for condit

Rasht Embroidery Fragment , Persia, circa 1940, cotton with Silk, approx. 296 x 114 cm, (one border missing) condition: 3. Auction: Antique, old and decorative rugs & carpets. Please ask for condition

Franco-Flemish, circa 1725-1750. A fine verdure tapestry panel woven with wool and silk depicting a lush and wooded forest with flora, fauna and birds receding to a distant village. Approximately 5'9"

American, circa 1940, with grain-painted flat panels. 26 1/4" x 32", rabbet 22" x 28", molding 2 1/2".

House of Heydenryk circa 1940. Finely made giltwood frame in the Italian renaissance style having faux sgraffito decoration on ivory painted panel. Rabbet 28" X 31 1/2" overall 35 1/2" X 39" molding w

American, circa 1940, with gold sgraffito on flat black panels. Overall 14 1/2" x 17", rabbet 9" x 11", molding 3".

MARY IRELAND (1891-C.1980) OLD LADY IN TRADITIONAL COSTUME, CIRCA 1935 appliqué ‘fabric mosaic panel’, painted silk, with applied signature lower right MARY IRELAND, later framed(24.5

MARY IRELAND (1891-C.1980) ‘OLD WOMAN SEWING’, CIRCA 1935 appliqué ‘fabric mosaic panel’, painted silk, with applied signature lower right MARY IRELAND, inscribed verso OL

These are 2 beautiful pair of extremely heavy satin and silk blend tapestry like curtains covered in Gargoyle. Circa 1900sSome late feeding has occurred two parts of the panels over the years. This lo

Grouping of vintage linens and lace, a newer tapestry table runner, a small signed "Old World Weavers" silk, a very fine crocheted baby's cap 19th century, 4 1940-50 era table covers, etc. Most items

Coptic Egyptian late antique period (circa 6th-8th century CE) textile / tapestry roundel or tunic panel, polychromed figures and patterns. Panel: 9.5" diameter; frame: 19.5" H x 14.5" W.

CHRISTOPHER DRESSER (1834-1904) FOR WILLIAM FRY OF DUBLIN 'HERA' WOVEN SILK PANEL, CIRCA 1876 woven silk, framed(58cm x 42cm)Literature: The Aesthetic Movement The Decorative Arts Society, 2010, p.124

A painted iron and mirrored glass panel having stylized fish decoration circa 1940. Ht: 61" Wd: 75" Dpth: 1.5"

Type: TAPESTRY Origin: POLAND Circa: 1940 Size/Feet & Inches: 2'9'' x 3'0'' Size/Meters: 0.84 x 0.91 $$ Item Number: 98651 Please note that this lot has a confidential reserve. When you leave a bid in

Uzbek Robe, Hand Woven Silk, Circa 1940. Made in Tajikistan by an Uzbek. English lining.

Nile river featuring workers, farmers, animals. created using applique and embroidery for a tourist souvenir 79" x 18"

A pair of framed Asian silk tapestries with birds and flowers circa 1920. Ht: 21.5" Wd: 26" (framed)

Created for the tourist trade as a souvenir, hand sewn with appliques and embroidery featuring Egyptian sacred Gods, priests, or symbols 19" x 17.5"

ALIX AYMÉ (1894-1989) - Portrait of Vietnamese Maiden (HANOI - there is an inscription on the painting's reverse), ink and water colors on stretched silk, circa 1940. Signed (by pencil) and framed