PHILIPPE JEAN

PHILIPPE JEAN (1931-1986) Lampe sculpture formée de deux éléments en métal à double patine, l'un argenté et l'autre doré sur socle carré en métal doré

Philippe Jean Modern enameled bird table lamp with glass sphere and chromed metal elements, signed 'Ph Jean' and numbered '42/300'. Circa 1970's. 22" H x 18" W x 6" D.

Philippe JEAN (1931-1987) (dans le gout de): Lampe de table recouverte de stratifié noir et métal chromé. Abat-jour en toile de riz blanche. H (pied): 15 cm - H (totale avec abat jour): 44 cm

Philippe Jean, French (1931 - 1987) Bronze Sculpture on Marble Base "Carmen" Signed and Numbered 23/600. Overall measures 14" x 4-1/2". COA to accompany the lot. Condition: Good condition. Estimate: $

Young girls. Signed and numbered 166/300. Approx. 19" H of bronze. Slight chip to base.

Philippe JEAN (1931-1987) Salomé Epreuve en bronze poli. Signé et numéroté 29/600 H : 45 cm

Philippe JEAN (1931-1987) Sans titre Epreuve en bronze poli sur boule de verre. Signé et numéroté 24/300 H : 36,5 cm

PHILIPPE JEAN GILT BRONZE TABLE LAMP SCULPTURE - Modernist gilt bronze sculpture by Philippe Jean on black marble base and mounted as table lamp. Signed "Ph Jean" and numbered 225/300. Dimensions: Scu

SLAVERY - MAURITIUS: Philippe Jean de la Haye Duponsel (1752-1790) French slave trader established in Mauritius, which was called at that time, ''Isle of France''. An interesting and scarce letter rel

Erasmus Quellinus (1607 Antwerp - 1678 ibid.) after Richard Collin (1627 Luxemburg - 1697 Brussels): Portrait of Jean Philippe van Thielen, c. 1649, Copper engraving Technique: Copper engraving on Pap

Jean Philippe George Julliard (1818 - 1888) Swiss. Original oil painting on canvas. Antique 19th Century European landscape scene depicting rocky shoreline along a body of water with hardwood trees in

Jean-Philippe George-Julliard (1818 - 1888) Swiss. Original oil painting on canvas. European landscape scene depicting a family with a forest in the background housed in an ornate gold gilt wood frame

4 Ladies Casual Watches, Movado, Philippe Charrol, Jean Lassale and Zena. Four casual watches in generally fine condition 6 to 6½" in length: 1.) Zina watch is all sterling silver (2¼ oz

Artist: Philippe Halsman Title: Jean Cocteau, 1949 Medium: Photo Litho, 1998, USA Dimensions: 5.45x8.5" Additional Information: Heat Wax Mounted on 8.5x11" Conservation Board Artist Bio: Philippe Hals

Description: 6"x 6" limited edition Fuji Crystal Archival Matte paper print. Image size is 5.5" on the longest side and the paper size is 6" x 6". The Print is ESTATE STAMPED on the verso.Condition: B

Artist: Philippe Halsman Title: Jean Cocteau, Frame, 1949 Medium: Photo Litho, 1998, USA Dimensions: 10.1x10.3" Additional Information: Heat Wax Mounted on 14x18" Conservation Board Artist Bio: Philip

PHILIPPE HALSMAN (1906-1979) Jean Cocteau Sheet-fed gravure, 1970s Printed in Italy 10" x 9 1/2"

approx. 46 bust, 42 waist, good condition, see photo's

Jean Dubuffet, French, 1901 to 1985, a collage watercolor painting on paper depicting an abstract composition, 1962. Signed with initials and dated, lower right .Jean Philippe Arthur Dubuffet was a Fr

Description: Jean Philippe Arthur Dubuffet was a French painter and sculptor from the second half of the 20th century.Measures 27.5" x 31.5" inches Provenance: Private collection of France Note:We com

Sevres Style Bisque Porcelain Mantle Clock, After a Design by Charles Percier Spurious iron red printed mark. 23 1/4 x 13 x 8 in. Literature: For a similar example see Garric, Jean-Philippe ed., Charl

MEASUREMENTS:274"WX33"H FRAMED, MINT CONDITION/"in the style of"Jean Philippe Arthur Dubuffet was a French painter and sculptor. His idealistic approach to aesthetics embraced so-called "low art" and

Jean-Philippe Charbonnier (1921-2004) Backstage at the Folies – Bergère, Paris, 1960 Gelatin silver print, printed 2000, signed, titled, dated, inscribed and numbered '30/50' in pencil on th

After Jean Philippe Arthur Dubuffet was a French painter and sculptor. His idealistic approach to aesthetics embraced so called "low art" and eschewed traditional standards of beauty in favor of what