PSEUDO PIER FRANCESCO FIORENTINO

AMBIT OF PIER FRANCESCO MOLA (Coldrerio, 1612 - Rome, 1666) Saint Jerome Oil on canvas, cm. 76,5x62,2. Framed

(Milano, 1616 - Bologna, 1681) Vaso di fiori Olio su tela, cm 82X64,5 Milanese di nascita ma bolognese di adozione, Pier Francesco Cittadini fu un pittore di gran successo e le collezioni felsinee era

olio su tela, cm 190x170, All'origine del nostro esemplare si rintraccia un prototipo del Mazzucchelli conservato presso le raccolte dell'Ospedale Maggiore di Milano (cm 151 x 191). La tela, già ac

Attributed to Pier Francesco (Il Ticinese) Mola (Italian, 1612-1666) Maddalena penitente oil on canvas 59 x 44 1/4 inches.

Follower of Pier Francesco Mola (Coldrerio 1612-1666 Rome) The Rest on the Flight into Egypt oil on canvas 59.9 x 49.4cm (23 9/16 x 19 7/16in). This lot is subject to the following lot symbols: α

Ecole LOMBARDE du XVIIème siècle, suiveur de Pier Francesco Mazzucchelli dit il MorazzoneVisage de Christhuile sur toile 56 x 45 cm - 22.04 x 17.71 in Oil on canvasCachets de cire rouge au dos d

Painting on canvas of Saint Bertholdus. Dimensions: 45" x 33.5" Provenance: Was purchased on June,22nd 1997 from either Sotheby's or Christie's auction house, comes with a page from the catalog.

Attributed to Pier Francesco Mola The Holy Family Resting under a Tree Oil on canvas 12 1/4 x 16 3/8 inches (31.2 x 41.6 cm) C

After Pier Francesco Mola (Italian, 1612-1666) Likely 18th Century Hagar in the Wilderness oil on canvas spuriously signedMola (lower center) 25 1/8 x 30 inches. Provenance: Alfred Bader, Milwaukee, W

olio su tela, W. 73 - H. 87 Cm, Bibliografia di riferimento:, S. Bellesi, Vincenzo Dandini e la pittura a Firenze alla metà del Seicento, Pisa 2003, pp. 60 e 5gg., 141- 143, , "II ritratto, firmato

La zucca del Doni fiorentino Venezia, Domenico Farri, 1592. In 8°. Marca tipografica al frontespizio, fregi e iniziali xilografiche ornate, marginali fioriture e aloni, legatura coeva in pergamena fl

Autographed letter signed by the Grand Duke of Tuscany Francesco I de Medici. Florence, 4 June 1569, to Pier Gentile da Varano in Venice, . 4to, about a recommendation for the Duke of Camerino, whose

Alfred Wallis (British, 1855-1942) Pier with Boats and Fish signed 'A.WALLIS' (upper right) oil and pencil on card 23.8 x 30.5 cm. (9 3/8 x 12 in.) Footnotes: Provenance Sven Berlin, from whom acquire

olio su tela, W. 52 - H. 65 Cm, Chiaramente ispirato alle celeberrime teste composte di Giuseppe Arcimboldo, realizzate attraverso l’accostamento di ortaggi, frutti e oggetti d’uso comun

FILIPPINI FRANCESCO (1853-1895) Francesco Filippini 1853/1895 olio su tela "riposo di contadine" firmato in basso a destra Acquistato dalla Società per le Belle Arti ed Esposizione Permanente in MI

Giovanni Francesco Barbieri, better known as Guercino oil on canvas 39 1/4" x 28 3/4" Frame: 50 1/2" x 39 7/8" portrait of May Magdalena Signed lower right 'Guercino'.

FRANCESCO CLEMENTE 1952 Da remi per rane, 1980 Olio su tela cm. 61x91 Firma, titolo e anno al retro PUBBLICAZIONI Artforum, dicembre 1981 R.Ricard, "The radiant child" pag. 39 PROVENIENZA Sperone West

Carlo Bugatti (Italian,1856-1940) and Eugenio Quarti (1867-1929). Large Orientalist pier mirror. The ebonized wood structure profusely decorated with marquetry and metal inlay depicting bamboo, flower

Rideau. 1985. . Cm 150,00 x 105,00. Signature at the back. Calzolari Foundation, Fossombrone (PU) authenticity certificate on photo. Provenance: Paludetto Gallery, Turin; Studio Mirabello, Milan; Priv

XVII 17th century old master oil on canvas depicting the Stoning of Saint Stephen. This work, like one of Rembrandt's, is inspired by the martyrdom of Saint Stephen, as recounted in Acts 7. It demonst

CHINESE QING DYNASTY HUANGHAULI WOOD DRAGON SQUARE PIER ; H. 140 cm.

Francesco Somaini (1926-2005): Ordalia Bronze, 1964, unmarked, on a black steel stand. 45 in. (height without stand), 82 in. (height with stand). Galleria Odyssia, NY.Property from a Prominent Collect

Monumental pair George II giltwood pier mirrors, 18th c., England, in the manner of Benjamin Goodison, with large shell finial over a portrait medallion, rectangular mirror plate within a stop-fluted

Francesco Guardi (1712 –1793), The Holy Family and Saints Domenico and FrancescoThe present painting, probably destined for private devotion, depicts in the upper left the Madonna Assunta, Jesu