WILLIAM WILSON (20TH C. MAINE)

"Mt. Overlook, Catskills, NY", watercolor on paper, signed lower right, titled verso, depicting an ancient cemetery, in a grey cove frame, matted and glazed, OS: 16 1/2" x 19 1/2", SS: 10 1/2" x 13 1/

Acrylic on paper 21 1/2 x 27 1/2 in., 26 x 32 in. (framed).

j. William Yates (American, 20th C): Maine, 1974. Silver gelatin print mounted on rag board, unframed. Limited edition print (93/100) from the 8th annual portfolio of The Photographic Education Societ

William B. Laurence, (American, 20th / 21st C.) "S. Bristol, Maine", watercolor, beach scene at low tide, a building with the sign "raw bar" stands nearby, signed lower right corner, framed and matted

Scoter, Gus Wilson, South Portland, Maine, 2nd quarter 20th century. Slightly forward head pose with carved eyes and inlayed neck seat. Slight relief wing carving. Measures 15.75" long. Notes: Decoy

Kubitz, Frederick (20th/21st C, American), watercolor "Eastport Harbor, Maine c. 1690", 28.5" x 20.5" sight, framed 43" x 35" W1801

LeBlanc, Denis (20th/21st C, American), watercolor on paper "Overcast", Maine coastal scene, 23" x 37.25" sight, framed 35.25" x 49.75" W3455

Rafferty, Ed (20th/21st C, American), watercolor "Old Glory Welcome, Maine", 29" x 16.5", framed 44" x 31.5" W2315

Kubitz, Frederick (20th/21st C, American), oil on canvas "Popham Beach, Maine", 18" x 24", framed 23" x 29" O3494

(lot of 2) Framed oil on canvas board paintings, Fred McCall (20th/ 21st c.), including: (1) "Little Miss Fairfield," after the original by William Matthew Prior (Massachusetts, Maine, 1806-1873), (1)

Wind Whipped Waves, oil on canvas, signed lower left, in a substantial gilt molded cove frame, OS: 38 1/2" x 44 1/2", SS: 29 1/4" x 35 1/4". Fine condition.

“Gloucester Fishing Boats at Dock” oil on canvas 25 x 30 inches. signed framed 33 x 37 inches (overall)Temp No 192

White Heron in Wetlands, watercolor on paper, signed lower left and dated '97, inscribed verso by the artist as a gift to 'Frank', housed in a gilt molded frame, matted and glazed, OS: 26" x 38", SS:

William Wilson (20th Century), The Weight-Lifter, dated '56, oil on panel. 24" x 16 1/2".

(2) Views of Maine, including: "Benjamin River, Sedgwick, Maine, 1940" & "Mount Cadillac from Sedgwick, Maine, 1940", oil on canvas, laid to plywood, both signed lower right, titled on labels verso. I

Impressionist oil on board. 18 x 14 in., 22 3/4 x 17 3/4 in. (framed). The Museum Of Science and Industry in Chicago.

"Lobster Buoys", oil on masonite, depicting buoys on an exterior shanty wall, signed lower left, titled on card verso, stamped with his Rockport, Maine address, housed in a faux weathered grey frame,

(2) Watercolors of Maine Subjects, including: Fishing Trawler "Stephanie Diane" moored, signed lower left, in bird's-eye maple frame, under glass, OS: 17 1/2" x 24 3/4", SS: 14 3/4" x 22 1/4"; PLUS Gr

S. Clay Wilson (20th c.) "Head", 1991, signed and dated. Framed. Size: 5.75'' x 5.75'', 15 x 15 cm (sight); 10'' x 10'', 25 x 25 cm (frame).

Sailor Sighting his Sextant, watercolor on paper, signed lower left, in gold molded stick frame, matted and glazed, OS: 21 3/4 x 28 3/4", SS: 14 1/4" x 21 1/4". Good condition.

"Bound for Newcastle", black and white woodcut, depicting a stern view of the "Newcastle Voyager", pencil signed and titled on the mat, in black stick frame, matted and glazed, OS: 19" x 14 3/4", SS:

Artist's studio. Oil on board 16 x 20 in, 22 x 26 in

Signed E William, 20th C. Oil on Canvas Full Sail Clipper Ship on Seas, Framed. size: 24 x 36, 29 x 41 outside frame

Painted Fireboard Portrait of the USS Constitution underway near a lighthouse, oil on canvas stretched over plywood, signed lower right, signed verso and dated 1989, with loose block feet, 35 1/4" x 4