Lot 1043

FEDERICO BIANCHI (attr. a)

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CORNELIS VAN HAARLEM (attr. a): (Haarlem, 1562 - 1638?) Venere, Marte e amorini Olio su tela, cm 73X105 Provenienza: Oslo, collezione Mrs. Lily Larsson Il dipinto registrato presso l'RKD (Iconclass-code 92B423) come attribuito a Cor

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ANDREA SABATINI DA SALERNO (attr. a): (Napoli, 1490 - attivo fino al 1530) San Giovanni Evangelista e Santo Olio su tavola, cm 36X61 Certamente attivo a Napoli nel 1510 con la qualifica di Maestro, Andrea Sabatini mostra sin da subito uno

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Ma Shaoxuan Attr. Scholar Reverse Painted Snuff Bottle: Attributed to Ma Shaoxuan (1869-1939) Scholar Reverse Painted Snuff Bottle 2.75''. Fine reverse painted bottle with scholar in landscape with bird in flight. Verso has large calligraphy inscription. C

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Attr. George Loring Brown (1814 - 1889) O/C: "Cape Sounion in Greece" Purchased from Christie's East sale #6271, lot 4a on Jan 21st, 1987.Attributed to George Loring Brown.Christie's East label verso.Provenance: George Decas Collection, Massachu

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KAREL VAN DER PLUYM (attr. a): (Leida, 1625 - 1672) Sant'Antonio Olio su tela, cm 58X48,5 Karel van der Pluym era il pronipote di Rembrandt e, sebbene non esistano prove documentali, probabilmente studiò con lui ad Amsterdam intor

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Zhou Leyuan Attr. Birds & Dog Reverse Painted Snuff: Attributed to Zhou Leyuan (act.1882-1893) Birds & Dog Reverse Painted Snuff Bottle 2.75''. A fine reverse painted snuff bottle depicting a pair of birds and dog in landscape. Carved jadeite stopper wi

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LUCIANO BORZONE (attr. a): (Genova, 1590 - 1645) San Girolamo Olio su tela, cm 65,5X50 Provenienza: Milano, collezione Giuseppe Bertini Protagonista della pittura genovese di primo Seicento, Luciano Borzone esprime una personal

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LORENZO DE CARO (attr. a): (Napoli, 1689 - 1750) Modelletto raffigurante il Martirio Sant'Andrea Olio su tela, cm 88X50 Provenienza: Napoli, Blindarte, 19 maggio 2010, lotto 80 (attr. a Lorenzo de Caro) Lorenzo de Caro è un ar

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ATTR. ZDZISLAW BEKSINSKI POLISH 1929-2005 OIL ON: ATTR. ZDZISLAW BEKSINSKI POLISH 1929-2005 OIL ON PLYWOOD. Image only size 36.5in by 34.5in. Offer unframed. Shipping cost incluing pack and deliver to US address 50 USD and International 150 USD. Zdzi

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Attr. to Froment-Meurice gem-set, match holder: Attributed to François-Désiré Froment-Meurice (1802-1855) enameled, gem-set and silver match holder France silver, light blue enamel, hardstones engraved mark "Froment Meurice" vertical

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CARLO FRANCESCO NUVOLONE (attr. a): (Milano, 1608/1609 - 1661/1662) Allegoria della Carità Olio su tela, cm 26,5X33,5 Il dipinto trova precisi riscontri con la tela di medesimo soggetto pubblicata da Filippo Maria Ferro nel 2013 (cfr.

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ATTR. E.F. Caldwell Lg Bronze Mounted Hinged Box.: Attributed to E.F. Caldwell & Co. Ltd. gilt bronze and velour hinged box. Apparently unmarked. From a Stamford, CT estate. Dimensions: box measures approx. 17.375" w x 13.675" d x 4" h. Condition: Goo

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20th C. Hopi Wood Clown Kachina, Attr. Jimmy Koots: Attributed to Jimmy Koots also known as James Kootshongsie (Native American, Hopi Pueblo, 1916 to 1996) ca. mid to late 20th century CE. A fascinating kachina doll made from wood, with the characteris

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Attr. Hibbard, Snowy Vermont Townscape O/CB: unsigned, attributed to Aldro Thompson Hibbard (Am. 1886-1972). Snowy town scene with church in the background, perhaps a study for a larger work "Vermont". Frame size: 21 5/8" high, 25 5/8" wide. Sma

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Germany (attr.), 63 glass eyes, 2nd half of the 20th century: Germany (attr.), 63 glass eyes, 2nd half of the 20th century, Ø approx. 3 cm. Glass, white and multicolored.,

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P.C. Gilbert Manuscript,1710 w/ptg. attr. Pater: "Livre de Morales" petite illuminated manuscript on vellum by P.C. Gilbert, Paris, 1710 with painted pastoral scene attributed to Jean-Baptiste Pater (French, 1695-1736); from a pencil inscription on

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Item Details

Description

(Milano, 1635 - 1719)
Mose' e il vitello d'oro
Olio su tela, cm 117X148

Federico Bianchi fu allievo di Ercole Procaccini il giovane e protagonista della cultura tardo barocca milanese, assai elogiato dalle fonti storiche e che il Lanzi giudicò come uno dei migliori Milanesi del Seicento. La tela ritrae l'episodio biblico di Mose' e il vitello d'oro, la cui scena è visibile sul fondo, mentre in primo piano si stagliano le figure. I caratteri di stile suggeriscono una datazione alla maturità del pittore in analogia con le tele conservate presso il Museo d'Arte Antica del Castello Sforzesco di Milano raffiguranti Mose' salvato dalle acque e Rebecca al pozzo, che collocabili agli ultimi anni del Seicento si dichiarano un appiglio cronologico importante, anche se l'opera in esame sembrerebbe di poco posteriore (F. Frangi, in Museo d'Arte Antica del Castello Sforzesco. Pinacoteca, Electa, Milano 1999, III, pp. 39-41, nn. 504-505). Si possono altresì notare affinità stilistiche con le tele custodite nella chiesa milanese di Santa Maria del Carmine raffiguranti Onorio fonda l'Ordine dei Carmelitani e Gesu' in gloria con Santa Teresa e San Giovanni.

Bibliografia di riferimento:
L. Lanzi, Storia pittorica d'Italia, Venezia 1839, IX p. 90