Spring Live Auction of Select Masterworks on May 27, 2026 by Cowley Abbott in ON
Emily Carr, Wind, 1936Pierre-Auguste Renoir, Paysage du Midi, circa 1900Vincent van Gogh, Homme à la Pipe: Portrait du Docteur Gachet, 1890
Starts on:
Toronto, ON, Canada
Auction Details

Spring Live Auction of Select Masterworks

The Cowley Abbott Live Auction Select Masterworks of Canadian & International Art features rare and important artwork from celebrated historical, post-war and contemporary artists. The auction takes place at Toronto's Globe & Mail Centre with previewing in Calgary, Montreal and Toronto in the weeks leading to the May 27th auction.
Live Bidding Starts In:
18
days
:
08
hrs
:
01
mins
:
59
secs
Peter Clapham Sheppard, Bloor Street Viaduct, 1915: oil on board signed lower right; estate stamp (LG097) on the reverse 13.5 × 9.75 in (34.3 × 24.8 cm) Provenance: Estate of the Artist Private Collection, Toronto Literature: Tom Smart, Peter
0001: Peter Clapham Sheppard, Bloor Street Viaduct, 1915Est. CA$10,000-CA$15,000CA$7,000
Arthur Lismer, Seal Cove, Grand Manan, N.B., circa 1930: oil on board signed and dated indistinctly lower left; signed, titled and dated indistinctly 193[?] on the reverse 12 × 15 in (30.5 × 38.1 cm) Provenance: Alex Fraser Galleries, Vancouver A
0002: Arthur Lismer, Seal Cove, Grand Manan, N.B., circa 1930Est. CA$15,000-CA$20,000CA$12,000
Frank Hans Johnston, The Golden Dome: oil on board signed lower left; signed, titled and inscribed "an Ontario Hillside" on the reverse 20 × 24 in (50.8 × 61.0 cm) Provenance: H. Hutchinson Mr. and Mrs. F. Benisch Kaspar Gallery,
0004: Frank Hans Johnston, The Golden DomeEst. CA$18,000-CA$22,000CA$15,000
James Edward Hervey MacDonald, Surf, Barbados, 1932: oil on board dated "Feb. 27" lower right; signed, titled and dated 1932 on the reverse and titled "Sunny Barbados" on the gallery label on the reverse 8.5 × 10.5 in (21.6 × 26.7 cm) Provenance:
0005: James Edward Hervey MacDonald, Surf, Barbados, 1932Est. CA$25,000-CA$35,000CA$20,000
Doris Jean McCarthy, Grey Fog Arctic, 1981: oil on canvas signed lower right; dated "810731" (31 July 1981) on the reverse; titled and dated to a gallery label on the reverse 36 × 48 in (91.4 × 121.9 cm) Provenance: Aggregation Gallery,
0006: Doris Jean McCarthy, Grey Fog Arctic, 1981Est. CA$50,000-CA$70,000CA$40,000
FEATURED
Emily Carr, Wind, 1936: oil on canvas signed lower right; signed, titled and inscribed "M.E. Carr 316 Beckley St., Victoria" and "90 over [72]" on the reverse 28 × 19.25 in (71.1 × 48.9 cm) Provenance: Estate of the
0007: Emily Carr, Wind, 1936Est. CA$500,000-CA$700,000CA$400,000
Cornelius Krieghoff, A Trip to Town, 1861: oil on canvas signed and dated 1861 lower right; titled and dated on a gallery label on the reverse 13.25 × 18 in (33.7 × 45.7 cm) (oval) Provenance: Private Collection, Toronto By descent to a
0008: Cornelius Krieghoff, A Trip to Town, 1861Est. CA$70,000-CA$90,000CA$60,000
Franklin Carmichael, Autumn Landscape, circa early 1920s: oil on pressed paperboard panel inscribed "This is a genuine sketch painted by Franklin Carmichael. A.J. Casson, April 13, 1978" on the reverse 9.75 × 12 in (24.8 × 30.5 cm) Provenance: Wedding
0009: Franklin Carmichael, Autumn Landscape, circa early 1920sEst. CA$80,000-CA$100,000CA$70,000
Arthur Lismer, Dark Pool, Georgian Bay, 1944: oil on canvas signed and dated 1944 lower left; signed, dated and inscribed "Big Rock, Georgian Bay" and "2" in a circle on the reverse, titled on the stretcher 20 × 24 in (50.8 × 61.0 cm)
0010: Arthur Lismer, Dark Pool, Georgian Bay, 1944Est. CA$100,000-CA$200,000CA$80,000
Gordon Appelbe Smith, Winter Forest M, 2004: acrylic on canvas signed lower right; titled on the reverse of the frame; titled and dated 2004 on a gallery label on the reverse 50 × 90 in (127.0 × 228.6 cm) Provenance: Equinox Gallery,
0011: Gordon Appelbe Smith, Winter Forest M, 2004Est. CA$70,000-CA$90,000CA$60,000
Peter Clapham Sheppard, The Gas Works, 1912: oil on board signed lower right; titled and dated 1912 on a label and estate stamp (LG033) on the reverse 8.25 × 10.25 in (21.0 × 26.0 cm) Provenance: The Estate of the Artist Private Collection,
0012: Peter Clapham Sheppard, The Gas Works, 1912Est. CA$10,000-CA$15,000CA$7,000
Franklin Carmichael, Study of Trees: Autumn, circa early 1920s: oil on pressed paperboard panel titled and inscribed "OS 51" with "Estate of Franklin Carmichael" stamp on the reverse 10 × 12 in (25.4 × 30.5 cm) Provenance: Estate of the Artist Private
0013: Franklin Carmichael, Study of Trees: Autumn, circa early 1920sEst. CA$70,000-CA$90,000CA$60,000
Emily Carr, Grey Trees, circa 1930: oil on paper titled on gallery labels on the reverse 13.5 × 11.75 in (34.3 × 29.8 cm) (sheet) Provenance: Roberts Gallery, Toronto Warwick Gallery, Vancouver Private Collection, Calgary Masters
0016: Emily Carr, Grey Trees, circa 1930Est. CA$75,000-CA$85,000CA$60,000
Henry Sandham, Golf - Canadian Club (The Club's The Thing), 1898: watercolour on paper 20 × 30 in (50.8 × 76.2 cm) (sheet) Provenance: Beam Canada Inc. (Canadian Club) through acquisition by Hiram Walker & Sons Ltd., Walkerville/Windsor Literature: Michael
0017: Henry Sandham, Golf - Canadian Club (The Club's The Thing), 1898Est. CA$10,000-CA$15,000CA$7,000
Tom Thomson, Marsh, Lake Scugog, circa 1911: oil on canvas signed lower right; titled and dated 1911 to two labels on the reverse; catalogue raisonné no. 1911.16 8.5 × 13.5 in (21.6 × 34.3 cm) Provenance: McDowell Gallery, Toronto, 1978 Beam
0018: Tom Thomson, Marsh, Lake Scugog, circa 1911Est. CA$100,000-CA$200,000CA$90,000
Frederick Horsman Varley, Evening Light, The Kootenays: oil on panel signed lower left; titled, Varley inventory no. 431 and inscribed "Mountain Scene, B.C." on the reverse 12 × 15 in (30.5 × 38.1 cm) Provenance: Origine Beaux Arts, Montreal, 1972 Beam
0019: Frederick Horsman Varley, Evening Light, The KootenaysEst. CA$20,000-CA$30,000CA$15,000
Arthur Lismer, Shoreline, Georgian Bay, 1928: oil on board signed lower right; dated 1928 on the reverse; titled on a gallery label on the reverse; titled on three labels on the reverse of the frame 8.5 × 10.5 in (21.6 × 26.7 cm) Provenance:
0020: Arthur Lismer, Shoreline, Georgian Bay, 1928Est. CA$18,000-CA$22,000CA$15,000
Franklin Carmichael, Still Morning, 1936: oil on board signed and dated 1936 lower left; signed, titled (twice) and inscribed "Cranberry Lake" on the reverse; titled on two labels on the reverse; titled on two labels on the reverse of the
0021: Franklin Carmichael, Still Morning, 1936Est. CA$50,000-CA$70,000CA$40,000
Lawren Stewart Harris, Maple Bushes, circa 1920: oil on panel signed lower right; signed, titled and inscribed with a cross in a circle on the reverse 10.5 × 13.75 in (26.7 × 34.9 cm) Provenance: Kaspar Gallery, Toronto Beam Canada Inc. (Canadian
0022: Lawren Stewart Harris, Maple Bushes, circa 1920Est. CA$120,000-CA$150,000CA$100,000
James Edward Hervey MacDonald, Petite Rivière, N.S., 1922: oil on board titled, dated 1922 and certified by Thoreau MacDonald (197[?]) and inscribed "The Sandy Stretch Petite Rivière" and "To Judy, Jan 16/56" on the reverse 8.5 × 10.5 in (21.6 × 26.7 cm)
0023: James Edward Hervey MacDonald, Petite Rivière, N.S., 1922Est. CA$20,000-CA$30,000CA$15,000
Alexander Young Jackson, Waterton Lake, Alberta, 1954: oil on canvas signed and dated 1954 lower right; titled on the stretcher; titled on the gallery label on the reverse 25 × 32 in (63.5 × 81.3 cm) Provenance: Roberts Gallery, Toronto, 1969 Beam
0024: Alexander Young Jackson, Waterton Lake, Alberta, 1954Est. CA$70,000-CA$90,000CA$50,000