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Joan Miro lithograph "Number 100" Bolaffi Arte: Title: Joan Miro lithograph "Number 100" Bolaffi Arte Description: Medium: offset lithograph. Printed in 1980 and published by Bolaffi Arte in an edition of 5000. Size: 11 x 8 1/4 inches (278 x 210 mm

2026

Joan Miro lithograph "Number 100" Bolaffi Arte

Chairish Auctions

Est. US$150-US$200

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Pair of elephants China, Qing dynasty, late 18th-early 19th Century: Polychrome cloisonné and champlevé enameled metal with extensive gilding, the two animals adorned with floral motifs and the character shou (long life), a vase with a lid and ribbon handles on the b

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Pair of elephants China, Qing dynasty, late 18th-early 19th Century

Pair of baluster vases China, early 20th century: Porcelain painted with polychrome enamels, the body with a beautiful composition of flowers and birds, enclosed at the top by a relief band of ruyi scepter heads and at the bottom by a series of anima

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Pair of baluster vases China, early 20th century

Xiwangmu China, Ming dynasty, 16th-17th century: Gilded bronze, the seated Taoist deity wearing a wide robe with flowing drapery, his hands on his chest holding the hu tablet, his head with a headdress decorated with birds. 15.7 x 9.1 x 4.3 in.

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Xiwangmu China, Ming dynasty, 16th-17th century

Vase China, 19th-20th century: Porcelain painted with polychrome enamels, the body and the neck with a fine decoration of floral arabesques of peony and lotus among which bats and knot symbols, the shoulder with bands of stylised f

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Vase China, 19th-20th century

Pair of large vases China, 19th-20th century: Cloisonné enamelled metal in bright polychrome on a turquoise ground, the body with a decoration of powerful dragons flying amidst clouds and darts in pursuit of the Pearl, in the lower section waves

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Pair of large vases China, 19th-20th century

Large baluster vase China, 19th century: Porcelain painted with polychrome enamels with a decoration of figures in a landscape, on one side the three Fulushou deities with attendants, handles shaped as a pair of Buddhist lions facing each ot

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Large baluster vase China, 19th century

Armor Japan, 19th century: Lacquered leather, metal, silk, incomplete, with helmet, breastplate, arm and thigh guards, and shin protection, the back of the breastplate with two gilt characters within a round medallion. Minor de

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Armor Japan, 19th century

Court robe China, Qing dynasty, 19th century: Apricot ground silk finely embroidered with polychrome and gold threads, decoration of dragons flying amidst clouds and darts, stylised waves and mountain peaks at the bottom. 59.1 x 79.5 in.

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Court robe China, Qing dynasty, 19th century

Large baluster vase China, Qing dynasty, 19th century: Porcelain molded in light shells and painted with polychrome enamels and touches of gold, pink ground with decoration of dragons chasing the Pearl in flight amidst clouds and darts, stylized waves at

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Large baluster vase China, Qing dynasty, 19th century

Guarniture with mantel clock and two candelabra France, 1871: Three Samson porcelain vases with 'Imari'-type polychrome enamel decoration, enriched with an exuberant bronze mount in Napoleon III style with motifs of garlands, cherubs and animal heads, the enamel

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Guarniture with mantel clock and two candelabra France, 1871

Large cachepot Europe, 20th century: 'Blue and white' porcelain, the exterior of the wall with a Chinoiserie landscape, the rim of the mouth and the base underlined by a bronze mount, bronze goat-head handles. 19.49 x 23.62 x 19.68 in.

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Large cachepot Europe, 20th century

LARGE INCENSE BURNER China or Vietnam, early 20th century: Gilded bronze, three pieces, the container with four feet resting on a roughly square base, the lid surmounted by a full-relief animal, all the decorative elements inspired by bamboo. 21.7 x 13.4 x 9.

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LARGE INCENSE BURNER China or Vietnam, early 20th century

Guanyin China, Ming dynasty, 16th-17th Century: Bronze, the deity seated on a double lotus flower base with legs crossed in lalitasana, dressed in a large robe that leaves the chest exposed with elaborate jewelry, in each hand a flowering stem, nea

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Guanyin China, Ming dynasty, 16th-17th Century

Pair of Puxian on elephant China, Qing dynasty, Kangxi period: Dehua porcelain ('blanc de chine'), the two bodhisattvas of benevolence (Samantabhadra in Sanskrit) seated on the back of an elephant, which in turn is supported by a semicircular plinth decorated on

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Pair of Puxian on elephant China, Qing dynasty, Kangxi period

Inro 19th century: Finely lacquered and gilded wood, four compartments, one side with a lacquered and gilded metal application with two wise men with brooms, standing on a tripod tray with a pine tree, on the other side

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Inro 19th century

Suzuribako Japan, Taisho period: Writing box in wood lacquered in polychrome and gold, the lid with carnelian inlays, complete with all accessories, the decoration on the lid with leaves, the interior with stems, work of Mitsukoshi,

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Suzuribako Japan, Taisho period

Twelve volumes Japan, Edo period, 1798: Woodblock print, complete twelve-volume edition of the work entitled "Illustrations of Famous Places in Settsu Province" (Settsu meisho zue), published by Kawachiya Tasuke, containing numerous illustr

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Twelve volumes Japan, Edo period, 1798

Alzata China and Europe, early 18th century (dish); 19th century (mount): The porcelain dish is decorated with auspicious motifs in blue and red Imari enamels, the bronze mount consisting of a stand and rim with flower and leaf handles. 5.5 x 13.8 x 9.8 in.

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Alzata China and Europe, early 18th century (dish); 19th century (mount)

Two military banners China, Qing dynasty, 19th century: Silk embroidered with multicolored and gold threads, orange ground, both with a dragon in flight chasing the Pearl amidst clouds and darts, two sides with stylized waves, one with blue ground and the

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Two military banners China, Qing dynasty, 19th century

YOSHIDA JUNICHIRO 1898-1969 Suzuribako Showa period, circa 1930: Large writing box with ample storage space on the lower section, supported by bracket feet, made of lacquered and gilded wood and decorated with floral motifs, inkstone and metal water dropper, togeth

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YOSHIDA JUNICHIRO 1898-1969 Suzuribako Showa period, circa 1930

Guanyin China, Ming dynasty, 16th-17th Century: Bronze with traces of gilding and lacquering, the deity seated on a double lotus flower base, jewels on the chest and an exuberant headdress, antique inscription in Chinese and an inventory label insi

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Guanyin China, Ming dynasty, 16th-17th Century

Wenchang China, Ming dynasty, 16th-17th century: Bronze, the Taoist deity seated on a chair, his right arm bent at the elbow and raised upwards. 9.3 x 58.3 x 5.9 in.

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Wenchang China, Ming dynasty, 16th-17th century

ATTRIBUITO A KANO YASUNOBU 1613-1685 Chinese-style landscapes Edo period: Six-panel screen painted in ink on paper. 67.72 x 146.46 in. Yasunobu was a leading exponent of the Kano school in the 17th century. He was, among other things, the master of Ogata Korin (1658-1716),

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ATTRIBUITO A KANO YASUNOBU 1613-1685 Chinese-style landscapes Edo period

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