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Wenchang China, Ming dynasty, 16th-17th century: Bronze, the Taoist deity seated on a chair, his right arm bent at the elbow and raised upwards. 9.3 x 58.3 x 5.9 in.

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Wenchang China, Ming dynasty, 16th-17th century

Two military banners China, Qing dynasty, 19th century: Silk embroidered with multicolored and gold threads, orange ground, both with a dragon in flight chasing the Pearl amidst clouds and darts, two sides with stylized waves, one with blue ground and the

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Two military banners China, Qing dynasty, 19th century

Frieze Ancient region of Gandhara, 2nd Century: Sculpted grey schist, the front with a composition with seven cherubs holding a garland with flowers, fruits and flourishes, the left side outlined by a stylised palmette. 4.7 x 23.6 x 3.3 in. Proveni

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Frieze Ancient region of Gandhara, 2nd Century

Snuff bottle China, 19th-20th century: Porcelain with polychrome enamel decoration in relief of figures, some openwork details, apocryphal Qianlong mark impressed to the centre of the base. 3.2 x 2 x 1.2 in.

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Snuff bottle China, 19th-20th century

Pelota player Mexico, Pihuamo culture, 300 BC-600 AD: Earthenware. 15.9 x 7.1 x 3.9 in. Bibliografia/Literature Zanetti G. (a cura di), Prima dell’America. 4000 anni di arte precolombiana, catalogo della mostra di Bologna, Silvana Editoriale, Milano, 1

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Pelota player Mexico, Pihuamo culture, 300 BC-600 AD

UTAGAWA HIROSHIGE II 1826-1869 Hikawa Shrine at Akasaka (Akasaka Hikawa) Edo period, 1862: Large format polychrome woodblock print (oban), from the series “Views of Famous Places in Edo” (Edo meisho zue), publisher Fujiokaya Keijiro. A specimen is in the Museum of Fine Arts in Bosto

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UTAGAWA HIROSHIGE II 1826-1869 Hikawa Shrine at Akasaka (Akasaka Hikawa) Edo period, 1862

KATSUSHIKA HOKUSAI 1760-1849 Numazu; Yui; Hakone; Shimada; Kanbara Edo period, circa 1804: Five small-format polychrome woodblock prints (koban), from an untitled series dedicated to the "Fifty-three Stations of the Tokaido." 5.12 x 6.89 in. the largest (5)

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KATSUSHIKA HOKUSAI 1760-1849 Numazu; Yui; Hakone; Shimada; Kanbara Edo period, circa 1804

ATTRIBUITO A KANO YASUNOBU 1613-1685 Chinese-style landscapes Edo period: Six-panel screen painted in ink on paper. 67.72 x 146.46 in. Yasunobu was a leading exponent of the Kano school in the 17th century. He was, among other things, the master of Ogata Korin (1658-1716),

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ATTRIBUITO A KANO YASUNOBU 1613-1685 Chinese-style landscapes Edo period

Reliquary figure Gabon, Kota, 20th century: Wood covered with copper plates and wire. This type of artifact exemplifies the extraordinary modernity of African art, with its abstraction providing countless inspirations for 20th-century artists.

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Reliquary figure Gabon, Kota, 20th century

Dignitary China, Ming dynasty, 16th-17th Century: Bronze with traces of gilding, the figure seated on a bench in turn supported by a base with shaped feet, wearing a loose robe with incised floral decoration, the right arm bent with the hand at chest

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Dignitary China, Ming dynasty, 16th-17th Century

Vase Persia, 19th century: Ceramic painted in different shades of blue and turquoise with floral motifs within panels. ?????Defects. 9.4 x 6.3 in.

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Vase Persia, 19th century

Buddha Thailandia, 19th century: Bronze on a wooden pedestal, the standing deity with both arms bent at the elbow and hands with open palms in a gesture of reassurance, wearing a loose robe with ornaments in relief, the face surmount

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Buddha Thailandia, 19th century

Large cachepot China, 20th century: Porcelain painted with polychrome enamels, the outside with an exuberant decoration of mythological animals amidst the waves, the upper section with floral and geometric friezes, wooden base. 15.7 x 1

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Large cachepot China, 20th century

Vase Japan, Meiji period: Cloisonné enamelled metal, the base with "Pure silver" mark, red ground, one side with a polychrome decoration of chrysanthemum and plum flowers, the other side with a ton-sur-ton bamboo.. 12.2 x 7.9

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Vase Japan, Meiji period

Suzuribako Japan, Taisho period: Writing box made of lacquered wood with relief and polychrome decoration, containing an inkstone and a metal suiteki water dispenser, the outside of the lid decorated with a large fruit-bearing tree w

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Suzuribako Japan, Taisho period

Bottle vase China, 20th century: Flambé glazed porcelain in shades of dark red and blue. 13 x 8.7 x 8.7 in.

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Bottle vase China, 20th century

Ananda China, Ming dynasty, 16th-17th century: Lacquered bronze, the Buddha's disciple depicted standing with his hands clasped on his chest. 6.9 x 2.6 x 2.6 in.

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Ananda China, Ming dynasty, 16th-17th century

Vase with cover China, 20th century: Dark brown hard stone with red and ochre streaks, the body with a relief decoration of dragons, dragon-head-shaped handles with a movable ring along the sides, the lid surmounted by a Buddhist lion in

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Vase with cover China, 20th century

Three dishes China, Kangxi period: Porcelain painted with underglazed cobalt blue with a floral decoration, one with apocryphal mark of Chengua, the other two with the mark ??????? (Ju shun mei yu tang zhi, ’Made for the Hall of Gath

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Three dishes China, Kangxi period

Pair of bottle vases China, 20th-21st century: Porcelain painted in monochrome with a pink-purple enamel with a refined decoration of birds and flowering branches, apocryphal Yongzxheng mark to the centre of the base of both, wooden bases. 15 x 8.

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Pair of bottle vases China, 20th-21st century

Femalle kimono, furisode Japan, early 20th century: Silk, red ground with embroidered decoration of polychrome threads of pine trees, bamboos, cranes and turtles, all motifs connected with the wish for long life. 67.72 x 49.61 in.

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Femalle kimono, furisode Japan, early 20th century

UTAGAWA HIROSHIGE II 1826-1869 Tenpozan Hill in Osaka (Osaka Tenpozan) Edo period, 1859: Large format polychrome woodblock print (oban), from the series “One Hundred Famous Views in the Various Provinces” (Shokoku mesh hyakkei). A specimen is in the Museum of Fine Arts in Boston (

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UTAGAWA HIROSHIGE II 1826-1869 Tenpozan Hill in Osaka (Osaka Tenpozan) Edo period, 1859

Figure of a pensadora Mexico, Jalisco culture, 300 BC-600 AD: Painted earthenware, the female figure with the head resting on the right knee. 10.6 x 7.1 x 7.5 in. Bibliografia/Literature Zanetti G. (a cura di), Prima dell’America. 4000 anni di arte precolombia

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Figure of a pensadora Mexico, Jalisco culture, 300 BC-600 AD

MANJUSHRI Tibet, 20th century: Partially gilt copper alloy with coloured glass inlays, the Buddhist deity seating with crossed legs on a lotus flower base, in his right hand a sword, his usual attribute. 12.2 x 9.1 x 5.1 in.

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MANJUSHRI Tibet, 20th century

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