Keywords: Works On Paper, Intaglio Prints, Figural Scene, Landscape Scene, Limited Edition, Numbered Print, Pencil Signed, Unframed Art, Street Scene, Wooded Landscape, Contemporary Printmaking

Summary:
Signed etchings on paper. Includes one figural street scene titled ‘Winter At The Morning’ or similar, numbered 67/85, pencil titled lower center and signed lower right. Also includes one wooded landscape etching titled ‘The Cotton’ or similar, numbered 43/85, pencil titled lower center and signed lower right, signature appearing to read Sontag or similar. Both works are unframed and presented on heavy paper with deckled edges. Artist signatures and exact titles are difficult to read and have not been confirmed. Blind stamps on both.

Measurement: Large: 14 1/4 x 10 1/2 in. (36.2 x 26.7 cm.), Small: 8 3/4 x 10 in. (22.2 x 25.4 cm.) approx

This is a NO RESERVE AUCTION: there are no hidden or confidential reserves, all acceptable bidding commences at the online START PRICE.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA's should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.