Description
Keywords: Christies Auction, female figure, figure painting, Expressive Color, American Art, Fauvism, Abstract Expressionism, American modernism, early 20th century, decorative wall art
Authentometer™: A10*
Summary:
Arthur Carles Signed A Significant and Beautiful Example of American Post Impressionist Artwork, Oil Painting with Christies auction label and signed on reverse.
Bio:
Arthur Carles is featured in numerous major public collections, including the Metropolitan Museum of Art, Whitney Museum of American Art, and Museum of Modern Art in New York; Newark Museum in New Jersey; Baltimore Museum of Art; Phillips Collection, Hirshhorn Museum and Sculpture Garden, and Corcoran Gallery of Art in Washington, D.C.; Pennsylvania Academy of the Fine Arts and Philadelphia Museum of Art in Philadelphia; and the Art Institute of Chicago.
Born in Philadelphia, Pennsylvania, Carles was a painter whose style evolved through phases of Realism, Impressionism, Fauvism, and Abstract Expressionism, making him one of the first American proponents of Abstract Expressionism. He studied at the Pennsylvania Academy of the Fine Arts, where he was influenced by the techniques of William Merritt Chase and the early works of Édouard Manet.
In 1907, Carles traveled to Paris, where he explored Post-Impressionism and Fauvism, drawing inspiration from Henri Matisse. He interacted with notable figures such as Paul Gauguin, Hans Hofmann, Gertrude and Leo Stein, Alfred Maurer, and John Marin. In New York, he contributed to Alfred Stieglitz’s 1910 avant-garde exhibition, Younger American Painters, and participated in the historic 1913 New York Armory Show.
During World War I, Carles served as a civilian ship camouflage artist for the U.S. Shipping Board in Philadelphia. His work became increasingly abstract during the 1920s and 1930s, marking a significant transition in his artistic career.
Measurement: 20 x 16 in. (50.8 x 40.6 cm.), Frame: 30 x 26 in. (76.2 x 66 cm.) Approx
*AUTHENTOMETER™: The Authentometer™ is Collective Hudson’s 1–10 rating of our assessment of the available attribution and authenticity information for a work, with higher ratings indicating a greater degree of confidence. The rating may be applied to artworks where the price realized exceeds $5,000. Works rated A9 or A10 reflect our highest level of confidence in the stated attribution. An A8, A9 or A10 rated work may be returned for a refund within 30 days of the auction date if a recognized expert on the artist clearly states in writing that the work is not an authentic work by the artist described.
Authentometer™: A10*
Summary:
Arthur Carles Signed A Significant and Beautiful Example of American Post Impressionist Artwork, Oil Painting with Christies auction label and signed on reverse.
Bio:
Arthur Carles is featured in numerous major public collections, including the Metropolitan Museum of Art, Whitney Museum of American Art, and Museum of Modern Art in New York; Newark Museum in New Jersey; Baltimore Museum of Art; Phillips Collection, Hirshhorn Museum and Sculpture Garden, and Corcoran Gallery of Art in Washington, D.C.; Pennsylvania Academy of the Fine Arts and Philadelphia Museum of Art in Philadelphia; and the Art Institute of Chicago.
Born in Philadelphia, Pennsylvania, Carles was a painter whose style evolved through phases of Realism, Impressionism, Fauvism, and Abstract Expressionism, making him one of the first American proponents of Abstract Expressionism. He studied at the Pennsylvania Academy of the Fine Arts, where he was influenced by the techniques of William Merritt Chase and the early works of Édouard Manet.
In 1907, Carles traveled to Paris, where he explored Post-Impressionism and Fauvism, drawing inspiration from Henri Matisse. He interacted with notable figures such as Paul Gauguin, Hans Hofmann, Gertrude and Leo Stein, Alfred Maurer, and John Marin. In New York, he contributed to Alfred Stieglitz’s 1910 avant-garde exhibition, Younger American Painters, and participated in the historic 1913 New York Armory Show.
During World War I, Carles served as a civilian ship camouflage artist for the U.S. Shipping Board in Philadelphia. His work became increasingly abstract during the 1920s and 1930s, marking a significant transition in his artistic career.
Measurement: 20 x 16 in. (50.8 x 40.6 cm.), Frame: 30 x 26 in. (76.2 x 66 cm.) Approx
*AUTHENTOMETER™: The Authentometer™ is Collective Hudson’s 1–10 rating of our assessment of the available attribution and authenticity information for a work, with higher ratings indicating a greater degree of confidence. The rating may be applied to artworks where the price realized exceeds $5,000. Works rated A9 or A10 reflect our highest level of confidence in the stated attribution. An A8, A9 or A10 rated work may be returned for a refund within 30 days of the auction date if a recognized expert on the artist clearly states in writing that the work is not an authentic work by the artist described.
Condition
Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA's should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA's should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.
Buyer's Premium
30%
Arthur Carles, Signed Oil Painting with Christie's Auction Labels
Estimate $2,000-$3,000
Starting Price
$1,500
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