Description
Keywords: Russian Art, Russian Avant-Garde, Modernism, Still Life, Fruit Bowl, Bottle, Pedestal Table, Red Ground, Geometric, Figurative Modernism, Paris School, École de Paris, Fauvism, Cubism, Cézanne, Early 20th Century
Authentometer™: A9*
Summary:
David Petrovich Shterenberg (Russian, 1881–1948). Signed oil painting on wood panel depicting a still life composed of a fruit bowl, black bottle, and white cloth arranged upon a round pedestal table. The objects are set against a bold red-orange ground with a contrasting blue drape at the upper left. Signed lower left, with the signature partially obscured by the frame.
The history and provenance of Russian avant-garde works from the early 20th century can be particularly complex. Decades of suppression under Stalin and the official promotion of Socialist Realism resulted in many earlier modernist, abstract, and Futurist works being privately retained, concealed, or stored away, sometimes leaving incomplete histories and limited documentation. A well-publicized exhibition of Russian works held in recent years became the subject of controversy concerning the authorship of certain works and subsequent litigation. The present work was not part of that exhibition.
Shterenberg was an important figure in Russian modernism whose artistic development was strongly influenced by his years in Paris. While there, he became acquainted with Pablo Picasso, Amedeo Modigliani, and Marc Chagall. He studied with Fauvist painter Kees van Dongen and participated in avant-garde artistic and intellectual circles associated with the Café de la Rotonde.
Absorbing the innovations of the Parisian avant-garde, Shterenberg developed a distinctive visual language that distilled objects to their essential character without fully deconstructing them. In his compositions, space can appear simultaneously flat and dimensional, while color moves between observed reality and expressive invention. Forms are frequently sharpened and geometricized without progressing into complete Cubist fragmentation, and aspects of his work also reveal the structural influence of Paul Cézanne. These characteristics are brought together through disciplined and economical compositions that derive much of their visual strength from apparent simplicity.
Measurement: Visible: 28 x 19 1/4 in. (71.1 x 48.9 cm.), Frame: 36 x 27 1/2 in. (91.4 x 69.9 cm.) approx
*AUTHENTOMETER™: The Authentometer™ is Collective Hudson’s 1–10 rating of our assessment of the available attribution and authenticity information for a work, with higher ratings indicating a greater degree of confidence. The rating may be applied to artworks where the price realized exceeds $5,000. Works rated A9 or A10 reflect our highest level of confidence in the stated attribution. An A8, A9 or A10 rated work may be returned for a refund within 30 days of the auction date if a recognized expert on the artist clearly states in writing that the work is not an authentic work by the artist described.
This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Authentometer™: A9*
Summary:
David Petrovich Shterenberg (Russian, 1881–1948). Signed oil painting on wood panel depicting a still life composed of a fruit bowl, black bottle, and white cloth arranged upon a round pedestal table. The objects are set against a bold red-orange ground with a contrasting blue drape at the upper left. Signed lower left, with the signature partially obscured by the frame.
The history and provenance of Russian avant-garde works from the early 20th century can be particularly complex. Decades of suppression under Stalin and the official promotion of Socialist Realism resulted in many earlier modernist, abstract, and Futurist works being privately retained, concealed, or stored away, sometimes leaving incomplete histories and limited documentation. A well-publicized exhibition of Russian works held in recent years became the subject of controversy concerning the authorship of certain works and subsequent litigation. The present work was not part of that exhibition.
Shterenberg was an important figure in Russian modernism whose artistic development was strongly influenced by his years in Paris. While there, he became acquainted with Pablo Picasso, Amedeo Modigliani, and Marc Chagall. He studied with Fauvist painter Kees van Dongen and participated in avant-garde artistic and intellectual circles associated with the Café de la Rotonde.
Absorbing the innovations of the Parisian avant-garde, Shterenberg developed a distinctive visual language that distilled objects to their essential character without fully deconstructing them. In his compositions, space can appear simultaneously flat and dimensional, while color moves between observed reality and expressive invention. Forms are frequently sharpened and geometricized without progressing into complete Cubist fragmentation, and aspects of his work also reveal the structural influence of Paul Cézanne. These characteristics are brought together through disciplined and economical compositions that derive much of their visual strength from apparent simplicity.
Measurement: Visible: 28 x 19 1/4 in. (71.1 x 48.9 cm.), Frame: 36 x 27 1/2 in. (91.4 x 69.9 cm.) approx
*AUTHENTOMETER™: The Authentometer™ is Collective Hudson’s 1–10 rating of our assessment of the available attribution and authenticity information for a work, with higher ratings indicating a greater degree of confidence. The rating may be applied to artworks where the price realized exceeds $5,000. Works rated A9 or A10 reflect our highest level of confidence in the stated attribution. An A8, A9 or A10 rated work may be returned for a refund within 30 days of the auction date if a recognized expert on the artist clearly states in writing that the work is not an authentic work by the artist described.
This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Condition
Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA's should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA's should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.
Buyer's Premium
30%
No Reserve: David Petrovich Shterenberg Russian Still Life Oil Painting on Wood Panel, Signed
Estimate $4,000-$40,000
Starting Price
$2,000
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