Description
Keywords: École de Paris, Cubist, geometric abstraction, mid-century modernism, European avant-garde painting, museum-collected artist, collectible modern art
Authentometer™: A9*
Summary:
Serge Charchoune: Vivid abstract composition of interlocking circular and angular forms in saturated reds, yellows, greens and blues. Signed “Charchoune” lower right.
The issue of a works history has proven especially problematic in the 20th Century,. Note: For example: Decades of suppression under Stalin and the promotion of official Socialist Realism resulted in many early abstract and futurist works being hoarded or stored away quietly and too often lack clear paper trails or history. There was a well publicized exhibition a few years ago of Russian works, controversy broke out criticizing some of the authorships and litigation followed. This work was not part of that exhibition.
We are an auction gallery, we cannot and do not offer authentications and even if we did,ours would be of little value going forward in time.. Our opinions are opinions
Serge Charchoune was a Russian-born painter who became a central figure in the Parisian avant-garde. After emigrating from Russia, he settled in France in the 1910s, where he became the first Russian artist associated with the Dada movement. His work evolved fluidly between Cubism, abstraction, and representational modes, often distinguished by bold color gradations and rhythmic, geometric structures.
His work is represented in major collections, including the Centre Georges Pompidou in Paris, the Museum of Modern Art in New York, and the Moscow Museum of Modern Art.
Measurement: Art: 24 1/4 x 20 1/4 in. (61.6 x 51.4 cm.), Frame: 25 1/4 x 21 1/4 in. (64.1 x 54 cm.) approx
*AUTHENTOMETER™: The Authentometer™ is Collective Hudson’s 1–10 rating of our assessment of the available attribution and authenticity information for a work, with higher ratings indicating a greater degree of confidence. The rating may be applied to artworks where the price realized exceeds $5,000. Works rated A9 or A10 reflect our highest level of confidence in the stated attribution. An A8, A9 or A10 rated work may be returned for a refund within 30 days of the auction date if a recognized expert on the artist clearly states in writing that the work is not an authentic work by the artist described.
This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Authentometer™: A9*
Summary:
Serge Charchoune: Vivid abstract composition of interlocking circular and angular forms in saturated reds, yellows, greens and blues. Signed “Charchoune” lower right.
The issue of a works history has proven especially problematic in the 20th Century,. Note: For example: Decades of suppression under Stalin and the promotion of official Socialist Realism resulted in many early abstract and futurist works being hoarded or stored away quietly and too often lack clear paper trails or history. There was a well publicized exhibition a few years ago of Russian works, controversy broke out criticizing some of the authorships and litigation followed. This work was not part of that exhibition.
We are an auction gallery, we cannot and do not offer authentications and even if we did,ours would be of little value going forward in time.. Our opinions are opinions
Serge Charchoune was a Russian-born painter who became a central figure in the Parisian avant-garde. After emigrating from Russia, he settled in France in the 1910s, where he became the first Russian artist associated with the Dada movement. His work evolved fluidly between Cubism, abstraction, and representational modes, often distinguished by bold color gradations and rhythmic, geometric structures.
His work is represented in major collections, including the Centre Georges Pompidou in Paris, the Museum of Modern Art in New York, and the Moscow Museum of Modern Art.
Measurement: Art: 24 1/4 x 20 1/4 in. (61.6 x 51.4 cm.), Frame: 25 1/4 x 21 1/4 in. (64.1 x 54 cm.) approx
*AUTHENTOMETER™: The Authentometer™ is Collective Hudson’s 1–10 rating of our assessment of the available attribution and authenticity information for a work, with higher ratings indicating a greater degree of confidence. The rating may be applied to artworks where the price realized exceeds $5,000. Works rated A9 or A10 reflect our highest level of confidence in the stated attribution. An A8, A9 or A10 rated work may be returned for a refund within 30 days of the auction date if a recognized expert on the artist clearly states in writing that the work is not an authentic work by the artist described.
This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Condition
Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA's should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA's should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.
Buyer's Premium
30%
No Reserve: Serge Charchoune, France/Russia, Mid-20th C., Signed Oil on Canvas Painting
Estimate $2,500-$3,500
Starting Price
$2,000
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Sep 14, 2026, 10:00 AM EDTKingston, NY, United States
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