Description
Keywords: Russian avant garde, Suprematist composition, geometric abstract, Constructivist style, circular form, modernist painting, signed lower right, oil on canvas, framed painting
Authentometer™: A9
Summary:
Russian Suprematist geometric abstract oil on canvas painting. Vertical composition with intersecting black and white bands and a large rust-toned circular form surrounding an ochre center, set against a dark ground. Signed lower right “Rodchenko.” Presented in a simple frame.
In the years following the Russian Revolution, Alexander Rodchenko focused on painting, industrial design, and graphic design. Rodchenko shared a Moscow studio with his wife, artist Varvara Stepanova. The couple moved into their apartment in 1922, and little there has changed since 1935. He was then a leading figure in the Constructivist Group within Inkhuk, the Institute of Artistic Culture, founded in 1920 with support from Kandinsky. Committed to freeing art from its bourgeois associations, he later moved away from the Constructivist methods in painting and sculpture for which he remains best known.
(Presents well with some surface craquelure visible throughout and expected scattered age-related wear and minor abrasions. No major losses apparent) Framed. Verso shows later stretcher and expected handling wear.)
Measurement: Art: 24 x 16 in. (61 x 40.6 cm.), Frame: 25 1/4 x 17 1/4 in. (64.1 x 43.8 cm.) approx
*AUTHENTOMETER™: The Authentometer™ is Collective Hudson’s 1–10 rating of our assessment of the available attribution and authenticity information for a work, with higher ratings indicating a greater degree of confidence. The rating may be applied to artworks where the price realized exceeds $5,000. Works rated A9 or A10 reflect our highest level of confidence in the stated attribution. An A8, A9 or A10 rated work may be returned for a refund within 30 days of the auction date if a recognized expert on the artist clearly states in writing that the work is not an authentic work by the artist described.
This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Authentometer™: A9
Summary:
Russian Suprematist geometric abstract oil on canvas painting. Vertical composition with intersecting black and white bands and a large rust-toned circular form surrounding an ochre center, set against a dark ground. Signed lower right “Rodchenko.” Presented in a simple frame.
In the years following the Russian Revolution, Alexander Rodchenko focused on painting, industrial design, and graphic design. Rodchenko shared a Moscow studio with his wife, artist Varvara Stepanova. The couple moved into their apartment in 1922, and little there has changed since 1935. He was then a leading figure in the Constructivist Group within Inkhuk, the Institute of Artistic Culture, founded in 1920 with support from Kandinsky. Committed to freeing art from its bourgeois associations, he later moved away from the Constructivist methods in painting and sculpture for which he remains best known.
(Presents well with some surface craquelure visible throughout and expected scattered age-related wear and minor abrasions. No major losses apparent) Framed. Verso shows later stretcher and expected handling wear.)
Measurement: Art: 24 x 16 in. (61 x 40.6 cm.), Frame: 25 1/4 x 17 1/4 in. (64.1 x 43.8 cm.) approx
*AUTHENTOMETER™: The Authentometer™ is Collective Hudson’s 1–10 rating of our assessment of the available attribution and authenticity information for a work, with higher ratings indicating a greater degree of confidence. The rating may be applied to artworks where the price realized exceeds $5,000. Works rated A9 or A10 reflect our highest level of confidence in the stated attribution. An A8, A9 or A10 rated work may be returned for a refund within 30 days of the auction date if a recognized expert on the artist clearly states in writing that the work is not an authentic work by the artist described.
This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Condition
Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA's should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA's should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.
Buyer's Premium
30%
No Reserve: Alexander Rodchenko Signed Suprematist Geometric Abstract Oil on Canvas Painting
Estimate $10,000-$50,000
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Sep 14, 2026, 10:00 AM EDTKingston, NY, United States
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