Description
Keywords: Jean de Paléologue, Pal, La Belle Otero, Alcazar d’Été, French Poster, Lithographic Proof, Trial Proof, Progressive Proof, Color Separation, Monochrome Lithograph, Sepia Lithograph, Caby and Chardin, Paris, Belle Époque, Art Nouveau, Cabaret, Theater Poster, Dance, Advertising Poster
Summary:
Monumental monochromatic lithographic proof for Pal’s celebrated Belle Époque poster advertising La Belle Otero at the Alcazar d’Été in Paris, circa 1896. Printed in brown or sepia ink and depicting the dancer in an elaborate theatrical costume, with outlined title lettering and the printed device of Caby & Chardin, 17 Passage Daudin, Paris, at the lower left. The composition corresponds to the known color lithographic poster, which was issued with yellow, black, blue, red and white passages. This impression appears to represent a trial, working or progressive proof produced before the application of the poster’s complete color separations. Signed in the image.
Measurement: Art: 55 x 39 1/2 in. (139.7 x 100.3 cm.), Frame: 58 1/2 x 42 3/4 in. (148.6 x 108.6 cm.) approx
This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Summary:
Monumental monochromatic lithographic proof for Pal’s celebrated Belle Époque poster advertising La Belle Otero at the Alcazar d’Été in Paris, circa 1896. Printed in brown or sepia ink and depicting the dancer in an elaborate theatrical costume, with outlined title lettering and the printed device of Caby & Chardin, 17 Passage Daudin, Paris, at the lower left. The composition corresponds to the known color lithographic poster, which was issued with yellow, black, blue, red and white passages. This impression appears to represent a trial, working or progressive proof produced before the application of the poster’s complete color separations. Signed in the image.
Measurement: Art: 55 x 39 1/2 in. (139.7 x 100.3 cm.), Frame: 58 1/2 x 42 3/4 in. (148.6 x 108.6 cm.) approx
This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Condition
Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA's should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA's should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.
Buyer's Premium
30%
No Reserve: Pal La Belle Otero Monochrome Lithographic Trial Proof Poster
Estimate $200-$600
Starting Price
$200
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By Sheila Gibson StoodleyAugust 20, 2026
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