Keywords: Rococo, Venetian School, 18th Century Style, Academic Art, Classical Portraiture, Old Master Style, female portrait, powdered hair, pearl headband, pastel drawing, aristocratic figure, decorative portrait, period costume, framed artwork

Summary:
Rosalba Carriera (Venice 1675-1757) or her circle. Venetian School pastel on paper depicting a portrait of a young noble woman in 18th century style attire, shown with softly modeled features, powdered hair, and a pearl headband. Presented in a gilt frame.

(Presents well. Surface shows toning, consistent with age.. Frame shows losses, cracking, and surface wear to the gilt and painted finish. Verso backing with significant wear, tears, and losses. Not examined out of frame.)

Measurement: Art: 19 x 15 in. (48.3 x 38.1 cm.), Frame: 19 3/4 x 16 3/4 in. (50.2 x 42.5 cm.) approx

This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.

Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.

All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.

Auction Galleries reselling works do not issue Certificates of Authenticity. COA's should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.