Description
Keywords: French School, Genre Scene, Interior Scene, Rococo Revival, Oil On Copper, Figurative Art, Ancien Régime, French Painting, Salon Interior
Summary:
Nicolas Lavreince (attributed) - The Confiding Maid, Oil Painting on Copper.The artist's detail work in the painting is extaordinary. On the reverse is a signaature or inscription that we could not make out.
Niklas (Niclas) Lafrensen, also known as Nicolas Lavreince or Lavrince, was a Swedish draftsman and painter born in Stockholm in 1737. He was the son of the Swedish miniaturist Niklas (Niclas) Lafrensen dit le Vieux, and became a pupil of his father. Lafrensen initially focused on miniature painting before moving to Paris in 1771, where he painted small portraits in watercolor and oil. He was appointed a member of the Academy of Stockholm and court painter in 1773, but returned to Paris in 1774, inspired spirit of the end of the Ancien Régime. He returned to Stockholm after 1791.
Measurement: 11 3/4 x 8 5/8 in. (29.8 x 21.9 cm.) approx
This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Summary:
Nicolas Lavreince (attributed) - The Confiding Maid, Oil Painting on Copper.The artist's detail work in the painting is extaordinary. On the reverse is a signaature or inscription that we could not make out.
Niklas (Niclas) Lafrensen, also known as Nicolas Lavreince or Lavrince, was a Swedish draftsman and painter born in Stockholm in 1737. He was the son of the Swedish miniaturist Niklas (Niclas) Lafrensen dit le Vieux, and became a pupil of his father. Lafrensen initially focused on miniature painting before moving to Paris in 1771, where he painted small portraits in watercolor and oil. He was appointed a member of the Academy of Stockholm and court painter in 1773, but returned to Paris in 1774, inspired spirit of the end of the Ancien Régime. He returned to Stockholm after 1791.
Measurement: 11 3/4 x 8 5/8 in. (29.8 x 21.9 cm.) approx
This is a NO RESERVE lot. There are no hidden or confidential reserves. All acceptable bidding begins at the published online START PRICE.
Condition
Bidders are encouraged to carefully review all photographs and, when possible, examine items in person prior to bidding. Photographs form an integral part of each lot’s description. The absence of a condition report, notation, or reference to damage does not imply that an item is free from defects, restoration, wear, or other condition issues. All items are sold as is, where is, and may show signs of age, use, wear, repair, or prior restoration. By placing a bid, bidders acknowledge and agree to the Terms and Conditions of Sale.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA's should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.
All descriptions, catalog statements, condition reports, reflect an opinion based on the information provided to us at the time of cataloging. Any certificates of authenticity, if provided by consignor, will be noted in the catalog. Clocks and watches are not warranted or represented to keep accurate time. We strongly recommend that all vintage lighting be examined or rewired prior to use.
Auction Galleries reselling works do not issue Certificates of Authenticity. COA's should best be sought from the original artist or their foundations, which often refrain from giving written authentication opinions. Accordingly, works are sold as ATTRIBUTED to the artist or maker named in the description. These attributions reflect an OPINION and are intended to provide collectors, researchers, and institutions the opportunity to study and further contextualize the material offered or establish a work’s art-historical significance.
Buyer's Premium
30%
No Reserve: French School Nicolas Lavreince, (attrib) The Confiding Maid, Oil on Copper
Estimate $400-$600
Starting Price
$400
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