A richly textured carborundum print by French abstract artist James Coignard (1925-2008), known for his materially expressive works bridging painting and printmaking. This example demonstrates Coignard's signature use of carborundum, creating a deeply tactile surface with pronounced relief and layered graphic elements.

The composition features a dynamic field of mineral reds, silvery greys, and graphic marks, with raised passages that read sculpturally under light. Signed and numbered 32/50, this work sits firmly within Coignard's most desirable production, where material depth and painterly surface distinguish it from standard lithographic editions.

Presented in a period black frame with neutral mat and liner. Photographs document surface texture, signature, and overall condition in detail.

An excellent example for collectors, designers, or anyone seeking a materially rich postwar European abstract work with strong visual presence.

Dimensions: (Frame) H 29" x W 24.75" (Sight) H 22.5" x W 17.5"

Note: The artist name is noted in the description as the Chairish artist field does not currently include James Coignard as a selectable option.


Condition:
Alterations: Unknown
Imperfections: Some Imperfections
Condition Notes: Good vintage condition. The carborundum surface is intact with strong texture throughout. Signed and numbered lower right. Paper shows minor, age-appropriate handling and edge wear consistent with the medium and period. Presented in its original period frame with vintage backing paper showing expected age-related wear. No visible water damage or repairs noted.

Origin:
France

Materials & Techniques:
Printmaking Materials

Details:
Frame Type: Framed
Art Subjects: Abstract
What type of item is it? Vintage / Antique / Used
Country of Origin: France

Unknown; Some Imperfections; Good vintage condition. The carborundum surface is intact with strong texture throughout. Signed and numbered lower right. Paper shows minor, age-appropriate handling and edge wear consistent with the medium and period. Presented in its original period frame with vintage backing paper showing expected age-related wear. No visible water damage or repairs noted.