Description
Charcoal & Oil stick on paper
Edition: Unique, Unframed.
Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth.
Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning.
In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear.
His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley Dean Witter & Co., New York, NY; ABC Inc., New York, NY; and Bank of America Securities, San Francisco, Boston and New York.
Condition:
Imperfections: No Imperfections
Condition Notes: New
Origin:
United States
Materials & Techniques:
Charcoal, Paper
Details:
Art Subjects: Abstract
Frame Type: Unframed
What type of item is it? Not Used
Country of Origin: United States
Edition: Unique, Unframed.
Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth.
Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning.
In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear.
His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley Dean Witter & Co., New York, NY; ABC Inc., New York, NY; and Bank of America Securities, San Francisco, Boston and New York.
Condition:
Imperfections: No Imperfections
Condition Notes: New
Origin:
United States
Materials & Techniques:
Charcoal, Paper
Details:
Art Subjects: Abstract
Frame Type: Unframed
What type of item is it? Not Used
Country of Origin: United States
Condition
No Imperfections; New
Buyer's Premium
20%
Dimensions
28 x 22 x 0.1 in
Robert Baribeau "Stem in Black #12", Painting
Estimate $4,400-$7,050
Starting Bid
$2,200
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Curated Classics: Art & Sculpture
Oct 14, 2026, 1:00 PM EDTNew York, NY, United States
$6,000
$460
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