Description
Dahlia Splendor: Japanese Woodblock Botanical Print by Tanigami Konon
Showa 14 (May 1939)
This striking woodblock print serves as a sophisticated botanical study of three distinct varieties of Dahlia (Dariya). The composition is balanced yet dynamic, showcasing the artist's ability to capture the diverse textures and geometries of the floral world.
The print features a trio of large, fully bloomed dahlias: a deep pompon-style bloom in maroon, a dramatic cactus-style bloom in vibrant orange, and a classic decorative-style bloom in pale lemon yellow. The serrated, deep-green leaves are rendered with meticulous detail, providing a lush backdrop for the saturated colors of the petals.
Technical Details:
Subject: Dahlia (dariya).
Artist Signature: Signed at the right with the calligraphy Konon (HengNan) and the artist's red square seal.
Inscriptions: The right margin bears the date ZhaoHeShiSiNianWuYuenoZuo (Work of May, Showa 14/1939) and the Takenaka studio's copyright mark BanQuanSuoYou ZhuTi (Copyright owned by Takezasa). The left margin identifies the flower in katakana as dariya (Dahlia).
Measurements (Framed):
Width: 17 3/4 inches (45.1 cm)
Height: 22 inches (55.9 cm)
Depth: 3/4 inch (1.9 cm)
Historical Context: The Dahlia in Japanese Printmaking
While many traditional Japanese prints focus on native species like the cherry blossom or plum, the late Meiji and early Showa periods saw a fascination with "Western" flowers. The Dahlia, originally from Mexico, was introduced to Japan in the 19th century and became a symbol of modern, cosmopolitan taste.
Tanigami Konon (1858-1936) was a key figure in documenting these imported varieties. His work represents a transition point in Japanese art, where the ancient techniques of woodblock printing were applied to modern botanical subjects with almost scientific precision. The Takenaka Mokuhan studio, which produced this 1939 edition, was famous for its "wet-looking" ink quality and the use of over 20 separate blocks to achieve the subtle color gradations seen in the petals of the orange and yellow dahlias.
The identical framing-featuring a deep green "malachite" marbled finish and gold-lined inner molding-confirms that these two prints were intended as a matched set for a high-end interior.
(Ref: VM98812)
Condition:
Alterations: Original Condition Unaltered
Imperfections: Some Imperfections
Condition Notes: Good condition
Origin:
Japan
Materials & Techniques:
Paper
Details:
Country of Origin: Japan
Art Subjects: Botanic
What type of item is it? Vintage / Antique / Used
Frame Type: Framed
Showa 14 (May 1939)
This striking woodblock print serves as a sophisticated botanical study of three distinct varieties of Dahlia (Dariya). The composition is balanced yet dynamic, showcasing the artist's ability to capture the diverse textures and geometries of the floral world.
The print features a trio of large, fully bloomed dahlias: a deep pompon-style bloom in maroon, a dramatic cactus-style bloom in vibrant orange, and a classic decorative-style bloom in pale lemon yellow. The serrated, deep-green leaves are rendered with meticulous detail, providing a lush backdrop for the saturated colors of the petals.
Technical Details:
Subject: Dahlia (dariya).
Artist Signature: Signed at the right with the calligraphy Konon (HengNan) and the artist's red square seal.
Inscriptions: The right margin bears the date ZhaoHeShiSiNianWuYuenoZuo (Work of May, Showa 14/1939) and the Takenaka studio's copyright mark BanQuanSuoYou ZhuTi (Copyright owned by Takezasa). The left margin identifies the flower in katakana as dariya (Dahlia).
Measurements (Framed):
Width: 17 3/4 inches (45.1 cm)
Height: 22 inches (55.9 cm)
Depth: 3/4 inch (1.9 cm)
Historical Context: The Dahlia in Japanese Printmaking
While many traditional Japanese prints focus on native species like the cherry blossom or plum, the late Meiji and early Showa periods saw a fascination with "Western" flowers. The Dahlia, originally from Mexico, was introduced to Japan in the 19th century and became a symbol of modern, cosmopolitan taste.
Tanigami Konon (1858-1936) was a key figure in documenting these imported varieties. His work represents a transition point in Japanese art, where the ancient techniques of woodblock printing were applied to modern botanical subjects with almost scientific precision. The Takenaka Mokuhan studio, which produced this 1939 edition, was famous for its "wet-looking" ink quality and the use of over 20 separate blocks to achieve the subtle color gradations seen in the petals of the orange and yellow dahlias.
The identical framing-featuring a deep green "malachite" marbled finish and gold-lined inner molding-confirms that these two prints were intended as a matched set for a high-end interior.
(Ref: VM98812)
Condition:
Alterations: Original Condition Unaltered
Imperfections: Some Imperfections
Condition Notes: Good condition
Origin:
Japan
Materials & Techniques:
Paper
Details:
Country of Origin: Japan
Art Subjects: Botanic
What type of item is it? Vintage / Antique / Used
Frame Type: Framed
Condition
Original Condition Unaltered; Some Imperfections; Good condition
Buyer's Premium
20%
Dimensions
17.75 x 22 x 0.75 in
Japanese Woodblock Botanical Print of Three Dstinct Varieties of Dahlia by Tanigami Konon
Estimate $550-$1,280
Starting Bid
$260
LiveAuctioneers Purchase Protection
Vetted auction houses
Secure, online bidding
Returns guaranteed for misrepresented listings
Dedicated support when you need it
Autumn Furniture & Mid-Century Design Edit
Oct 23, 2026, 4:00 PM EDTNew York, NY, United States
$240
$1,400
Related Articles


By Sheila Gibson StoodleyAugust 20, 2026


By Sheila Gibson StoodleySeptember 17, 2026


By Sheila Gibson StoodleySeptember 19, 2026


By Sheila Gibson StoodleySeptember 20, 2026


By Sheila Gibson StoodleySeptember 27, 2026


By Sheila Gibson StoodleySeptember 27, 2026
TOP























