Cornu Paris Ontoscope

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Cornu Paris Ontoscopeall-metal French stereo camera, late advanced version with shifting front for stereo and panoramic exposures on 6x13cm plates, with dual Tessar 4.5/8.5cm no.665208 and 665207, Cornu magazine back and

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Cornu Ontoscope Stereo Camera and Stereo Viewer with Autochromes, c. 1930Cornu Ontoscope Stereo Camera and Stereo Viewer with Autochromes, c. 1930 1) Cornu, Paris. No. 5526 for 6 x 13 cm, chrome-plated brass body, with brilliant and Newton viewfinders, lens board with hori

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Cornu Ontoscope Panoramique Stereo Camera, c. 1923Cornu Ontoscope Panoramique Stereo Camera, c. 1923 Cornu, Paris. No. 2839, for plates of 6 x 13 cm, full-metal body, 2 Zeiss Tessar 4.5/8.5 cm lenses nos. 664924 and 664950, focusing up to 1 m, pneuma

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Ontoflex and PerfektaOntoflex and Perfekta 1) Cornu, Paris. Ontoflex no. 9331, c. 1935, TLR camera for 4.2 x 6.4 cm on 127 film with rotating back for portrait and landscape formats, Zeiss Jena Tessar 3.8/10.5 cm no. 2084

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Cornu Manoscope, c. 1917Cornu Manoscope, c. 1917 Gustave Cornu, Paris. For 45 x 107 mm, blue-grey anodized steel with brass fittings, Berthiot Paris Olor 1:6 lenses of approx. 5 cm, nos. 41645 and 41646, f-numbers 6, 8 and 1

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19th C. E. Cornu Champlevé Enamel and Alabaster CenterpieceE. Cornu, Paris — Champlevé Enamel and Alabaster Centerpiece, Late 19th Century A finely crafted French centerpiece by E. Cornu, Paris, marked E. CORNU, Bd des Italiens 84 on the gilt-br

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Edouard Cornu (20th C) Paris Street SceneEdouard Cornu (20th C) Paris Street Scene with Figures. Oil on canvas. Signed lower right. Sight size: 24 x 36 inches. Overall framed size: 30 x 41 inches.

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Eduoard Cornu (20th C.) Paris Street SceneEduoard Cornu (20th C.) Paris Street Scene. Oil on canvas. Signed lower right. Sight size: 16 x 20 inches. Overall framed size: 25 x 29 inches.

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Eduoard Cornu (20th C.) Paris Street SceneEduoard Cornu (20th C.) Paris Street Scene. Oil on canvas. Signed lower left. Sight size: 16 x 20 inches. Overall framed size: 25 x 28 inches.

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Latreille, Pierre-Andre 1800 Hand Col Monkey Print. Le Sajou Cornu 66Hand Colored Copper Plate Published 1800, Paris for "Histoire Naturelle des Singes" by Pierre-Andre Latreille and the Comte de Buffon. Paper Size: 8 x 4.75 inch (20 x 12cm) Good Condition

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[ENGLISH RIDING COAT WITH 3 CAPES AND ALPINE HAT, 1780].Redingote Angloise a Trois Colets et Bavaroise. Paris : Nicolas Dupin after Pierre-Thomas LeClerc (French, c. 1749-1799). 1780. Rare 1912 reprint edition by Paul Cornu from 1780 original hand-colored,

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LINE VAUTRIN (1913-1997)LINE VAUTRIN (1913-1997) Miroir "Soleil à pointes n° 1", circa 1960. Structure circulaire en résine talosel guillochée présentant vers l'extérieur une double couronne de pointes anim

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MARTIN BARRÉ (1924-1993) 60-t-27, 1960 Huile sur toile signée contre-signée etMARTIN BARRÉ (1924-1993) 60-t-27, 1960 Huile sur toile signée contre-signée et datée au verso Oil on canvas, signed and dated on the back H 28 x L 26 cm - H 11 x W 10 1/4 in PROVEN

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ALBERT CHEURET (1884-1966)ALBERT CHEURET (1884-1966) Cache-radiateur pouvant former console en bronze argenté, stylisation d'un feuillage exotique découpé richement stylisé en bas-relief formant plans inclinés s

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~CARLO BUGATTI (1856-1940)~CARLO BUGATTI (1856-1940) Vitrine orientaliste, circa 1900, structure en bois teinté, incrustation d'éléments végétaux, oiseaux et calligraphies en acier, colonnettes détachées t

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GINO SARFATTI (1912-1985) & ARTELUCE (ÉDITEUR)GINO SARFATTI (1912-1985) & ARTELUCE (ÉDITEUR) Lustre, modèle 2068, créé en 1952, structure circulaire en laiton laqué noir soutenant une succession de 9 tubes de laiton orientables Ã

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GINO SARFATTI (1912-1985) & ARTELUCE (ÉDITEUR)GINO SARFATTI (1912-1985) & ARTELUCE (ÉDITEUR) Lustre, modèle 2068, créé en 1952, structure circulaire en laiton laqué noir soutenant une succession de 9 tubes de laiton orientables Ã

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IGNAZIO GARDELLA (1905-1999) & AZUCENA (ÉDITEUR)IGNAZIO GARDELLA (1905-1999) & AZUCENA (ÉDITEUR) Paire de lampadaires « Arenzano », base circulaire en marbre noir, fût en laiton, abat-jours en opaline blanche. A pair of « A

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PARVINE CURIE (NÉE EN 1936) MERE COUPLE, 1973, Sculpture géométrique composée de deuxPARVINE CURIE (NÉE EN 1936) MERE COUPLE, 1973, Sculpture géométrique composée de deux éléments, grandes versions, matériau composite, patine anthracite. A geometric sculpture composed of two el

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ETTORE SOTTSASS (1917-2007) & POLTRONOVA (ÉDITEUR)ETTORE SOTTSASS (1917-2007) & POLTRONOVA (ÉDITEUR) Grand miroir lumineux "Ultrafragola", dessiné en 1970, édition récente, structure en ABS translucide blanc dessinant cinq vagues success

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FRANÇOIS STAHLY (1911-2006) LES AILES, 1953 Plâtre original, sculpture organique à patine noire,FRANÇOIS STAHLY (1911-2006) LES AILES, 1953 Plâtre original, sculpture organique à patine noire, non signée. A black tinted original plaster, unsigned. H 75 x L 125 x P 75 cm - H 29 1/2 x W 49 1/4

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MAISON LELEU - JULES LELEU (1883-1961) & ANDRÉ LELEU (1907-1995)MAISON LELEU - JULES LELEU (1883-1961) & ANDRÉ LELEU (1907-1995) Meuble d'appui en placage de sycomore incrusté de plaquettes de nacre à corps quadrangulaire ouvrant par deux portes pleines

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ANGELO LELLI (1911-1979) - ARREDOLUCE (ÉDITEUR)ANGELO LELII (1911-1979) & ARREDOLUCE (ÉDITEUR) Luminaire « Stella » pouvant former applique ou suspension, circa 1959-1961, structure en laiton, sphères aplaties en opaline blanch

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HERMES Kelly RetourneHERMES Kelly Retourne 32cm in black calf Gulliver leather, strap, cadenas and keys in clochette included, gold tone hardware. Stamp C in a square (1999). 4 gold tone protection feet. Original Hermes d

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