Kingman paintings, silver highlight Michaan’s sale Jan. 6

Percy Gray (American 1869-1952), 'Majestic Oaks with Poppies, 1923, watercolor on paper laid to board. Estimate: $15,000-$25,000. Michaan's Auctions image.

Percy Gray (American 1869-1952), 'Majestic Oaks with Poppies, 1923, watercolor on paper laid to board. Estimate: $15,000-$25,000. Michaan's Auctions image.

Percy Gray (American 1869-1952), ‘Majestic Oaks with Poppies, 1923, watercolor on paper laid to board. Estimate: $15,000-$25,000. Michaan’s Auctions image.

ALAMEDA, Calif. – Michaan’s Auctions will conduct their monthly estate auction Jan. 6 beginning at 10 a.m. PST. The sale will feature fine art, decorative arts, Asian art and jewelry. LiveAuctioneers.com will provide Internet live bidding.

Over 90 lots from 19th to 21st century artists will comprise the fine art portion of the auction. The majority of the lots are from American and European artists, with a diverse selection that includes oil paintings, lithographs, engravings, watercolors, etchings and serigraphs. Two particular works in the auction hold interesting features, almost certain to peak collector interest. Lot 089 is a collection of four works from renowned artist Dong Kingman. The ink and marker on paper collection contains images of San Francisco, titled Market Street, Renato Shoe Repair, La Beatrice & Downtown, and Santa Barbara Savings ($800-1,200). An Oakland native, Kingman emerged rapidly as one of America’s leading artists as well as a pioneer of the California Style School of painting. Since his death in May 2000, Kingman has also been honored with several major exhibits spanning his artistic career. Dated July 20-22, 1984, the pieces for auction are accompanied by certificates of authenticity as well as a letter from Monte James representing the Estate of Dong Kingman. James is regarded as a leading private art dealer with over 30 years of involvement in distinguished fine arts.

Also of note in the sale is a Jack Baker work from a private estate collection in Alameda. Overlooking the Arno, A Balcony in Florence measures 30 x 24 inches and will be offered as lot 065 at an auction estimate of $400-600. The piece was gifted to the current owner by the artist in the 1960s. The portrait is executed in layers of vibrant tones, expertly juxtaposed by shading variations.

The jewelry department features a range of outstanding pieces in the January estate auction. From the varied selection of jewelry lots is a glamorous emerald, diamond and platinum bracelet. The piece is quite substantial as it holds nine oval cut emeralds weighing a total of approximately 7.00 carats. The emeralds are then accented by an ornate setting containing approximately 220 full cut diamonds weighing a total of approximately 2.00 carats (lot 244, $2,500-3,500). Also available is an enamel and 14K gold masonic fob of San Francisco origins featuring a double headed yellow and white gold eagle (lot 365, $600-900), a classic sapphire ring centering a 2.00-carat stone surrounded by 11 old European cut diamonds (lot 255, $300-500) and a garnet and diamond drop pendant of the Beaux Arts period. The pendant holds two pear-shape, deeply hued garnet cabochons set in a decidedly feminine, articulated mounting of 29 rose cut diamonds (lot 345, $500-700).

Also from the Beaux Arts period is a beautiful Belle Époque aquamarine, diamond, pearl and platinum necklace (lot 294, $1,500-2,000). The necklace is dated to 1910-1920 and is a prime example of the period, fashioned in an elegant Festoon style. The piece features seven aquamarines of ideal color and brilliance in three different cuts, weighing a total of approximately 7.50 carats. The stones are then enhanced by nine round cut diamonds, further accented by several seed pearls. Refined scallop work is seen throughout and the necklace remains in excellent, original condition.

The Asian department presents over 120 lots in the January estate auction including jades, furnishings, scrolls, porcelains, paintings, decorative objects and Chinese and Japanese textiles. Quite an unusual item is found in an ornamented Japanese hibachi offered as lot 527 ($350-500). The box-shaped heating device features a lidded compartment in which to put coal, alongside a vented compartment where generated heat escapes. A small, medium and large drawer are fashioned to hold supplies and further vent slices are seen on the front and back to prevent combustion. The hibachi is ornamented by stylized, gold tone floral motifs and symbols set upon a chocolate brown lacquer finish. These types of decorative hibachi boxes have often been sought out by the modern day collector for display purposes and even for use as a whimsical smoking device.

Over 60 lots of silver will be offered among the furniture and decoration department’s 200-plus lot sale, including a wide array of collectibles and furnishings. A private collection of 24 lots of exceptional silver pieces of Japanese, Scandinavian, Danish, Russian, Chinese and U.S. origins will also be auctioned in the January sale. The variety of items from the grouping is quite extensive, with an assortment that includes holloware, tea service pieces, cocktail implements, decanters, a dresser set and formal flatware. Highlighting the private collection offerings are three Japanese silver lots at a range of price points, fashioned with decorative bamboo sprays framing a full moon. Lot 582 is a four-piece silver tea service set complete with matching tea tray estimated at $8,000-10,000. Lot 584 contains a silver cocktail shaker with six matching cups and an associated flask at an estimate of $2,000-3,000. Completing the theme reflected in the highlighted lots is lot 586, consisting of a hand wrought silver cake tray and matching pie server at an estimate of $1,800-2,000. All of the pieces are in excellent condition and bear original silver stamp markings as well.

For general information call 510-740-0220 ext. 0 or e-mail info@michaans.com.

Internet live bidding will be provided by LiveAuctioneers.com.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Percy Gray (American 1869-1952), 'Majestic Oaks with Poppies, 1923, watercolor on paper laid to board. Estimate: $15,000-$25,000. Michaan's Auctions image.

Percy Gray (American 1869-1952), ‘Majestic Oaks with Poppies, 1923, watercolor on paper laid to board. Estimate: $15,000-$25,000. Michaan’s Auctions image.

Paul De Longpre, (French 1855-1911), 'Snap Dragons, 1894, watercolor on paper. Estimate: $6,000-$9,000. Michaan's Auctions image.

Paul De Longpre, (French 1855-1911), ‘Snap Dragons, 1894, watercolor on paper. Estimate: $6,000-$9,000. Michaan’s Auctions image.

Japanese export silver cocktail shaker with six matching cups. Estimate: $2,000-$3,000. Michaan’s Auctions image.
 

Japanese export silver cocktail shaker with six matching cups. Estimate: $2,000-$3,000. Michaan’s Auctions image.

Dong Kingman (American 1911-2000) ‘Market Street,’ ink and market on paper. Estimate: $600-$900. Michaan’s Auctions image.
 

Dong Kingman (American 1911-2000) ‘Market Street,’ ink and market on paper. Estimate: $600-$900. Michaan’s Auctions image.

Jack Baker (American 1925 - 2011) ‘Overlooking the Arno, A Balcony in Florence,’ oil on canvas. Estimate: $300-$500. Michaan’s Auctions image.

Jack Baker (American 1925 – 2011) ‘Overlooking the Arno, A Balcony in Florence,’ oil on canvas. Estimate: $300-$500. Michaan’s Auctions image.

Emerald, diamond, 18K white gold bracelet. Estimate: $2,500-$3,500. Michaan’s Auctions image.
 

Emerald, diamond, 18K white gold bracelet. Estimate: $2,500-$3,500. Michaan’s Auctions image.

Enamel, 14K gold masonic fob. Estimate: $600-$900. Michaan’s Auctions image.
 

Enamel, 14K gold masonic fob. Estimate: $600-$900. Michaan’s Auctions image.

Sapphire, diamond, platinum, 14K yellow gold ring. Estimate: $300-$500. Michaan’s Auctions image.
 

Sapphire, diamond, platinum, 14K yellow gold ring. Estimate: $300-$500. Michaan’s Auctions image.

Aquamarine, diamond, pearl and platinum necklace. Estimate: $1,500-$2,000. Michaan’s Auctions image.
 

Aquamarine, diamond, pearl and platinum necklace. Estimate: $1,500-$2,000. Michaan’s Auctions image.

A Japanese gilt-painted and lacquered hibachi. Estimate: $350-$500. Michaan’s Auctions image.
 

A Japanese gilt-painted and lacquered hibachi. Estimate: $350-$500. Michaan’s Auctions image.

Japanese export silver four-piece tea service with matching tea tray. Estimate: $8,000-$10,000. Michaan’s Auctions image.
 

Japanese export silver four-piece tea service with matching tea tray. Estimate: $8,000-$10,000. Michaan’s Auctions image.

Jewelry, silver, coins boost Rago auction to brink of $3M

The top jewelry lot was a pear-shape diamond ring that sold for $68,750. Rago Arts and Auction Center image.

The top jewelry lot was a pear-shape diamond ring that sold for $68,750. Rago Arts and Auction Center image.

The top jewelry lot was a pear-shape diamond ring that sold for $68,750. Rago Arts and Auction Center image.

LAMBERTVILLE, N.J. – Rago Arts and Auction Center ended the year in spectacular style with a three-day sale that totaled $2,999,625, which reflects a buyer’s premium of 25 percent. LiveAuctioneers.com provided Internet live bidding.

“This weekend topped off the best year Rago has ever seen – over $28 million in sales – with three strong auctions in succession. There was no quarter where the bidding wasn’t strong – online, the in phones, in the room, absentee. Coins, which is a relatively new pursuit at Rago’s had its best showing ever. The rare and unusual drove a very successful Great Estates auction – from the Imperial Russian plate to the rhino horn libation cup and a narwhal tusk. Jewelry shone above all, which just seems right. We’re delighted and we’re accepting consignments,” noted a Rago representative.

The auction on Friday, Dec. 7, featured silver, coins and currency. More than 700 Internet bidders from 34 countries participated in this session. The top lot this day was a Russian silver desk set by Mikhail Ivanov, which was estimated at $8,000-$12,000 and sold for $18,750.

Other highlights from Friday’s session included a Tiffany & Co. extensive coffee service that sold for $13,750; Tiffany & Co. English King silver flatware, $12,500; a Russian silver fruit-form teapot, $10,000; a Tiffany & Co. silver coffee service and cake stand, $10,000; Georg Jensen “Acorn” silver flatware, $10,000; a Mexican sterling coffee service, $9,375; Georg Jensen “Pyramid” silver flatware, $8,750; a Gorham silver coffee service, $8,125; and a Georg Jensen “Blossom” silver tray, $8,125.

Coin highlights were a Morgan silver dollar complete business strike set (six) that sold for $11,250; 10 U.S. $2 1/2 gold coins, $7,500; six Mexico 8 reales, $5,938; four U.S. silver dollars, $2,500; and six Chinese and Japanese coins, $ 2,375.

Saturday, Dec. 8, was the Great Estates portion of the auction, while Sunday, Dec. 9, was devoted to jewelry and couture.

Saturday’s sale including premium totaled $652,156. Nearly 1,200 Internet bidders from 35 countries participated. The Alexander III imperial Russian porcelain plate was the top lot of the day, achieving $87,500. It carried a $6,000-$8,000 estimate.

Other highlights were a Chinese rhinoceros horn libation cup that sold for $62,500; a narwhal whale tusk, $11,250; a style of Shishkin Russian painting, $8,750; two watercolor landscapes by Shiy De-Jinn, $8,750; a Paul Manship glazed ceramic goat figure, $8,750; a bronze of a mounted cossack by Vasili Grachev, $8,125; a James M. Hart (attr.) oil on canvas, ‘Misty Morning,’ $6,875; a Victor Salmones bronze sculpture, ‘Kneeling Figure,’ $6,250; a Hermann O. Herzog oil on canvas of a landscape, $6,250; and a Turkish Bokhara Suzani embroidery, $6,250.

The jewelry and couture auction on Sunday totaled $1,738,313 including premium. More than 1,200 Internet bidders from 39 countries competed.

The top lot was a pear-shape diamond ring weighing 9.33 carats and estimated at $60,000-$80,000, which sold for $68,750.

Other highlights were a platinum diamond garland necklace, $62,500; an untreated sapphire, diamond and platinum ring, $40,625; an Art Deco pearl, emerald and diamond necklace, $27,500; a Cartier Art Deco rose quartz diamond pendulette, $18,750; a LaCloche Freres enameled gold necessary, $18,750; diamond double crescent clip brooches, $17,500; a Louis Comfort Tiffany Moonstone Bracelet $15,000; an Egyptian Revival enameled gold fringe necklace, $12,500; and a Victorian jeweled gold beetle brooch, $6,250.

Consignments are now being accepted for Rago’s April 2013 sales of jewelry, estate property and coins; December 2013 jewelry; Spring sales of 20th/21st C. design and fine art: phone 609-397-9374 or email info@ragoarts.com.

View the fully illustrated catalog, complete with prices realized, at www.liveauctioneers.com.

Click here to view the fully illustrated catalog for this sale, complete with prices realized.


ADDITIONAL LOTS OF NOTE


The top jewelry lot was a pear-shape diamond ring that sold for $68,750. Rago Arts and Auction Center image.

The top jewelry lot was a pear-shape diamond ring that sold for $68,750. Rago Arts and Auction Center image.

Russian silver desk set by Mikhail Ivanov. Price realized: $18,750. Rago Arts and Auction Center image.

Russian silver desk set by Mikhail Ivanov. Price realized: $18,750. Rago Arts and Auction Center image.

Tiffany & Co. extensive coffee service. Price realized: $13,750. Rago Arts and Auction Center image.

Tiffany & Co. extensive coffee service. Price realized: $13,750. Rago Arts and Auction Center image.

Alexander III imperial Russian porcelain plate. Price realized: $87,500. Rago Arts and Auction Center image

Alexander III imperial Russian porcelain plate. Price realized: $87,500. Rago Arts and Auction Center image

Platinum diamond garland necklace. Price realized: $62,500. Rago Arts and Auction Center image.

Platinum diamond garland necklace. Price realized: $62,500. Rago Arts and Auction Center image.

Sapphire, diamond and platinum ring. Price realized: $40,625. Rago Arts and Auction Center image.

Sapphire, diamond and platinum ring. Price realized: $40,625. Rago Arts and Auction Center image.

Art Deco pearl, emerald and diamond necklace. Price realized: $27,500. Rago Arts and Auction Center image.

Art Deco pearl, emerald and diamond necklace. Price realized: $27,500. Rago Arts and Auction Center image.

Cartier Art Deco rose quartz diamond pendulette. Price realized: $18,750. Rago Arts and Auction Center image.

Cartier Art Deco rose quartz diamond pendulette. Price realized: $18,750. Rago Arts and Auction Center image.

Time is right to sell piece of Notre Dame football lore

The Notre Dame logo on this 1929-30 souvenir pennant is similar to the one on Larry Rodts' rug. Image courtesy of LiveAuctioneers.com Archive and Leland Little Auction & Estate Sales Ltd.
The Notre Dame logo on this 1929-30 souvenir pennant is similar to the one on Larry Rodts' rug. Image courtesy of LiveAuctioneers.com Archive and Leland Little Auction & Estate Sales Ltd.
The Notre Dame logo on this 1929-30 souvenir pennant is similar to the one on Larry Rodts’ rug. Image courtesy of LiveAuctioneers.com Archive and Leland Little Auction & Estate Sales Ltd.

SOUTH BEND, Ind. (AP) – Some of the greats in Notre Dame football history have walked on it.

But for the past 16 years, it’s been stored away in a box in Mishawaka, Ind.

Now that Notre Dame has returned to the national title game – and, perhaps, its former glory – Larry Rodts believes the time is right for him to profit from selling his 9-foot-by-9-foot piece of blue carpet with a gold Notre Dame logo on it that was used inside the locker room at Notre Dame Stadium.

“Nobody thought they’d have the year they had,” said Rodts, a former Mishawaka resident who now splits time between Florida and Three Rivers, Mich. “I’ve been waiting for Notre Dame to hire a good coach and get it over with and sell it.”

Notre Dame will face Alabama on Jan. 7 in the BCS championship game.

Rodts, 66, bought the logo in 1996 when the university auctioned off several items during the expansion of the stadium.

Rodts recalls walking into the room at Century Center, where the auction was being held, and seeing the carpet displayed with red, velvet rope around it.

“I had to have it,” he told the South Bend Tribune.

The gold logo was part of the carpet that was in the locker room for 15 to 18 years and was shown in the popular movie, Rudy, Rodts said. He has a certificate of authenticity to go along with it, which has been signed over the years by Lou Holtz and Tony Rice, among others.

Rodts, looking at the purchase as a long-term investment at the time, took it out of the box for the first time after Notre Dame’s win against USC to take pictures of it for eBay.

Rodts said he had it on eBay for about a week recently, but took it down because it wasn’t being displayed in the proper place. He hopes to put it back up in the coming days leading up to the game.

“One guy emailed me and said he always wondered where the Holy Grail of Notre Dame memorabilia went,” he said.

Rodts, who declined to say how much he bought the carpet for, is asking $15,000 as an opening bid. He said the logo was appraised at $17,500 years ago.

“What something’s worth is not how much you paid for it, but how much someone is willing to pay for it,” Rodts said.

Rodts said the logo is in good condition; it was cut from the carpet.

“The cuts are perfect,” he said. “They didn’t hurt it when they took it off the floor.”

“It’s the complete logo that was in the middle of the locker room,” he said. “It’s got some stains from players walking on it.”

Rodts said if he doesn’t get the right bid, he’ll think about keeping it.

He is, after all, a Notre Dame fan.

“We’re certainly fans,” he said. “But we’re fans of money, too.”

___

Information from: South Bend Tribune, http://www.southbendtribune.com

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-12-27-12 1555GMT


ADDITIONAL IMAGE OF NOTE


The Notre Dame logo on this 1929-30 souvenir pennant is similar to the one on Larry Rodts' rug. Image courtesy of LiveAuctioneers.com Archive and Leland Little Auction & Estate Sales Ltd.
The Notre Dame logo on this 1929-30 souvenir pennant is similar to the one on Larry Rodts’ rug. Image courtesy of LiveAuctioneers.com Archive and Leland Little Auction & Estate Sales Ltd.

Maine museum extends hours for Winslow Homer exhibit

Winslow Homer (American, 1836-1910), 'Artists Sketching in the White Mountains,' 1868, oil on panel, Portland Museum of Art, Portland, Maine.
Winslow Homer (American, 1836-1910), 'Artists Sketching in the White Mountains,' 1868, oil on panel, Portland Museum of Art, Portland, Maine.
Winslow Homer (American, 1836-1910), ‘Artists Sketching in the White Mountains,’ 1868, oil on panel, Portland Museum of Art, Portland, Maine.

PORTLAND, Maine (AP) – The Portland Museum of Art is keeping extended hours Saturday for the final weekend of its record-setting exhibition of Winslow Homer works.

Record numbers of museum-goers have viewed the exhibit, “Weatherbeaten: Winslow Homer and Maine,” since it opened in September. The exhibit, which ends this Sunday, features 38 of Homer’s works that he produced at his studio in Scarborough.

Due to the show’s popularity, the museum extended its Thursday and Saturday hours until 8 p.m. through the end of the exhibit while adding an admission surcharge and selling timed tickets.

The exhibition showcases masterpieces that Homer created in Scarborough, where he lived from 1883 until his death in 1910.

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-12-27-12 0939GMT


ADDITIONAL IMAGE OF NOTE


Winslow Homer (American, 1836-1910), 'Artists Sketching in the White Mountains,' 1868, oil on panel, Portland Museum of Art, Portland, Maine.
Winslow Homer (American, 1836-1910), ‘Artists Sketching in the White Mountains,’ 1868, oil on panel, Portland Museum of Art, Portland, Maine.

Wis. Purple Heart vets to receive pass to museums, other attractions

Purple Heart in presentation case, awarded to a United States Army soldier in World War II. Photo by Jonathunder, available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
Purple Heart in presentation case, awarded to a United States Army soldier in World War II. Photo by Jonathunder, available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.

MILWAUKEE (AP) – Wisconsin veterans who have been awarded the Purple Heart will soon get free admission to some popular Milwaukee County venues.

Milwaukee County Executive Chris Abele will award the first passes to two veterans during an event on Dec. 28.

The facilities included are the Milwaukee County Zoo, Milwaukee Public Museum, Milwaukee Art Museum, Discovery World and the Harley-Davidson Museum. The Boerner Botanical Gardens and the Mitchell Park Domes will also offer free admission.

Veterans have to contact the Milwaukee County Veterans Service Office to get a pass.

Abele says he’s honored to thank veterans in this small way. The pass goes into effect Jan. 1.

#   #   #

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.


ADDITIONAL IMAGE OF NOTE


Purple Heart in presentation case, awarded to a United States Army soldier in World War II. Photo by Jonathunder, available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
Purple Heart in presentation case, awarded to a United States Army soldier in World War II. Photo by Jonathunder, available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.

Restoration effort under way for Father Marquette statue

Pere Marquette statue by Gaetano Trentanove, located in Marquette, Michigan. Photo taken in 2006 by Einar Einarsson Kvaran, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

 

 

Pere Marquette statue by Gaetano Trentanove, located in Marquette, Michigan. Photo taken in 2006 by Einar Einarsson Kvaran, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Pere Marquette statue by Gaetano Trentanove, located in Marquette, Michigan. Photo taken in 2006 by Einar Einarsson Kvaran, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

MARQUETTE, Mich. (AP) – Recently, experts were in town briefly to clean the city’s historic Father Marquette statue and to prepare the antique for a long-awaited restoration.

Hired by the Marquette Beautification and Restoration Committee, Venus Bronze Works, a Detroit-based company that works in sculpture preservation, spent the day creating molds of the reliefs at the base of the statue.

In the 115 years since the statue was dedicated to the city, pieces have been broken from the reliefs. The experts will craft replacement parts for the reliefs and will return in the spring to attach them to the original reliefs.

Father Jacques Marquette was a Jesuit missionary and explorer who was born in France in 1637. He served as a missionary in the region and was believed to have camped near modern day Marquette while mapping Lake Superior in 1669. The statue — moved to its current location in July 1913 — was carved in Florence, Italy by Gaetano Trentanove. Similar Father Marquette statues sit on Mackinac Island and in Statuary Hall in Washington, D.C.

The MBRC is hoping to raise a total of $100,000 to fund the restoration and cleaning of the statue, as well as improvements to the park where the statue rests, immediately north of the Lake Superior Community Partnership building on Front Street.

MBRC President Emily Lewis said the group hopes to light the statue, landscape the park, make the space ADA-compliant and open it up to the rest of the city.

“We would like to connect the little park to Founders Landing and open it up more to the city,” she said. “We want to really reach the whole community.”

The group hopes that Venus Brozne Works can have the reliefs completed by spring, allowing the MBRC to schedule an unveiling of the restored statue for the summer of 2013, marking the 100th anniversary since the statue was moved to its current location.

While in town Saturday, the Venus Bronze Works employees also cleaned spray paint from the statue, which was vandalized recently.

The Marquette City Police said they had received information that the red paint had been noticed on the statue in early October.

The MBRC is offering a reward of at least $500 for information leading to the arrest of the person or group of people responsible for the damage.

___

Information from: The Mining Journal, http://www.miningjournal.net

Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.



ADDITIONAL IMAGE OF NOTE


Pere Marquette statue by Gaetano Trentanove, located in Marquette, Michigan. Photo taken in 2006 by Einar Einarsson Kvaran, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Pere Marquette statue by Gaetano Trentanove, located in Marquette, Michigan. Photo taken in 2006 by Einar Einarsson Kvaran, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Guernsey’s to sell legendary poster collection Jan. 18-20

‘Peter Pathe : Maria Hagen,’ Walter Schnackenberg. Guernsey’s image.

‘Peter Pathe : Maria Hagen,’ Walter Schnackenberg. Guernsey’s image.

‘Peter Pathe : Maria Hagen,’ Walter Schnackenberg. Guernsey’s image.

NEW YORK – Guernsey’s will conduct the first of three auctions Jan. 18-20 to sell the stunning Dr. Hans Sachs Poster Collection. LiveAuctioneers.com will provide Internet live bidding.

The Sachs collection is universally described as being the most significant collection of its type in existence. Descriptions that have appeared in the press include “the greatest prewar collection of posters,” and “thousands of the rarest posters.” One need only search for Sachs’ name on the Internet to find hundreds of references to the compelling story behind this unrivaled collection.

The auction, which is unreserved, will be take place at the Bohemian National Hall on E. 73rd St. in New York City. Those unable to attend this landmark event can participate online at LiveAuctioneers.com where images and descriptions of the 1,233 posters being sold at this event are already pictured and described. A second and third auction of equal numbers of posters from the collection will be sold later in 2013.

Guernsey’s has just completed a comprehensive auction catalog depicting all the posters that are being sold in the first auction. Additional catalogs will be produced for the follow-up auctions resulting in a boxed set of three handsome books. The first catalog – available from Guernsey’s – contains the complete text of the unpublished autobiography of Dr. Sachs including the thrill of assembling his collection and the anguish when losing it to the Nazi

In the last years of the 19th century, a young German Jewish student, fascinated by the strong graphics applied in promotional posters, began a quest to collect. Thus began what is internationally regarded as the first recognized poster collection the world was yet to see. As the student graduated into the world of dentistry, so did his collection grow. Among the many categories of posters the young Sachs sought out covered the worlds of art, propaganda and politics, entertainment (from cabarets and dining to opera and early film), travel, sports, consumer products (from cigarettes to the first automobiles) to scenes of wa

With a keen eye for the very finest creations, Sachs acquired posters by such noted artists as Mucha, Steinlen, Cassandre, Cheret, Bernhard, Edel, Gipkens, Klinger, Carlu, Schnackenberg, Dufau, Grasset, Fennecker, Hohlwein, Kainer, Pechstein, Scheurich, Biro, Leyendecker, Christy, Flagg and many more. In time, his interest was so great that he organized the first poster collecting society and, in 1911, followed that by publishing Das Plakat (The Poster), an international magazine which quickly developed a devoted following. All the while, his collection grew.

By 1938, under the direction of Josef Goebbels, the Gestapo seized the collection, placing Sachs in a concentration camp. Although, with the help of family and friends, Sachs was able to gain his release from the camp, he never saw nor heard of his collection again. Just before the outbreak of World War II, almost penniless, Sachs escaped Germany and led his family to the United States. In time, he came to believe that his beloved collection was destroyed at the hands of the Nazis.

In 1960, the German government, recognizing the need to provide Sachs some restitution, offered him a relatively small amount for his loss. Without any other option, he accepted the offer. Sachs died a decade later. Following a long career as an airline pilot, Sachs’ son retired several years ago. While in retirement, Sachs’ son had time to search evidence from the past and discovered, amazingly, that his father’s poster collection, long thought lost to history, indeed existed in the vaults of a German national museum, located in what was once East Berlin.

The Sachs family’s efforts to retrieve their collection from the museum failed, leading to a well-documented legal battle. With the assistance of both German and American law firms, the collection became the focus of a case that rose through the German court system, eventually debated in the nation’s highest court. All the while, the epic case became the subject of countless news reports appearing throughout the global media.

In the end, the Sachs family was granted approval to recover the collection. Today, the nearly 5,000 posters in the collection constitute what knowledgeable experts view as the finest collection of its type. Indeed, many of the posters are believed to be the sole surviving example of those particular images.

Approximately two-thirds of the collection is of German posters; the balance being French, English, Italian, Austrian, Hungarian, Scandinavian, American and assorted other nationalities. Most importantly, it is clear that Hans Sachs exercised great judgment by selecting artistically thrilling images for his collection.

From both an artistic and historic perspective, Guernsey’s feels distinctly honored to have been chosen to represent the extraordinary Dr. Hans Sachs Poster Collection. To order the auction catalogue and for additional information about the collection and the coming auction, contact Guernsey’s, 108 E. 73rd St., New York, NY 10021, phone 212-794-2280 or email auctions@guernseys.com. Internet bidding will be provided by LiveAuctioneers.com.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


‘Peter Pathe : Maria Hagen,’ Walter Schnackenberg. Guernsey’s image.
 

‘Peter Pathe : Maria Hagen,’ Walter Schnackenberg. Guernsey’s image.

Secession: XXIII.’ Ausstellung, Leopold Stolba. Guernsey’s image.

Secession: XXIII.’ Ausstellung, Leopold Stolba. Guernsey’s image.

‘Regata : Tentoonstelling,’ Raoul Hynckes. Guernsey’s image.

‘Regata : Tentoonstelling,’ Raoul Hynckes. Guernsey’s image.

‘Compagnie Française des Chocolats,’ Théophile Alexandre Steinlen. Guernsey’s image.

‘Compagnie Française des Chocolats,’ Théophile Alexandre Steinlen. Guernsey’s image.

‘Läderlappen,’ Walter Schnackenberg. Guernsey’s image.
 

‘Läderlappen,’ Walter Schnackenberg. Guernsey’s image.

‘Champagne Ruinart,’ Alphonse Mucha. Guernsey’s image.

‘Champagne Ruinart,’ Alphonse Mucha. Guernsey’s image.

‘Winterhilfswerk des Deutschen,’ Ludwig Hohlwein. Guernsey’s image.
 

‘Winterhilfswerk des Deutschen,’ Ludwig Hohlwein. Guernsey’s image.

 

 

Fine ceramics to be featured in Skinner auction Jan. 12

Minton's Marc-Louis Solon decorated pate-sur-pate vase, England, late 19th century. Estimate: $20,000-30,000. Skinner Inc. image.

Minton's Marc-Louis Solon decorated pate-sur-pate vase, England, late 19th century. Estimate: $20,000-30,000. Skinner Inc. image.

Minton’s Marc-Louis Solon decorated pate-sur-pate vase, England, late 19th century. Estimate: $20,000-30,000. Skinner Inc. image.

BOSTON – Skinner Inc. will conduct an auction of European Furniture and Decorative Arts on Saturday, Jan. 12. The sale presents an excellent assortment of European and American sculpture, Russian icons, English glass stemware and antique furniture. More than 300 lots of British ceramics will be offered as part of the sale. LiveAuctoneers.com will provide Internet live bidding.

Over 200 lots of Wedgwood will be offered, including eleven full-size jasper Portland vases in dark blue and black. Notable selections include a black jasper Apotheosis of Homer vase and cover (lot 152, estimated between $3,000 and $5,000) and a Wedgwood & Bentley black basalt bust of Swift (lot 40, $4,000 to $6,000).

An important Mintons pate-sur-pate vase with white slip decorations by Marc-Louis Solon (lot 17, $20,000 to $30,000) depicts two maidens swinging a figure of Cupid, with the reverse depicting a large cherub. An assortment of 18th and 19th century English ceramics includes Dr. Wall Worcester, Cookworthy’s Plymouth porcelain, and a collection of Royal Worcester. Pottery selections feature 18th and early 19th century examples of white salt glaze stoneware, redware and creamware, early luster wares, and the later Pilkington’s Royal Lancastrian wares.

Over 100 lots of European and American bronze and marble sculpture will be available, including a bronze horse sculpture after Pierre Jules Mene titled L’Accolade (lot 316, $2,000 to $4,000), a William Couper marble bust of Tennyson’s Princess (lot 478, $9,000 to $12,000), an ivory, cold painted, paste-set, and gilded bronze Egyptian dancer by Claire Jeanne Roberte Colinet (lot 502, $4,000 to $6,000), a marble figure of Cupid attributed to Affortunato Gory (lot 757, $3,000 to $5,000), and a large Italian school figure of a woman reading (lot 530, $6,000 to $10,000).

Featured Russian icons include depictions of the April Minyeia (lot 741, $800 to $1,200) and the translation of the relics of St. Nicholas (lot 321, $1,000 to $1,500). Examples of Continental porcelain are available including a Nast Paris porcelain tea service (lot 592, $4,000 to $6,000).

Furniture offerings include a pair of Queen Anne-style marble-top pier tables (lot 493, $800 to $1,200), an Italian baroque fruitwood cassone (lot 447, $800 to $1,200), a Louis XV-style bureau plat (lot 403, $2,000 to $4,000), and two Louis Vuitton trunks (lot 684, $3,000 to $5,000 and lot 685, $1,000 to $1,500).

Nearly 80 lots of 18th and early 19th century English glass stemware will also be offered, including examples of balustroid, air-twist, opaque-twist, color-twist and faceted stems.

For details contact Skinner Inc. at 508-970-3279.

Internet bidding will be facilitated by LiveAuctioneers.com.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Minton's Marc-Louis Solon decorated pate-sur-pate vase, England, late 19th century. Estimate: $20,000-30,000. Skinner Inc. image.

Minton’s Marc-Louis Solon decorated pate-sur-pate vase, England, late 19th century. Estimate: $20,000-30,000. Skinner Inc. image.

Louis Vuitton wood-strapped leather-bound trunks. Estimates: $3,000-5,000 and $1,000-1,500. Skinner Inc. image.

Louis Vuitton wood-strapped leather-bound trunks. Estimates: $3,000-5,000 and $1,000-1,500. Skinner Inc. image.

Wedgwood black jasper dip ‘Apotheosis of Homer’ vase and cover, 19th century. Estimate: $3,000-5,000.

Wedgwood black jasper dip ‘Apotheosis of Homer’ vase and cover, 19th century. Estimate: $3,000-5,000.

After Pierre Jules Mene (French, 1810-1879) ‘L'Accolade,’ early 20th century. Estimate: $2,000-4,000. Skinner Inc. image.

After Pierre Jules Mene (French, 1810-1879) ‘L’Accolade,’ early 20th century. Estimate: $2,000-4,000. Skinner Inc. image.

Italian Baroque fruitwood cassone, 17th century. Estimate: $800-1,200. Skinner Inc. image.

Italian Baroque fruitwood cassone, 17th century. Estimate: $800-1,200. Skinner Inc. image.

William Couper (American, 1853-1942) ‘Tennyson's Princess,’ 1882, carved Carrara marble. Estimate: $9,000-12,000. Skinner Inc. image.

William Couper (American, 1853-1942) ‘Tennyson’s Princess,’ 1882, carved Carrara marble. Estimate: $9,000-12,000. Skinner Inc. image.

Russian icon depicting the April Minyeia, late 19th century, showing the saints for each day of the month. Estimate: $800-1,200. Skinner Inc. image.

Russian icon depicting the April Minyeia, late 19th century, showing the saints for each day of the month. Estimate: $800-1,200. Skinner Inc. image.

Attributed to Affortunato Gory (Italian/French, fl. 1895-1925) Cupid, carved white marble, incised ‘A. DE. G[C]ORI/GALL. LAPINI/ FIRENZE 1895.’ Estimate: $3,000-5,000. Skinner Inc. image.

Attributed to Affortunato Gory (Italian/French, fl. 1895-1925) Cupid, carved white marble, incised ‘A. DE. G[C]ORI/GALL. LAPINI/ FIRENZE 1895.’ Estimate: $3,000-5,000. Skinner Inc. image.

No ‘humbug’ as Waverly sells Dickens books for 17 times estimate

Works of Charles Dickens, 30 volumes, Library Edition, Publ. Chapman and Hall, London, 1861-63. Sold by Quinn’s Auction Galleries on Dec. 6, 2012 for $70,800. Waverly Rare Books image.

Works of Charles Dickens, 30 volumes, Library Edition, Publ. Chapman and Hall, London, 1861-63. Sold by Quinn’s Auction Galleries on Dec. 6, 2012 for $70,800. Waverly Rare Books image.

Works of Charles Dickens, 30 volumes, Library Edition, Publ. Chapman and Hall, London, 1861-63. Sold by Quinn’s Auction Galleries on Dec. 6, 2012 for $70,800. Waverly Rare Books image.

FALLS CHURCH, Va. – Even Scrooge might have eked out a curmudgeonly smile on December 6th at Waverly Rare Books, as the hammer fell on a collection of 30 leather-bound books comprising the “Works of Charles Dickens.” The 1861-63 Library Edition containing such classics as Oliver Twist, A Tale of Two Cities, and the immortal A Christmas Carol, was inscribed in blue ink on the title page of Volume I, The Pickwick Papers, in Dickens’ own hand: “To Jas. Blair…R.N./This set of my books./Charles Dickens/The New Year, 1863.” Entered in the sale with a $2,500-$4,000 estimate, it commanded $70,800 (inclusive of 18% buyer’s premium), selling to a prominent London bookseller on behalf of a client. The winning bid was more than 17 times the high estimate.

The set was accompanied by invaluable written provenance – a Sept. 30, 1898 letter typed on Boston publisher and book dealer Charles E. Lauriat & Co.’s letterhead to the then-purchaser of the book, a Mrs. Charles Pfaff of Manchester, Massachusetts. In the letter, Lauriat enthusiastically relates the history of the books. He states, in part:

“The set was selected by Mr. Charles Dickens as the best edition, bound to his order and presented to his friend some twenty-five years ago. He made a very nice inscription… Owing to the death of the gentleman to whom it was presented, and nearly all his family, the copy was secured by a party in London who treasured it very highly. It was only after some persuasion that he was induced to part with it; but Mr. Lauriat desired to add this set, with its unusual associations, to his collection of choice and valuable books which he selected while abroad this summer on his sixteenth annual trip among the old Book Shops of London and Paris. You may feel that you have the only ‘presentation set’ of the works of Charles Dickens with his autograph in any Library in the country… It was only opened from the case the night before you came to the store, when Mr. Piper showed you the set… I would add that Mr. Piper is a connoisseur in old and rare books, probably more so than any bookseller in America. He has just passed his fortieth year in the business of an association with rare and choice editions… [signed] C. E. Lauriat.”

Monika Schiavo, director of Waverly Rare Books, a division of Quinn’s Auction Galleries, commented that the timing couldn’t have been better for such an important collection of Dickens works to come to market. It reached an international clientele with the help of LiveAuctioneers.com, which provided the Internet live bidding for Waverly’s high-profile event.

“Our auction took place during the 200th anniversary year of Charles Dickens’ birth and only a few days before the opening of the newly renovated Dickens Museum in London,” Schiavo said. “It would not be an overstatement to say we had ‘great expectations’ for this particular set of books. There was considerable pre-sale interest and excitement over these books, and they certainly did not disappoint on auction day.”

In what was, perhaps, a fitting modern-day epilogue to A Christmas Carol, Waverly Rare Books made sure the consignor received a holiday surprise.

“We sent the consignor their check much earlier than they expected, so they would have the funds available for Christmas,” Schiavo said.

Waverly Rare Books is located at the metropolitan Washington, D.C., premises of its parent company, Quinn’s Auction Galleries, at 360 S. Washington St., Falls Church, VA 22046. To contact Waverly or Quinn’s, call 703-532-5632 or e-mail info@quinnsauction.com.

View the fully illustrated catalog for Waverly Rare Books’ Dec. 6 auction, complete with prices realized, at www.LiveAuctioneers.com.

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Click here to view the fully illustrated catalog for this sale, complete with prices realized.


ADDITIONAL LOTS OF NOTE


Works of Charles Dickens, 30 volumes, Library Edition, Publ. Chapman and Hall, London, 1861-63. Sold by Quinn’s Auction Galleries on Dec. 6, 2012 for $70,800. Waverly Rare Books image.

Works of Charles Dickens, 30 volumes, Library Edition, Publ. Chapman and Hall, London, 1861-63. Sold by Quinn’s Auction Galleries on Dec. 6, 2012 for $70,800. Waverly Rare Books image.

Inscription hand-written by Charles Dickens in 1863 on the title page of Volume I, Works of Charles Dickens. Waverly Rare Books image.

Inscription hand-written by Charles Dickens in 1863 on the title page of Volume I, Works of Charles Dickens. Waverly Rare Books image.

Part of letterhead from Sept. 30, 1898 letter of provenance. Waverly Rare Books image.

Part of letterhead from Sept. 30, 1898 letter of provenance. Waverly Rare Books image.

Part of letterhead from Sept. 30, 1898 letter of provenance. Waverly Rare Books image.

Part of letterhead from Sept. 30, 1898 letter of provenance. Waverly Rare Books image.

 

Appalachian Trail Museum’s popularity climbs

A 200-year-old stone gristmill is home to the Appalachian Trail Museum. Image courtesy of the Appalachian Trail Museum.
A 200-year-old stone gristmill is home to the Appalachian Trail Museum. Image courtesy of the Appalachian Trail Museum.
A 200-year-old stone gristmill is home to the Appalachian Trail Museum. Image courtesy of the Appalachian Trail Museum.

GARDNERS, Pa. – More than 7,000 visitors experienced the Appalachian Trail Museum during its third season.

“The appeal of the museum grows each year,” said Larry Luxenberg, museum founder and president of the Appalachian Trail Museum Society. “Since opening in 2010, we have had more than 23,000 visitors from across the United States and many other countries.”

Luxenberg attributes the museum’s popularity during 2012 to a growing interest in hiking, observance of the Appalachian Trail’s 75th anniversary, the museum’s location at the trail’s midway point and new exhibits at the museum. The 2,184-mile-long Appalachian Trail crosses 14 states from Maine to Georgia.

Highlights for the 2012 season included:

  • The new Trail Founders exhibit that features displays on Myron Avery and Benton MacKaye – the two men who are credited most with making the Appalachian Trail a reality. New items donated for the exhibit include a manual typewriter used by MacKaye and a folding kayak owned by Avery. The kayak is being prepared for the exhibit, and plans are to add it in 2013.
  • A Katahdin art exhibit. Mount Katahdin, the highest mountain in Maine at 5,268 feet, is where the Appalachian Trail begins or ends, depending on the direction being hiked.
  • A full slate of summer programs that included topics on iron-making at Pine Grove Furnace State Park, early Appalachian Trail hikers, women founders of the trail, geology, hiking stick carving and trail maintenance.
  • The annual Appalachian Trail Hall of Fame Banquet at which five Appalachian Trail hiking pioneers were inducted into the hall of fame. They joined the first class honorees who were inducted in 2011. For its fourth season, Luxenberg said the top priority is to add an exhibit on the Appalachian Trail Hall of Fame which now has 11 members. Plans also are in the works to relocate the historic Dean’s Gap Shelter from Blue Mountain, Pa., to the museum, update the existing Earl Shaffer Shelter display, an exhibit on blazing (marking) trails and a 30th anniversary exhibit on hikers who thru-hiked the Appalachian Trail in 1983. Other exhibits under consideration are one on the Appalachian Trail and the Civil War and one on historic trail saws.

The museum will open for its fourth season in the spring and will remain open through early fall.

Luxenberg said volunteers are being sought for all aspects of museum operations from greeters and docents to maintenance and landscaping crews to program and hike leaders. Museum manager Howard Davis is accepting inquiries at atmuseumgreeters@gmail.com


ADDITIONAL IMAGE OF NOTE


A 200-year-old stone gristmill is home to the Appalachian Trail Museum. Image courtesy of the Appalachian Trail Museum.
A 200-year-old stone gristmill is home to the Appalachian Trail Museum. Image courtesy of the Appalachian Trail Museum.