Historic New Orleans Jazz & Heritage Festival posters swing into Crescent City Nov. 3

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NEW ORLEANS — A colorful and historic selection of promotional posters for the New Orleans Jazz & Heritage Festival are a key group of lots in Crescent City Auction Gallery‘s Important November Estates sale on Friday, November 3. The catalog is now open for bidding at LiveAuctioneers.

Since 1970 (with early attempts in 1968 and 1969), the event known as Jazzfest has entertained countless attendees with performances from jazz’s undisputed greats, such as Louis Armstrong, Duke Ellington, and Mahalia Jackson. Early posters from the first years exist, but were largely promotional in nature. Since 1975, commemorative posters have been produced for collectors, becoming icons for Jazzfest as well as valued items in their own right, often created by noted local artists.

A prime example is the 1976 poster featuring Fats Houston. Created by local artisan Maria Laredo, this signed edition is numbered 801/1000 and carries an estimate of $2,000-$4,000.

Noel Rockmore (1928-1995) achieved fame in his hometown of New York as a painter, draftsman and sculptor. His career took a dramatic turn in 1970, when he suddenly changed his name from Noel Davis to Rockmore, adopting his mother’s maiden name, and relocated to New Orleans.

This pair of unsigned chromolithographs created by Rockmore for event producer George Wein date to 1970 and reflect a combination of art and graphic design with the goal of selling event tickets. They feature bold graphics and original art by Rockmore of Sister Gertrude Morgan and Chicken Henry, drummer for the Olympia Brass Band. The pair are estimated at $1,500-$2,500.

Famed “Blue Dog” Louisiana artist George Rodrigue (1944-2013) had his own contributions to the series in 1996 (clarinetist Pete Fountain) and 2000 (famed trumpet player Al Hirt). The 2000 poster is signed and numbered 5372/10,000, while the 1996 example is unsigned and numbered 4904/1000. The Al Hirt poster carries an estimate of $800-$1,200, while the Pete Fountain one is at $600-$900.
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Maria Laredo, 1976 New Orleans Jazz Fest poster featuring Fats Houston, estimated at $2,000-$4,000 at Crescent City Auction Gallery.
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Noel Rockmore, pair of 1970 Jazz and Heritage Festival posters, estimated at $1,500-$2,500 at Crescent City Auction Gallery.
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George Rodrigue, Pete Fountain: New Orleans Jazz and Heritage Festival poster for 1996, estimated at $600-$900 at Crescent City Auction Gallery.
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George Rodrigue, Al Hirt: New Orleans Jazz & Heritage Festival poster for 2000, estimated at $800-$1,200 at Crescent City Auction Gallery.
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Two New Orleans Jazz and Heritage Festival posters from the years 1977 and 1978, together estimated at $600-$1,200 at Crescent City Auction Gallery.
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Apollo celebrates new London saleroom with fine art and antiquities sale Nov. 5

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LONDON — Apollo Art Auctions has enjoyed tremendous success as the auction branch of Apollo Galleries, London’s renowned specialists in ancient art and antiquities. Since its inception, Apollo Art Auctions has conducted its online auctions at its parent company’s premises, but with its 501-lot sale on Sunday, November 5 will begin conducting both live and online sales from London’s West End at 63-64 Margaret Street. The catalog is now available for bidding at LiveAuctioneers.

The sale’s top-estimated lot is a circa-600 BCE Greek bronze combat helmet of archaic Corinthian type, hammered from a single sheet of bronze and completely intact, without repairs or restoration. This helmet would have been owned by a wealthy member of the social elite. It is accompanied by a professional historical report from Ancient Report Specialists, and it is estimated at £60,000-£120,000 ($72,600-$145,200).

A relic of the Cycladic II period of ancient Greek history, this Chalandriani-type female idol made from white marble is dated to circa 2800-2300 BCE. Similar idols can be viewed in the collections of the Louvre and the Archaeological Museum of Athens. It comes with a professional historical report from Ancient Report Specialists and has an estimate of £60,000-£100,000 ($72,600-$121,000).

In remarkable condition is an amphora from the Attic black-figure period, possibly attributed to the Antimenes Painter, who worked from around 530 to 510 BCE. The amphora has been TL-tested by the CIRAM laboratory in France and is clear on the Art Loss Register database, having been in a U.S. collection for some time. The lot is estimated at £45,000-£90,000 ($54,450-$108,900).

A Roman marble bust of Homer is another star lot in Apollo’s sale. Estimated to be from the Flavian to Antonine period, circa 70-200 CE, the bust has typical damage to the face, believed to be attributed to early Christian vandalism due to its pagan origin. The Homer bust is clear on the Art Loss Register database and comes from the private collection of a London gentleman. Its estimate is £40,000-£60,000 ($48,400-$72,600).
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Greek Corinthian bronze helmet, estimated at £60,000-£120,000 ($72,600-$145,200) at Apollo Art Auctions.
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Cycladic marble idol of Chalandriani type, estimated at £60,000-£100,000 ($72,600-$121,000) at Apollo Art Auctions.
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Attic black-figure neck-amphora, estimated at £45,000-£90,000 ($54,450-$108,900) at Apollo Art Auctions.
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Roman marble bust of Homer, estimated at £40,000-£60,000 ($48,400-$72,600) at Apollo Art Auctions.
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Viking gold open-type braided bracelet, estimated at £30,000-£60,000 ($36,300-$72,600) at Apollo Art Auctions.
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Lê Thị Lựu and Harry Bertoia works headline Freeman’s Modern and Contemporary Art sale Nov. 5

Lê Thị Lựu, 'Mother and Children in Landscape,' estimated at $200,000-$300,000 at Freeman's.

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PHILADELPHIA — Works by Lê Thị Lựu and Harry Bertoia are among the stars in a significant new sale at Freeman’s slated for Sunday, November 5. Modern and Contemporary Art is now available for bidding at LiveAuctioneers.

The painted silk artworks of Lê Thị Lựu (1911-1988) have been producing noteworthy results in recent sales, so the inclusion of Mother and Children in Landscape as the top-estimated lot comes as no surprise. Her traditional Vietnamese subject matter, the delicate haze of the silk material and the uplifting nature of many of her subjects makes Lê’s artwork popular with contemporary collectors. Like many of the marquee lots in this auction, the Lê artwork comes from a Newport, Rhode Island estate and is estimated at $200,000-$300,000.

The tonal sculptures created by Harry Bertoia (1915-1978) are designed to engage multiple senses at once, transfixing the viewer with movement while the emanating vibrations pass through the body. This 65in-tall example is from the 1970s and is made with monel on brass plate, featuring 38 rods with cattails to produce sound. As Bertoia himself noted, “Sometimes, when I hear the sounds, they remind me of times that are gone … and in many cases they will invite me on toward things that have not quite unfolded.” Accompanied by certification from the Harry Bertoia Foundation, the untitled tonal sculpture is estimated at $80,000-$120,000.

Hyperrealist and figurative painter Claudio Bravo (1936-2011) found early success in portraiture, painting members of the Philippine Marcos ruling dynasty and also Generalissimo Francisco Franco. But it was in everyday objects that he found his passion, including his well-known series of crumpled paper works. In this example from 1991, Miss Piglet may have been one of his sitters’ pets, as he was known to create works from daily life. The 26 by 20in pastel on paper is estimated at $30,000-$50,000.

Fugue, a Cresson Award-winning painting from the early years of American Realist Bo Bartlett (b. 1955-), is a fine example of the artist’s incredible focus on detail and emotion. Created while he attended the Pennsylvania Academy of Fine Arts in the late 1970s, the work shows Bartlett’s direct influence from Andrew Wyeth, who he studied extensively early in his career. A monumental painting at 48.25 by 66in, Fugue is estimated at $15,000-$25,000.
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Lê Thị Lựu, ‘Mother and Children in Landscape,’ estimated at $200,000-$300,000 at Freeman’s.
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Harry Bertoia, ‘Untitled (Tonal Sculpture),’ estimated at $80,000-$120,000 at Freeman’s.
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Claudio Bravo, ‘Miss Piglet,’ estimated at $30,000-$50,000 at Freeman’s.
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Bo Bartlett, ‘Fugue,’ estimated at $15,000-$25,000 at Freeman’s.
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Gertrude Abercrombie, ‘The Fisherman,’ estimated at $150,000-$250,000 at Freeman’s.
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Preston Singletary turns Tlingit lore into glass art

‘Eagle Drum’ by Preston Singletary took $6,500 plus the buyer’s premium in January 2019. Image courtesy of Rago Arts and Action Center and LiveAuctioneers.

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‘Eagle Drum’ by Preston Singletary took $6,500 plus the buyer’s premium in January 2019. Image courtesy of Rago Arts and Action Center and LiveAuctioneers.
‘Eagle Drum’ by Preston Singletary took $6,500 plus the buyer’s premium in January 2019. Image courtesy of Rago Arts and Auction Center and LiveAuctioneers.

NEW YORK — Preston Singletary (American, b. 1963-) was 19 when he began working in a glass factory making vases, bowls and the like. Admiring the works of Venetian glassmaker Napoleone Martinuzzi, Singletary literally carved a name for himself when he turned to his Tlingit heritage to create glass art that is rooted in tradition but has a modernist sensibility.

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