‘Heavenly Globe Vase’ and scroll topped Hindman’s Asian Works of Art sale

Chinese blue and white porcelain dragon bottle vase, which sold for $100,000 ($130,000 with buyer's premium) at Hindman.

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CHICAGO – Appraising Chinese porcelain is not an exact science, and most auction houses will choose to err on the side of caution when committing to a date. It’s why a blue and white bottle vase cataloged as early 20th century and given an estimate of $1,000-$1,500 can sell for $100,000 ($130,000 including buyer’s premium).

The subject of great speculation at Hindman’s September 27 Asian Works of Art sale was a finely potted 18in (45cm) tianqiuping or ‘heavenly globe vase’ decorated with a four-clawed sinuous dragon.

The form was first produced during the reigns of Yongle and Xuande, but the Qing emperors made it their own. Most carry dragon decoration.

The painterly rendition of the dragon to this vase — and the use of four rather than three or five claws — is a type associated with the Kangxi period (1662-1722). However, the auction house was not alone in thinking it was a good copy from the late Qing or the Republican period. It came for sale listed as ‘Property from a Midwestern Institution.’

The top lot in the Chicago auction was Civets, an ink and color on silk hanging scroll signed for the Southern Song (1165-1173) artist Mao Yi. Measuring 4ft 5in by 2ft, this image of domestic cats among chrysanthemums came by descent from the estate of Hisazo Nagatani (1905-1994), the well-known Japanese American collector, connoisseur and dealer who managed the famed Yamanaka & Co store on the Magnificent Mile until the firm was ordered to cease operations in 1942. Hisazo opened a gallery on North Michigan Avenue selling Asian works of art under his own name in 1944.

This particular scroll, one pictured and discussed in a number of scholarly catalogs in the early to mid-20th century (it was exhibited at the Osaka City Museum of Fine Arts in 1938), has an earlier provenance in Japan to Baron Dan Takuma (1858-1932), a director general of the zaibatsu (family conglomerate) Mitsui. Estimated at $50,000-$70,000, it hammered for $260,000 ($338,000 with buyer’s premium).

A late Qing pale celadon jade moon flask was consigned from the collection of Christopher and Genevieve McConnell and had been purchased during 1950-60s from the Gurie Gallery in Montreal. The dealership, the first in the city to focus on Chinese works of art, was opened by the Gurevich family, who moved to Canada from Harbin in northeastern China. Alex Gurevich (1929-1990) ran the store in the 1960s, sourcing objects through frequent visits to Hong Kong.

Measuring just above 8in high, this flask was carved to both sides with the central image of a Yin and Yang symbol. It hammered for $42,500 ($55,250 with buyer’s premium) against an estimate of $6,000-$8,000.

The top-selling jade was a matched pair of Jiaqing (1796-1820) mark and period bowls that came from a private collection in Atlanta. Worked in a pale celadon stone with white striations, these were estimated at $30,000-$40,000 and sold at $60,000 ($78,000 with buyer’s premium).

From the same ‘Midwestern institution’ as the blue and white bottle vase came a pair of Guangxu (1875-1908) mark and period blue and white covered boxes that hammered for $37,500 ($48,750 with buyer’s premium) against an estimate of $8,000-$12,000. Each slightly more than 10in across, the decorative scheme of a central shou character surrounded by five bats is one that conveys blessings of longevity.

The best Japanese woodblock prints are enjoying a strong moment in the market. Appearing in the September 27 sale was a copy of Fireworks at Ryogoku Bridge, the 98th and most celebrated image from the One Hundred Famous Views of Edo series by Ando Hiroshige (1797-1858). It hammered for $65,000 ($84,500 with buyer’s premium) against an estimate of $6,000-$8,000.

Fireworks were a regular feature of summer evenings on the Sumida River during the Edo period, with the entertainment centered at Ryōgoku Bridge. Hiroshige’s version of the scene shows all the elements of the setting — the restaurants for dining, the various river craft available for hire and the bridge itself — at a time when its days were numbered. Created in August 1858, with the arrival of the Meiji revolution, summer fireworks had been reduced to a single display at the time of Kawabiriki.

This fine signed and sealed impression was from the collection of the medical science and pharmacology entrepreneur Glen de Vries (1972-2021).
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Chinese blue and white porcelain dragon bottle vase, which sold for $100,000 ($130,000 with buyer’s premium) at Hindman.
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Bearing the signature of Mao Yi, ‘Civets’ sold for $260,000 ($338,000 with buyer’s premium) at Hindman.
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Chinese pale celadon jade moon flask, which sold for $42,500 ($55,250 with buyer’s premium) at Hindman.
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Matched pair of Chinese pale celadon jade bowls, which sold for $60,000 ($78,000 with buyer’s premium) at Hindman.
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Pair of Chinese blue and white porcelain covered boxes, which sold for $37,500 ($48,750 with buyer’s premium) at Hindman.
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Ando Hiroshige, ‘Fireworks at Ryogoku Bridge,’ which sold for $65,000 ($84,500 with buyer’s premium) at Hindman.
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‘Matisse of the East’ cache of art emerges at Freeman’s Oct. 18

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PHILADELPHIA — Nine works by Ding Yanyong (1902-1978), painted in the last years of his life for an American student, will be presented at Freeman’s auction of Asian Arts on Wednesday, October 18. The cache of ink and color on paper scrolls were given by the artist to the owner while she studied in Hong Kong in 1976. Estimates range from $1,500-$2,000 to $30,000-$50,000, with bidding available via LiveAuctioneers.

Ding Yanyong, the Chinese painter dubbed ‘the Matisse of the East’ for his blending of Eastern and Western styles, moved to Hong Kong in 1949 and remained there until his death in 1978. The consignor of these nine paintings was introduced to Ding by a friend and became one of his first western pupils. Ding gave her the Chinese sobriquet Meilan Nvdi (Beautiful Orchid), and this name appears as part of the dedication on several of the works up for sale.

The subject of the Eight Immortals is one the artist revisited in various compositions in the 1970s. The largest scroll in the group, at 4ft 6in by 2ft 3in, depicts them gathered together alongside the sealed inscription Meilan Nvdi and a bingchen year, equivalent to 1976. It has an estimate of $30,000-$50,000.

Also dated to 1976 is a 2ft 1in by 19in black ink sketch of an eagle together with a personal inscription and an estimate of $3,000-$5,000, while carrying an estimate of $5,000-$7,000 is a 2ft 3in by 18in colored scene depicting the main protagonists from the famous tale ‘Journey to the West’ – doubtless chosen by the artist as a suitable subject for his American student.

Earning the sale’s highest estimate, at $30,000-$50,000, is a pair of Qing dynasty continuous yoke-back armchairs made in the reverse hardwood huanghuali. One of the three main types of Chinese armchairs produced during the classic period, these are also colloquially known as a ‘Southern official’s hat’ chair or nanguanmaoyi. This pair were bought to the U.S. in 1937, on the eve of the second Japanese invasion of China, by a family who had settled in Shanghai five years earlier. While in China, they had acquired many pieces of traditional Chinese furniture.
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Ding Yanyong, ‘The Eight Immortals Gathering,’ estimated at $30,000-$50,000 at Freeman’s.
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Ding Yanyong, ‘Journey to the West,’ estimated at $5,000-$7,000 at Freeman’s.
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Ding Yanyong, ‘Eagle,’ estimated at $3,000-$5,000 at Freeman’s.
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Pair of Chinese Qing dynasty huanghuali continuous yoke-back armchairs (nanguanmaoyi), estimated at $30,000-$50,000 at Freeman’s.
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Chinese Kangxi period ‘Langyao’ copper red-glazed baluster vase, estimated at $8,000-$12,000 at Freeman’s.
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Japanese export silver four-piece dragon tea and coffee service with tray, estimated at $10,000-$15,000 at Freeman’s.
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Doyle marks Asia Week NY with March 21 Asian Works of Art sale

Large Chinese celadon-glazed porcelain dragon charger, est. $80,000-$120,000
Large Chinese celadon-glazed porcelain dragon charger, est. $80,000-$120,000
Large Chinese celadon-glazed porcelain dragon charger, est. $80,000-$120,000

NEW YORK – Doyle will hold an auction of Asian Works of Art on Monday, March 21 at 10 am Eastern time. Scheduled during Asia Week New York 2022, this highly-anticipated 414-lot sale presents the arts of China, Japan and elsewhere in Asia dating from the Neolithic period through the 20th century. Showcased will be porcelains, bronzes, jades, snuff bottles, pottery, scholar’s objects, furniture and paintings from prominent collections and estates. Absentee and Internet live bidding will be available through LiveAuctioneers.

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Song Dynasty ceramics among Asian artworks offered by Skinner, March 23

Jun bowl, possibly Northern Song dynasty, est. $200,000-$300,000. Image courtesy of Skinner
Jun bowl, possibly Northern Song dynasty, est. $200,000-$300,000. Image courtesy of Skinner
Jun bowl, possibly Northern Song dynasty, est. $200,000-$300,000. Image courtesy of Skinner

MARLBOROUGH, Mass. – Skinner Auctioneers will host a live Asian Works of Art sale at its Marlborough galleries on Wednesday, March 23 starting at 10 am Eastern time. Coinciding with Asia Week in New York, the auction will offer jade pieces, Song period ceramics, a broad range of famille rose, paintings and Buddhist sculptures. Absentee and Internet live bidding will be available through LiveAuctioneers.

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