Australian aboriginal art has captured the world’s attention

This 1995 triptych by Emily Kame Kngwarreye, ‘Ochre Body Paint,’ sold for $19,000 plus the buyer’s premium in July 2022. Image courtesy of Abell Auction and LiveAuctioneers.
This 1995 triptych by Emily Kame Kngwarreye, ‘Ochre Body Paint,’ sold for $19,000 plus the buyer’s premium in July 2022. Image courtesy of Abell Auction and LiveAuctioneers.

NEW YORK — Aboriginal art — a term typically used to describe works made by the indigenous people of Australia — takes several forms, all intriguing. They range from body paint and bark paintings to rock art; ochre paintings using organic pigments; textiles; wood carvings; and paintings on canvas, linen or wood. Paintings, in particular, have become one of the most desirable forms of Aboriginal art to collect and are widely represented in museums and fine collections around the world.

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Australian Indigenous art collection showcased at Abell, July 28

Emily Kame Kngwarreye, ‘Ochre Body Paint,’ est. $15,000-$25,000

 

Emily Kame Kngwarreye, ‘Ochre Body Paint,’ est. $15,000-$25,000
Emily Kame Kngwarreye, ‘Ochre Body Paint,’ est. $15,000-$25,000

LOS ANGELES – Abell Auction Co. will offer an array of Aboriginal art from the collection of Richard Kelton (1929-2019), whose respect and passion for the Australian Indigenous culture inspired him to curate one of the world’s most important private collections of its kind. The online sale will take place Thursday, July 28, starting at 9 am Pacific time. Absentee and Internet live bidding will be available through LiveAuctioneers.

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Tate Modern spotlights a continent in A Year in Art: Australia 1992

Emily Kame Kngwarreye, ‘Untitled (Alhalkere),’ 1989 Tate, purchased with funds provided by Lady Sarah Atcherley in honor of Simon Mordant 2019. © Estate of Emily Kame Kngwarreye / DACS 2020, All rights reserved
Emily Kame Kngwarreye, ‘Untitled (Alhalkere),’ 1989 Tate, purchased with funds provided by Lady Sarah Atcherley in honor of Simon Mordant 2019. © Estate of Emily Kame Kngwarreye / DACS 2020, All rights reserved
Emily Kame Kngwarreye, ‘Untitled (Alhalkere),’ 1989, Tate, bought with funds provided by Lady Sarah Atcherley in honor of Simon Mordant 2019. © Estate of Emily Kame Kngwarreye/DACS 2020, All rights reserved

LONDON – Tate Modern has opened A Year in Art: Australia 1992, a free exhibition of more than 25 works by Australian artists, many on show for the first time in the UK, to explore debates around land rights and the ongoing legacies of colonialism. It takes as its starting point the High Court of Australia’s landmark 1992 Mabo ruling in favour of five Meriam people including Edward Koiki Mabo. This decision overturned terra nullius (meaning ‘land belonging to nobody’), the doctrine on which the British had justified colonizing the land now known as Australia. The exhibition brings together works from Tate’s collection which explore Aboriginal and Torres Strait Islander peoples’ relationship with their lands, as well as colonization’s continuing impact on issues of representation, social injustice, and climate emergency. The exhibit will continue until spring 2022.

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