RHINEBECK, N.Y. – Barn Star Productions and Frank Gaglio Inc. will present a new event, Antiques on the Hudson, at Lyndhurst, on April 7-8, 2018. The antique, vintage and fine art show and sale will take place as part of Lyndhurst Mansion’s Spring Blossoms Flower Show, the 2018 season opener at the historic site.
NEW YORK – Master Drawings New York returns to the Upper East Side for its 12th year from Saturday, Jan. 27, to Saturday, Feb. 3, at a time when all eyes are on the Old Masters market.
LOS ANGELES — stARTup Art Fair will present its third Los Angeles edition opening on Friday, Jan. 26, with a new location at The Kinney Hotel – Venice Beach. The fair will run through Sunday, Jan. 28, with a kickoff celebration on the opening night from 7 to 10 p.m. featuring hotel room exhibitions, performance art and music.
LOS ANGELES – The SAG Awards Red Carpet Bleacher Seat Auction, the second in a trio of online auctions benefitting the SAG-AFTRA Foundation, is open now at sagawards.org/auction.
WEST PALM BEACH, Fla. – The Palm Beach Modern + Contemporary Art Fair, presented by Art Miami and sponsored by the City of West Palm Beach, will return January 11, 2018 for its second edition at West Palm Beach’s Tent Site (825 S Dixie Hwy & Okeechobee Blvd., W. Palm Beach) located directly behind the new Restoration Hardware.
SOLANA BEACH, Calif. (AP) – Burt Bacharach and Elvis Costello are teaming up for a musical benefit for victims of the San Luis Rey Downs training track fire this month that killed nearly 50 horses and injured their caretakers.
PHILADELPHIA— A remarkable assemblage of 18th-century slipware ceramics uncovered during an archaeological excavation in Philadelphia will soon be revealed to the public for the first time. Nearly a dozen pieces of slipware, a form of decorative lead-glazed pottery, will be on view at the 2018 New York Ceramics & Glass Fair from Thursday, Jan. 18 – Sunday, Jan. 21, 2018, at Bohemian National Hall in Manhattan.
SANTA ANA, Calif. – Empress Dowager Cixi (1835-1908) stands in the center of modern Chinese history. While most commonly viewed as a politician, this formidable matriarch was also introduced to Western audiences or readers as a connoisseur, patron and even creator of art in the early 20th century, a phenomenon that interestingly fell unnoticed in modern scholarship.