Giacomo Benevelli

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Giacomo Barozzi da Vignola – Architectural Study of a Tuscan Arch and Cornice – Engraving (1643): "Tuskaana" presents a technical architectural diagram delineating the classical proportions and structural components of a Tuscan archway and entablature based on the rules of Vignola. The composition

2026

Giacomo Barozzi da Vignola – Architectural Study of a Tuscan Arch and Cornice – Engraving (1643)

Proverde AuctionsAvignon, Provence-Alpes-C?te d?Azur

Giacomo Barozzi da Vignola – Architectural Study of the Tuscan Order – Engraving (1643): "Tuskaana" presents a technical architectural diagram delineating the classical proportions and structural components of the Tuscan order based on the rules of Vignola. The composition features a deta

2026

Giacomo Barozzi da Vignola – Architectural Study of the Tuscan Order – Engraving (1643)

Proverde AuctionsAvignon, Provence-Alpes-C?te d?Azur

Giacomo Barozzi da Vignola – Architectural Study of a Tuscan Arched Arcade – Engraving (1643): "IIe Tuskaana" presents a technical architectural diagram delineating the classical proportions and structural design of a Tuscan arched arcade with columns according to the rules of Vignola. The comp

2026

Giacomo Barozzi da Vignola – Architectural Study of a Tuscan Arched Arcade – Engraving (1643)

Proverde AuctionsAvignon, Provence-Alpes-C?te d?Azur

Giacomo Barozzi da Vignola – Architectural Study of the Corinthian Order – Engraving (16th: "Corinthio." This engraving provides a technical analysis of the Corinthian order, highlighting the characteristic ornate acanthus leaf capitals and precise proportions that define this classical arch

2026

Giacomo Barozzi da Vignola – Architectural Study of the Corinthian Order – Engraving (16th

Proverde AuctionsAvignon, Provence-Alpes-C?te d?Azur

Giacomo Barozzi da Vignola (1507–1573) – Architectural Study of the Tuscan Order – Engraving: "Tuskaana." This engraving provides a detailed technical examination of the Tuscan order, the simplest and most robust of the classical architectural orders. The plate delineates precise geometric pro

2026

Giacomo Barozzi da Vignola (1507–1573) – Architectural Study of the Tuscan Order – Engraving

Proverde AuctionsAvignon, Provence-Alpes-C?te d?Azur

Castiglioni for Flos "Arco" floor lamp: Castiglioni for Flos "Arco" floor lamp, c. 1960, Italy, designed by Achille and Pier Giacomo Castiglioni, chromed stem and diffuser, on Carrara marble block base with beveled corners, unmarked, 89.5"h

2026

Castiglioni for Flos "Arco" floor lamp

Millea Bros LtdBoonton, NJ

Achille Castiglioni; Pier Giacomo Castiglioni, Garden stool 'Allunaggio, 1965 (design): <p>H. 43 x 152 x 76 cm. <br />Zanotta, Nova Milanese. <br />Metal tube, sheet metal, green lacquer, black plastic.</p>

2026

Achille Castiglioni; Pier Giacomo Castiglioni, Garden stool 'Allunaggio, 1965 (design)

Quittenbaum Kunstauktionen GmbHMunich, Bavaria

GIACOMO BROGI FIRENZE "VENDITORE DI LUPINI" COLLOTYPE PRINT printed by Fratelli Alinari in 1984: *Large scale Italian collotype print titled "Venditore di lupini" (Lupin Seller) after Giacomo Brogi, published by Fratelli Alinari in Florence, May 1984. Approximate Dimensions: 14” x 1

2026

GIACOMO BROGI FIRENZE "VENDITORE DI LUPINI" COLLOTYPE PRINT printed by Fratelli Alinari in 1984

Cornell Auctions, Objects & TradeBellport , NY

Giacomo Balla, by Rossana Bossaglia, 1994.: Giacomo Balla, by Rossana Bossaglia, 1994.

2026

Giacomo Balla, by Rossana Bossaglia, 1994.

TheRedFinch AuctionsReston, VA

Castiglioni for Flos, "Arco" Lamp Base: Achille Castiglioni (Italian, 1918-2002) and Pier Giacomo Castiglioni (Italian, 1913-1968). "Arco" floor lamp base. Carrara marble. Height: 21 3/4", Length: 9 1/2", Depth: 7 1/2". Veined Carrara marbl

2026

Castiglioni for Flos, "Arco" Lamp Base

Stefek's Auctioneers & AppraisersRoseville, MI

Roberta Flack | Orange Mid-Century Style Table: A Mid-century style molded plastic round occasional table, similar to Pier Giacomo Castiglioni's vintage "Rocchetto" table. From the Estate of Roberta Flack

2026

Roberta Flack | Orange Mid-Century Style Table

Julien's AuctionsGardena, CA

Giacomo Lauro (1550–1605) – View of the Temple of Antoninus and Faustina in Rome – Engraving: "Antonini, et Faustinae Templvm" presents an architectural reconstruction of the Roman temple located in the Forum Romanum, dedicated to the Emperor Antoninus Pius and his wife Faustina. The illustrat

2026

Giacomo Lauro (1550–1605) – View of the Temple of Antoninus and Faustina in Rome – Engraving

Dahlstroms AuctioneerAvignon, Provence-Alpes-Cote d'Azur

Giacomo Lauro (1550–1605) – View of the Pantheon in Rome – Engraving (1612): "Pantheon Agrippe" presents an architectural view of the iconic Roman temple, highlighting its massive rotunda, dome, and classical portico supported by Corinthian columns. This copper engraving is fr

2026

Giacomo Lauro (1550–1605) – View of the Pantheon in Rome – Engraving (1612)

Dahlstroms AuctioneerAvignon, Provence-Alpes-Cote d'Azur

Giacomo Lauro (1550–1605) – Study of a Classical Temple with Statuary – Engraving (1612): "Classical Temple" presents an architectural study of a Roman prostyle temple, featuring a portico with four prominent columns and a triangular pediment adorned with three allegorical statues. This co

2026

Giacomo Lauro (1550–1605) – Study of a Classical Temple with Statuary – Engraving (1612)

Dahlstroms AuctioneerAvignon, Provence-Alpes-Cote d'Azur

Giacomo Lauro (1550–1605) – View of the Baths of Diocletian in Rome – Engraving (1612): "Thermae Diocletianae in Viminali" presents an aerial architectural reconstruction of the vast imperial bathing complex located on the Viminal Hill, showcasing its symmetrical layout, grand vaulted ha

2026

Giacomo Lauro (1550–1605) – View of the Baths of Diocletian in Rome – Engraving (1612)

Dahlstroms AuctioneerAvignon, Provence-Alpes-Cote d'Azur

Giacomo Lauro (1550-1605) – View of the Baths of Caracalla (Thermae Antoninianae) – Engraving: Thermae Antoninianae illustrates a reconstructed architectural view of the massive public bathing complex in Rome, featuring a central rotunda with a dome and expansive arcaded courtyards. The engravi

2026

Giacomo Lauro (1550-1605) – View of the Baths of Caracalla (Thermae Antoninianae) – Engraving

Dahlstroms AuctioneerAvignon, Provence-Alpes-Cote d'Azur

Giacomo Lauro (1550-1605) – View of the Portico of Octavia and Temple of Juno Regina – Engraving: Porticvs Et Vestigia Templi Ivnonis Reginae illustrates the remains of the Portico of Octavia in Rome, which at the time of the engraving was integrated into the fabric of the city's medieval and Rena

2026

Giacomo Lauro (1550-1605) – View of the Portico of Octavia and Temple of Juno Regina – Engraving

Dahlstroms AuctioneerAvignon, Provence-Alpes-Cote d'Azur

Giacomo Lauro (1550-1605) – View of the Temple of Portunus near the Tiber – Engraving (1612): Templvm Fortvnae Virilis Ivxta Tiberim illustrates the well-preserved ancient Roman temple situated in the Forum Boarium, traditionally identified during the Renaissance as the Temple of Fortuna Viril

2026

Giacomo Lauro (1550-1605) – View of the Temple of Portunus near the Tiber – Engraving (1612)

Dahlstroms AuctioneerAvignon, Provence-Alpes-Cote d'Azur

Giacomo Lauro (1550-1605) – View of the Circus Flaminius in Rome – Engraving (1612): Circvs Flaminivs illustrates a reconstructed bird's-eye view of the ancient Roman chariot-racing track located in the southern Campus Martius. The engraving depicts the stadium's tiered seating and ce

2026

Giacomo Lauro (1550-1605) – View of the Circus Flaminius in Rome – Engraving (1612)

Dahlstroms AuctioneerAvignon, Provence-Alpes-Cote d'Azur

Giacomo Lauro (1550-1605) – View of the Circus Flaminius in Rome – Engraving (1612): Circvs Flaminivs illustrates a reconstructed bird's-eye view of the ancient Roman chariot-racing track located in the southern Campus Martius. The engraving depicts the stadium's tiered seating and ce

2026

Giacomo Lauro (1550-1605) – View of the Circus Flaminius in Rome – Engraving (1612)

Dahlstroms AuctioneerAvignon, Provence-Alpes-Cote d'Azur

Giacomo Lauro (1550-1605) – View of the Temple of Romulus and Remus – Engraving (1612): Romuli, Et Remi Templum illustrates a reconstructed view of the ancient Roman temple as it was thought to have appeared before the restorations ordered by Pope Urban VIII. The engraving shows a classi

2026

Giacomo Lauro (1550-1605) – View of the Temple of Romulus and Remus – Engraving (1612)

Dahlstroms AuctioneerAvignon, Provence-Alpes-Cote d'Azur

Giacomo Lauro (1550-1605) – View of the Baths of Agrippa (Thermae M. Agrippae) – Engraving: Thermae M. Agrippae illustrates a reconstructed bird's-eye view of the first great public bathing complex in Rome, built by Marcus Agrippa in the Campus Martius. The engraving depicts a sprawling arch

2026

Giacomo Lauro (1550-1605) – View of the Baths of Agrippa (Thermae M. Agrippae) – Engraving

Dahlstroms AuctioneerAvignon, Provence-Alpes-Cote d'Azur

ACHILLE E PIER GIACOMO CASTIGLIONI, KARTELL, anni: ACHILLE E PIER GIACOMO CASTIGLIONI, KARTELL, anni '60. Una lampada a sospensione 'KD 6'. Policarbonato. Cm 28 (h. diffusore) x 50 (diam.).

2026

ACHILLE E PIER GIACOMO CASTIGLIONI, KARTELL, anni

Aste di Antiquariato BoettoGenoa, Italy

ACHILLE E PIER GIACOMO CASTIGLIONI, FLOS, 1962.: ACHILLE E PIER GIACOMO CASTIGLIONI, FLOS, 1962. Una lampada da tavolo 'Gatto'. Struttura in tondino di ferro rivestita in Cocoon. Foro in prossimità' della base. Cm 58 (h). A 'Gatto' table lamp. Iron

2026

ACHILLE E PIER GIACOMO CASTIGLIONI, FLOS, 1962.

Aste di Antiquariato BoettoGenoa, Italy

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