ATTRIBUTED TO CLARENCE BRALEY (Massachusetts, Early

ATTRIBUTED TO CLARENCE BRALEY Massachusetts Early 20th Century Moonlit seascape. Unsigned. Pastel on paper, 12.75" x 32" sight. Framed 20" x 39".

CLARENCE BRALEY (Massachusetts, 1854-1927) Pastel, 27.25" x 37.5" sight. Framed 36.5" x 37.5". CLARENCE BRALEYMassachusetts, 1854-1927Mountain lake scene, possibly New Hampshire. S

CLARENCE E. BRALEYMassachusetts, 1854-1927Houses by a river. Signed lower right "C. Braley".Pastel on board, 13" x 17" sight. Framed 22" x 26".

Clarence E. Braley (American - Massachusetts 1854-1927) Oil on Canvas painting with a subject of Cows In Pasture. Signed C. Braley on the lower left.Housed in a hand painted wooden frame with images o

NANTUCKET BASKET ATTRIBUTED TO FERDINAND SYLVARONantucket, Massachusetts, Early 20th CenturyRound, with swing handle. Base inscribed with three concentric circles, indicative of Sylvaro.Basket height

Canvas white-winged scoter decoy attributed to CAPTAIN CLARENCE BAILEY (American, Kingston, Massachusetts, 1882-1952). This oversized scoter has a stretched canvas over frame body which is copper-tack

Tin Litho Horse-drawn "Menagerie" Circus Wagon. Attributed to Morton E. Converse Co., Winchendon, Massachusetts, early 20th century, the wagon reads ''Menagerie 18'' on the sides and depicts a male li

Tin Lithograph Horse-drawn Delivery Wagon. Attributed to Morton E. Converse Co., Winchendon, Massachusetts, early 20th century.17-3/4"l. Condition: Good with wear, minor dents and rust.

Massachusetts Farm in Autumn with Cornstacks, pastel on board, signed lower right, circa 1910, in gilt molded frame with gold mat, glazed, OS: 21 1/2" x 31 1/2", SS: 13 1/2" x 23 1/2". Good condition.

IN A QUIET BAY; 8 1/2" X 11 3/4" SIGHT; MASSACHUSETTS 1854-1927

Massachusetts,Late 19th-Early 20th Century Faience pottery tile frieze depicting the Irish Gaelic Lonergan family crest amongst acanthus leaves with green grout, attributed to the Grueby Faience Compa

Private Collection 12"x 10" (Attributed) With Attribute certificate,Condo studied Art History and Music Theory at the University of Massachusetts in Lowell. Throughout his early life he studied guitar

Mahogany, cookie corners, twist columns; attributed to Samuel McIntire of Salem, Massachusetts. 42 1/4 x 45 1/4 x 21 inches.

Early 19th c mahogany cased banjo clock attributed to Horace Tift, North Attleboro, Massachusetts (note glue block arraingement), ht 33"

American, early 20th century, iridescent dark gold withÿsilver pulled feather decoration at the rim, signed "G.T.C.", 5-1/2 in. - Provenance: Renee Winthrop, Boston, Massachusetts, purchased Septembe

Attributed to Pewabic PotteryFooted Bowlearly 20th centuryglazed earthenwareunmarked5 1/4 x 14 1/4 x 10 1/4 inchesProvenance: Private Collection, East Sandwich, MassachusettsOther Notes:

REED & BARTON "FRANCIS I" STERLING SILVER FLATWARE SERVICETaunton, Massachusetts, Early to Mid-20th CenturyTotal of 192 pieces. Includes:12 7.75” dinner forks11 7” luncheon forks

WILLARD PATENT BANJO CLOCKMassachusetts, Early 19th CenturyCase with brass eagle finial and banded inlay in varied woods. Reverse-painted throat and door glass, the throat with a geometric design and

(NEW BEDFORD ARTIST, 1854-1927), SIGNED LOWER LEFT, WOMEN AND CHILDREN ON ROCKS AT FAIRHAVEN'S FORT PHOENIX, NEW BEDFORD IN DISTANCE. 28 1/4" X 36". IN PERIOD FRAME.

Carved and Painted Miniature Woodcock, A. Elmer Crowell, East Harwich, Massachusetts, early 20th century, the standing figure on a domed base, with a circular Crowell ink stamp on the underside, ht. 3

Carved and Painted Miniature Female Ruff, A. Elmer Crowell, East Harwich, Massachusetts, early 20th century, with breeding plumage, on a domed base with a circular Crowell stamp in ink, ht. 3 in.

ELNATHAN TABER BANJO CLOCKRoxbury, Massachusetts, Early 19th CenturyMahogany and mahogany veneer case with presentation bracket and brass embellishments. Roman numeral dial. Face signed "E. Taber Roxb

Attributed to Jens Risom, Set of 6 Dining Chairs. Seats and back rests of woven vinyl supported by angular wooden frames. Two-arm chairs and four side chairs.United States, c1950sWidth : 19" Depth : 1

CHARLES M. COXMassachusetts, Early 20th CenturyA flower-lined path. Signed lower right “Charles M. Cox”.Oil on board, 18” x 24”. Framed 22” x 28”.