Francesco Lavega Heracles Watching Telephus Etching

Francesco Lavega Heracles Watching Telephus Etching from "Antiquities of Herculaneum" 18th century. On laid paper. Measures approx 14" x 18 1/2" Overall good condition. Some loss to

Piransesi, Giambattista Vue du temple de Neptune Dieu... Etching. Francesco Piranesi, 1778. 24 ¾" x 35" sheet, 31 ½" x 42" framed.

17th and 18th centuries, eleven by Londonio, eleven by Everdingen, most on laid paper, possibly later, unframed. 7 3/4 x 5 3/4 in. (the largest) Additional high-resolution photos are available at Lel

FRANCESCO PIRANESI ( Italian 1758/9-1810) AN ETCHING, "Stylobates marmoreus consecrationis Imp. Antonini Pii, et Faustinae Uxoris eius from Trofeo o sia Magnifica Colonna Coclide," etching and engravi

ARMS, John Taylor (1887-1953). Watching the People below, Amiens Cathedral. Etching. 1921. 4 1/2" x 7 3/4" plate mark,14 3/4" x 16 3/4” framed.

John Taylor Arms (American 1887-1953)- ''Watching The People Below, Amiens Cathedral'' (Fletcher 101)- etching, 1921, signed in pencil, edition of 75, Gargoyle Series no.3. 4 7/8 x 8 1/8''

(untitled), etching and aquatint, Signed in pencil by the artist an artist's proof, aside from the numbered edition , , Size info: ,sheet: 11.5 x 10 in. (29.2 x 25.4 cm.) ,pl.9 1/8 by 8 5/8 in. (23 x

Set of 3 prints. Veduta architectural views in Italy. Giovanni Francesco Costa (Italian, Venice, 1711–1772/73). Sights 10 3/4" x 13 1/2".

Francesco Piranesi (1758-1810): Veduta interna della Villa di Mecenate; Veduta del Tempio della Camene; and Veduta di un elio camino Three etchings in black on wove and laid paper. 18 3/4 x 24 1/2 in.

Giovanni Battista Piranesi (1720-1778): Elevazione Ortographica del Tempio d'Ercole; and Portico del Pantheon Two etchings in black on paper; together with Francesco Piranesi (1758-1810): Fianco del T

olio su tela, W. 52 - H. 65 Cm, Chiaramente ispirato alle celeberrime teste composte di Giuseppe Arcimboldo, realizzate attraverso l’accostamento di ortaggi, frutti e oggetti d’uso comun

FILIPPINI FRANCESCO (1853-1895) Francesco Filippini 1853/1895 olio su tela "riposo di contadine" firmato in basso a destra Acquistato dalla Società per le Belle Arti ed Esposizione Permanente in MI

JOHN MARIN (AMERICAN, 1870-1953), ETCHING AND DRYPOINT, 1913, PLATE SIZE: H 12 3/4", W 10 1/4", "WOOLWORTH BUILDING #2:Pencil signed (within the plate mark); signed, titles and dated in the plate; ins

Giovanni Francesco Barbieri, better known as Guercino oil on canvas 39 1/4" x 28 3/4" Frame: 50 1/2" x 39 7/8" portrait of May Magdalena Signed lower right 'Guercino'.

Eanger Irving Couse (1866 - 1936) Watching the Fish oil on panel 8 x 10 inches 14.5 x 17 inches (frame) Signed Lower Right: E. I. Couse N.A. PROVENANCE Private Collection, Dallas, Texas Exhibition Gre

Giorgio Morandi (1890-1964) Natura morta con il panneggio a sinistra (Vitali 31; Cordaro p.35) Etching, 1927, on wove paper, the second, final state, signed, dated and numbered 32/40 in pencil, with w

FRANCESCO CLEMENTE 1952 Da remi per rane, 1980 Olio su tela cm. 61x91 Firma, titolo e anno al retro PUBBLICAZIONI Artforum, dicembre 1981 R.Ricard, "The radiant child" pag. 39 PROVENIENZA Sperone West

XVII 17th century old master oil on canvas depicting the Stoning of Saint Stephen. This work, like one of Rembrandt's, is inspired by the martyrdom of Saint Stephen, as recounted in Acts 7. It demonst

Ogden M. Pleissner (1905-1983) Complete Set of Eight Etchings each signed "Ogden M Pleissner" lower right etching, 10 by 15 in. (largest) Pleissner produced eight intaglio prints between 1942 and 1944

DAVID HOCKNEY (b. 1937) "CONTREJOUR IN THE FRENCH STYLE"Year: 1974Etching and aquatint in colours on wove paperDimensions: 99.2x92 cmSigned and dated in pencil, numbered XX/75 (there were also 18 arti

Francesco Somaini (1926-2005): Ordalia Bronze, 1964, unmarked, on a black steel stand. 45 in. (height without stand), 82 in. (height with stand). Galleria Odyssia, NY.Property from a Prominent Collect

Lucian Freud (1922-2011) Girl Sitting (Hartley 33) Etching, 1987, on Somerset wove paper, signed and numbered 35/50 in pencil (there were also ten artist's proofs), published by James Kirkman, London,

Lucian Freud (1922-2011) Girl Holding Her Foot (Hartley 25) Etching, 1985, on wove paper, signed with initials and numbered 44/50 in pencil (there were also 15 artist proofs), published by James Kirkm

Francesco Guardi (1712 –1793), The Holy Family and Saints Domenico and FrancescoThe present painting, probably destined for private devotion, depicts in the upper left the Madonna Assunta, Jesu