Gilbert Munger, "Herring Fleet" Etching (1879)

Etching by 19th century American artist Gilbert Munger (1837 - 1903). Entitled "Herring Fleet", this piece depicts what is likely an English herring fishing fleet. While Munger is best known as a pain

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

Gilbert Munger (American, 1837-1903), "Chateau de Pierrefond, Picardie, France", oil on panel, signed lower left, 14 1/2 in. x 21 3/8 in., framed, overall 27 3/8 in. x 34 1/2 in. x 3 3/4 in. Note: Nea

Five mixed media on paper, unsigned. Smallest 6 1/2 x 9 1/4 in. (sheet), Largest 14 x 17 in. (sheet), all unframed. The estate of the artist.

Gilbert Davis Munger American, 1837-1903 Near Saint-Germain Signed Gilbert Munger. (ll); inscribed No 72 Near St. Germain / Gilbert Munger on a label affixed to the reverse Oil on panel 13 3/4 x 21 1/

Hamerton, Philip Gilbert. ETCHING & ETCHERS. Third Edition. London: MacMillan and Co., 1880. 12" x 8.5". xxxiii, [3], 360 + 48 plates (most with tissue guards.) Publisher's 1/4 morocco over cloth with

James A. M. Whistler (American 1834-1903)- ''The Little Putney No. 1'' (Kennedy 179)- etching, 1879, toning in margin with slight mat burn, some foxing, some paper loss along sheet edges. 5 1/8 x 8''

Gilbert Davis Munger (United States/France, 1837-1903). An oil on canvas landscape with trees and stream. Signed lower left and dated July 7th, 1862. In a leaf-decorated gilt and gesso frame. Canvas:

oil on canvas signed lower right 25 1/2 x 32 inches

Camille Pissarro (Danish/French, 1830-1903) La femme sur la route, 1879 etching with aquatint stamped initials and numbered 11 in pencil 6 1/8 x 8 1/4 inches. Literature:Delteil 18

James McNeil Whistler (American, 1843-1903) "Hurlingham" 1879. Etching and drypoint, printed in black ink on cream laid paper. signed with butterfly monogram (lower right). Plate: 5 7/16 x 7 15/16 in.

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

Edgar Degas (French, 1834-1917). “Mary Cassatt au Louvre” - c. 1879/80, etching, aquatint, drypoint, and electric crayon on Japan, impression from the cancelled plate. Reference: Adhemar, Cachin 5

Felix Buhot (1847-1898) Le Débarquement au Angleterre, etching and drypoint, 1879, fifth, final state, signed and dedicated 'a Monsieur Roger Marx avec une pluie de remerciment / FD.', with the art

JAMES ABBOTT MCNEILL WHISTLER (American, 1834-1903), Lagoon Noon, 1879-80, etching on laid paper, (approximate dimensions - sheet (sight): 5 x 8 inches); signed and inscribed "imp" lower left, inscrib

Shaman and Priest (1995) Etching (unique proof) Signed, titled and dated Size: 10.75 x 13.5 in. (plate) Together with: Gilbert's Enclosed Garden Etching Signed, titled, numbered 1/10 Size: 6.75 x 9

John Melville Kelly (1879 - 1962), Etching, "Hawaii". Signed and titled in pencil. Sight: 9 3/4" x 11 3/4". Framed, under glass. Overall: 19" x 23".

James Abbott McNeill Whistler, (American, 1834-1903), two prints on paper, comprising “Hurlingham," ca 1879, drypoint etching with a crown watermark, depicting docked sailboats, and "The Traghet

Armin Hansen- ''Resting Fleet'' (White 48)- etching, 1922, signed and titled in pencil, very good condition. 6 1/4 x 9 3/8''

James McNeill Whistler (American, 1834-1903) The Adam and Eve, Old Chelsea. Etching dated to 1879, printed on thin Japan paper, sheet measures 8.25" x 13.25", unframed. Ref: Kennedy 175 II/II 7" x 11.

Medium: original etching. Executed in 1879, this is a rich, dark impression on chine-collé paper, apart from the standard edition on laid paper. The etched image measures 5 3/4 x 3 1/2 inches; the

[BAYNTUN BINDING]. HAMERTON, Philip Gilbert (1834-1894). Etchings and Etchers. London: MacMillan & Co., 1868.  8vo. Half-title, title printed in red and black; 35 engraved plates by and after Haden,

James Abbott McNeill Whistler (1834-1903) LIVERDUN; HURLINGHAM; CHELSEA (FULHAM) (KENNEDY 16, 181, 182; GLASGOW 13, 184, 181) Three etchings, 1858 and 1879 (2), respectively, the first Glasgow's third

FÉLIX BUHOT La Dame aux Cygnes. Etching, aquatint and drypoint, 1879. 130x180 mm; 5x7 inches, full margins. Third state (of 3). With the artist's red ink stamp (Lugt 977, lower center recto). A v