LARRY CLARK, b. 1943

Books include: Tulsa by Larry Clark (b. 1943). First edition, true first printing; Days at Sea by Ralph Gibson (b. 1939); Passport by Mary Ellen Mark (1940 - 2015); Deja vu and The Somnambulist by Ral

LARRY CLARK (B. 1943) One of Gods Mistakes Sheet-fed gravure 8" x 5 1/4"

LARRY CLARK (B. 1943) Nudes Line-up Sheet-fed gravure 7 1/4" x 5"

Oil on canvas 24 x 12 in

Larry Laslo (American, born 1943). An original oil painting on canvas. An abstract wok in beiges, whites, and linen shades beneath strong color pops. Artist monogram double LL signature. Presented in

LARRY THOMAS (American, b. 1943), "Hook #1", 1992, charcoal, shellac and oil on paper. Image size: 29 x 23 inches, overall: 36 x 30 inches. Provenance: The Estate of Gertrude Parker, founder of The Sa

Larry Morez (American, b. 1943), "Kona Beach," 1999, oil on canvas, signed and dated lower right, artist and title label affixed verso, overall (with frame): 19.25"h x 25.25"w

Lot 117 Larry Dinkin American (b. 1943) Untitled (2001) serigraph signed lower right, numbered 16/140 image: 35 1/4 x 42 1/4 inches paper: 42 1/4 x 49 inches Provenance: from a private New York collec

Larry Clark (born January 19, 1943) is an American photographer, film director, writer, and artist. He is best known for his controversial photography and films, which often deal with themes of youth

Larry Clark (born January 19, 1943) is an American photographer, film director, writer, and artist. He is best known for his controversial photography and films, which often deal with themes of youth

Larry Clark (born January 19, 1943) is an American photographer, film director, writer, and artist. He is best known for his controversial photography and films, which often deal with themes of youth

SPARTAN CAD RED DAYS, 1988, oil and wax painting on canvas, signed and dated and titled on verso, 55 x 46”.

BALMORHEA, 1990, oil painting and chalk on blackboard with shelf, a signature not found, 58 ¼ x 65 x 6. Provenance: Hiram Butler Gallery, Houston.

FREESTYLE, 1992, acrylic painting on canvas with collage, 63 ½ x 57 ½”. Provenance: The Works Gallery, Long Beach.

THREE VERTICALS AGAINST A FIELD, 1989, oil painting and charcoal on paper, signed and dated lower right, 44 x 47”, framed. Provenance: Mark Moore Gallery, Santa Monica.

DEUX PERSONAGE METAPHYSIQUE, 1983, color pastel on chocolate brown paper, signed and dated lower right, 40 x 26â€, framed, apparently in good studio condition.

BIG BLUE, pigment, cement and glass on wood, 60 x 96 x 2 ”, purported studio glass crack upper left, otherwise in good studio condition. Provenance: acquired directly from the artist by present owne

UNTITLED, 1988, pigment, cement and glass on wood in two parts, approximately 30 x 77” overall, in good studio condition. Provenance: Doris Sosin Art Resources acquired directly from the artist.

UNTITLED, 1985, pigment, glass and cement on wood, signed and dated on verso, 48 x 84 x 2 ½”, heavy weight.

UNTITLED, 1980, cement and polymer and glass on wood in welded metal frame 25 x 13 x 2”, 22 lbs. Provenance: James Corcoran Gallery.

UNTITLED, 1984, pigment, glass and cement on wood table top or wall sculpture, signed and dated on verso, 12 x 24 ½ x 7 ½”, weight 18 lbs. From the Stuart Lampert & Stephen Tomar Colle

RED BUTTE COUNTRY, oil painting on Masonite, signed lower right, 30 x 40”, framed, minor surface soiling, otherwise in good studio condition. Special thanks to the artist for confirming the authenti

UNTITLED, triptych, three cast bronzes, each 16 x 12”, overall 16 x 36”, each approximately 20 lbs., overall approximately 60 lbs.

GRACE’S COWPOKE BAR, oil painting on canvas, signed lower right, signed and titled fainted on verso, 30 x 40”, framed, minor surface soiling, some speckling on verso, speckling in the mat, otherwi