Lot 2 Framed Prints

20th Floor Suites: Lot of 2 framed prints dancing Muses

30th Floors Waldorf Towers Suites: Lot of 2 framed prints, Roman, 25x18 inches

30th Floor Suites: Lot of 2 framed prints of Caesar

Lot 2 Gilded Framed Prints. 18 3/4" X 23 3/4"

Sight- 20" x 22" Overall- 28" x 30" Must use 3rd party shipper

(lot of 2) Framed prints on paper, each likely depicting scenes from the Battles of Algeciras, in floral accented giltwood frames, sight: approx 10.5"h, 13.5"w, overall: approx 13"h, 16"w, 6lbs total

(lot of 2) Framed prints on paper, "Contemporary Chinoiserie Diptych," in faux bamboo gilt painted frame, retaining One Kings Lane retail label verso, sight: approx 40"h, 23"w, overall: approx 42"h, 2

(lot of 2) Framed prints on board, 20thc., including: (1) Italian School floral still life, in ovular frame, sight approx: 20"h, 16"w, overall approx: 26.5"h, 22.75"w, (1) Venice canal print, sight ap

(lot of 2) Framed prints on paper behind glass, each signed illegibly .... Thea (?), marked Safa, The Island Club verso, including: (1) Red Abstract, (1) Blue Abstract, sight: approx 28.25"h, 20.5"w,

A lot of 2 framed prints sold together. Including: "1899 - 1ST TEAM BRIGADE SPORTS - NO. 6 COMPANY, 43RD BATTALION." Photograph of 11 young men in uniform, seated in room, holding rope and trophy. Mou

(lot of 2) Framed prints: (1) lithograph, "Path Patterns", pencil signed lower right Altman (Harold Altman, American, b. 1924), artists proof, sight: 19.25"h, 26"w, overall: 22.5"h, 30"w; H.C. proof,

(lot of 2) Framed prints on paper, Leon Danchin (French, 1887-1938), including: (1) Two Horses, signed lower right, numbered 309/ 500, spotting/ foxing, (1) Two Pointers, signed lower left, numbered 3

(lot of 2) Framed prints by Hermann Struck (Germany, 1876-1944), including: (1) lithograph on paper, Portrait of Max Reinhardt (Austria, 1873-1943), artist signed and numbered 26/30 lower right, addit

(lot of 2) Framed prints on paper, after Giuseppe Vasi (Italian, 1710-1782), including: (1) "The ruins of the ancient magnificence of Rome that are seen in the Campo Vaccino," (1) "The view of the Bas

(lot of 2) Framed prints on paper, Charles Beckendorf (Texas, 1930-1996), including: (1) lithograph, Mourning Doves, printed signature lower middle, dated 1966, sight: approx 7 3/8"h, 9 3/8"w, overall

(lot of 2) Framed prints on paper, including: (1) "The Maiden," signed in print Gustav Klimt (Austrian, 1862-1918), with embossed details, sight: approx 11.5"h, 8"w, overall: approx 17.5"h, 14.5"w; (1

(lot of 2) Framed prints on paper, including: (1) serigraph, "Crash", signed in pencil lower right HBarnett (Helmut Barnett, Germany, Texas, b. 1941), dated [20]06, sight: approx 12.25"

(lot of 2) Framed prints on paper, signed lower right Andrew Saldana (Austin, Texas, 20th c.), dated 1983, including: (1) Seated Woman with Red Pottery, sight: approx: 16.5"h, 11.5"w, overall: approx

(lot of 2) Framed prints on paper, signed in print after Willy Hanft, Dresden (German, 1888-1987), centered in parcel gilt and ebonized ripple molded frames, including: (1) Still Life with Pheasant, (

(lot of 2) Framed prints, signed in the print lower right, after Ettore "Ted" De Grazia, (American, 1909-1982), both retaining "Galerias Cortez" label verso, including: (1) offset print on canvas, Wed

(lot of 2) Framed prints, including: (1) Mona Lisa, after Leonardo da Vinci (Italian, 1452-1519), sight: approx 15.25"h, 11.5"w, overall: approx 18.75"h, 14.75"w, (1) Portrait of Marie Antoinette, aft

(lot of 2) Framed prints on textured paper, after Edward Sheriff Curtis (American, 1868-1952), printed by Beaux Arts, including: (1) "The Storm - Apache," plate 9, (1) "Washing Wheat - San Juan," plat

(lot of 2) Framed prints on paper, including: (1) Art Deco style poster print, Hoyos New York Expo '82, stylized couple dancing, sight: approx 27.5"h, 21.5"w, overall: approx 29.5"h, 23.5"w, (1) Art N

(lot of 2) Framed prints: (1) "The Hudson at Peekskill", Currier & Ives, #2971, c. 1850-1865, sight: 11"h, 15.5"w, overall: 12.5"h, 17"w; (1) "Frankfort",a hand colored aquatint, published in 1814 by