Print, James Pritchard

(lot of 7) James A. Pritchard (American. 20th century), "Gypsy Weaver," 1974, lithograph in colors, pencil signed and titled lower center, dated lower right, edition 8/16, Pierre Bonnard (French, 1867

James Rizzi (American, b. 1940), "Smell the Flowers," 1985, 3D serigraph on paper, signed lower left, titled lower center, edition 144/150, overall (with frame): 16"h x 14.5"w. Provenance: Estate of S

James Abbott McNeill Whistler (American, 1834-1903), "The Little Cafe au Bois," 1894, lithograph, pencil signed lower right, plate signed with the butterfly lower center, with a collector stamp verso,

Large book, "The Modern Japanese Print", James A. Michener, with 10 original prints, Charles Tuttle Company, Rutland Vermont, Tokyo Japan, with original wood sleeve, good condition.

James Rosenquist (American, 1933–2017), "Pale Lamps," 1978, etching in colors, pencil signed and dated lower right, titled lower left, edition 12/78, image: 17.5"h x 35.5"w, overall (with frame): 30

James Rosenquist (American, b. 1933), "Highway Trust," 1978, lithograph in colors, pencil signed lowe right and dated, titled lower left, edition 16/78, published by Multiples, Inc. (New York, NY), im

James Rizzi (American 1950-2011) ""A Toast to Love "" 1992 screenprint pencil signed and dated lower right edition number 18 overall (with frame): 16.5""h x 17.5""w

James Abbot McNeill Whistler (American, 1834-1903), "Chelsea Bridge," 1871, etching, state VI/VII, unsigned, image: 4"h x 6.5"w, overall (with frame): 12.75"'h x 15.25"w. Reference: Glasgow 102; Kenne

James Abbott McNeil Whistler (American, 1834-1903), "The Long Balcony," 1894, lithograph, gallery label (George Krevsky Gallery, San Francisco, CA) affixed verso, ref: Way 49; Levy 80, overall (with f

James Rosenquist (American, 1933–2017), "Music School," 1971, lithograph in colors, pencil signed and dated lower right, titled lower left, edition 35/70, sheet: 34.5"h x 30"w, overall (with frame):

James Ensor (Belgian, 1860–1949), "Roman Victory," 1889, etching, plate signed lower left, image: 7"h x 9"w, overall (with frame): 28.25"h x 23.25"w

James Abbott McNeill Whistler (American, 1834-1903), "Gants de Suede," circa 1890, lithograph, butterfly monogram center right, sight: 10"h x 5.75"w, overall: 16.75"h x 13"w

James Abbott McNeil Whistler (American, 1834-1903), "La Vieille aux Loques," from "Twelve Etchings from Nature," 1858 etching, plate signed lower right, Vincent Price Collection label affixed verso, i

James E. Allen (American, 1894-1964), Woman Resting on a Bed Faced Down, etching, pencil signed lower right, image: 3"h x 5.25"w, overall (framed): 9.25"h x 12.25"w

James Brooks (American, 1906-1992), "Copper Mine Butte," 1936, lithograph, pencil signed and dated lower right, titled lower left, image: 12"h x 16.75"w, overall (with frame): 19.5"h x 24.5"w

James Kelly (American, 1913-2003), "Crazy Afternoon," 1954, lithograph, signed and dated lower right, edition 5/6, image: 16"h x 13"w, overall (with frame): 24.25"h x 20.5"w

James Surls (American, b. 1943), "Hight Water," 1991, linocut, pencil signed and dated lower right, titled lower center, working proof I, overall (with frame): 29"h x 29.25"w

James Curc, autographed print, Battlestar Galactica, 26 x 36, 1980s Please note that this lot has a confidential reserve. When you leave a bid in advance of the auction, submit your maximum. Jasper52

Paul Adolphe Rajon. Intaglio print depicting bust-length portrait of James Abbott McNeill Whistler. Signed in the plate "A. Rajon". [Sight: 9 1/2" x 7 1/2"; Frame: 15 3/4" x 13 3/4"]. Verso bears PB84

Appears unsigned, titled "Burning Cottonwoods, Dugout Ranch." RDA# 71572. Bin# 1. Sight size: 14"h x 17 1/2"w

James Alphege Brewer (English, 1881-1946), “The Church of Notre Dame Dinant on the Meuse, Belgium,” etching in colors, pencil signed lower right, titled and blind stamp lower left, overall

Title: Waiting for the Guns Artist: James Hardy Engraver: Richard Powell Year Published: 1854 Paper: Cotton Rag Paper Size: 25.75x37.25 Plate Size: 20.25x28 Please note that this lot has a confidentia

James Gillray (British, 1757–1815), "Dilettanti-Theatricals or a Peep at the Green Room," 1803, engraving with hand-coloring, published by H. Humphrey (London, England), overall (with frame): 19.25"

Framed Art Print James Wyeth. Art print depicts James Wyeth's painting of a pig in a pen with hay and pine cones. Country Farm Scene, Farm ANimal Scene,Framed in a dark cranberry toned painted wooden