Shahsavan Mafrash Face

SHAHSAVAN SUMAKH BAG FACE 44 x 44 cm (1ft. 5in. x 1ft. 5in) Azerbaijan, third quarter 19th century Published: "Mafrash", Siawosch Azadi 1985, Page 146 Condition: good, a few signs of use, lower left c

Second half 19th century, 54 x 98 cm, North West Persia, Azerbaijan A side panel of a Shahsavan mafrash from the Hashtrud-Mianeh region, rather coarsely woven in the sumakh technique. The self-contain

Second half 19th century, 44 x 101 cm, North West Persia, Azerbaijan A completely preserved mafrash, finely woven in the sumakh technique. All four sides show an identical design of three wide horizon

Mid 19th century, 42 x 52 cm, South East Caucasus, Moghan region A side panel of a Moghan Shahsavan mafrash, finely woven in the sumakh technique. The dark blue field contains one complete and one tru

Second half 19th century, 46 x 96 cm, North West Persia, Azerbaijan A completely preserved mafrash woven in the kilim technique, only the narrow dividing stripes are finely woven in the sumakh techniq

Ca. late 19th-early 20thC. Used condition with age appropriate wear throughout including stains and edge wear. Illustrated on page 193 (plate 167) in Mr Nooter's book: FLAT WOVEN RUGS AND TEXTILES FRO

Shahsavan Mafrash, Transcaucasus, Late 19th C., . Material: wool surface, wool warp. Size: 1'8"'' x 3'5"'' x 1'7"'' (46 x 89 x 43 cm). 7 lbs

second half 19th century, 44 x 98 cm, South East Caucasus, Moghan-Savalan A long side panel of a mafrash, finely woven in the sumakh technique in a horizontal stripe design. In the dark blue central b

Late 19th century, diverse Maße, Northwest Persia, Azerbaijan Four parts of a Mafrasch, slight signs of age-wear, overall good condition.

Second half 19th century, 53 x 114 cm, South East Caucasus, Moghan region A side panel of a Shahsavan mafrash woven in the sumakh technique, probably by one of the tribal groups in the Moghan-Savalan

Shahsavan mafrash panel, antique, Persia, 19thcentury, wool on wool, approx. 121 x 61 cm, condition: 2-3. Special-Auction: Antique, old and decorative rugs & carpets. Please ask for condition-reports

Shahsavan 'Mafrash', antique, Persia, late 19th century, wool on wool, approx. 97 x 91 cm, EHZ: 3. Auction (306 Lots): Antique, old and decorative rugs & carpets. Please ask for condition-reports and

Shahsavan Mafrash, Transcaucasus, Late 19th C., . Material: wool surface, wool warp. 1'7" x 3'1" x 1'4".

Shahsavan Mafrash, Caucasus, Circa 1900. Material: wool surface, wool warp. Length: 38" x Width: 16" x Height: 24". Note: There Are No Hidden or Confidential Reserves in this Auction; All Acceptable B

Northwest Persia; CIrca 1900; Reverse Sumac technique; 1-5 x 3-6 ft.

Second half 19th century, A-37x103, B-44x45, South East Caucasus, Moghan region Slight signs of age and wear, overall in good condition.

Shahsavan 'Mafrash', Persia, circa 1920, wool/wool, approx. 107 x 40 cm, condition: 3. Summer- Auction (160 Lots): Antique, old and decorative rugs & carpets. Please ask for condition-reports and more

Second half 19th century, 37 x 87 cm, North West Persia, Azerbaijan A side panel of a small-format Khamseh Shahsavan mafrash woven in the sumakh technique. The design consists of wide horizontal strip

Shahsavan Mafrash Panel 19c. / 41 x 29 in. / wool on wool /

Opened Shahsavan Mafrash, Transcaucasus, Ca. 1880, 3'0'' x 3'9'' (91 x 114 cm). Weight: 4 lbs. Material: wool surface, wool warp.

Shahsavan Mafrash Kilim Panel, Transcaucasus, Late 19th C., 3'5'' x 1'7'' (104 x 48 cm). Weight: 2 lbs. Material: wool surface, wool warp.

Shahsavan-Mafrash NW-Persien, um 1900. Sehr feine Nadelarbeit auf Flachgewebe. Das nachtblaue Mittelfeld ist mit einer Reihe von eindrucksvollen Polygonen in alternierenden Farben belegt, gesäumt von

Shahsavan-Mafrash NW-Iran, um 1900. Sehr feine Nadelarbeit auf Flachgewebe. Streifen-Dekor. Auf rotem Grund figurieren 3 filigrane Hakenrauten-Medaillons, die von 2 weissen sog. „Syrga-Nagisch“-Bo

Dated 1315 AH = 1898 AD, 49 x 83 cm, South East Caucasus This very rare knotted mafrash face shows blossoms in varying shapes and sizes on a midnight blue ground. The style of drawing of the designs s