Tim Kent (20th Century)

MANHATTAN BRIDGE AT SUNSET, 2006, acrylic painting on canvas, signed and dated and titled on verso, 10 x 10”.

VIEW OF A CAPITAL BUILDING, 2006; VIEW OF AN ARCH, two acrylic paintings on canvas, first signed and dated and titled on verso, 12 x 9” & 8 x 10”. (2)

RAINY DAY IN MANHATTAN, 2004, acrylic painting on canvas, signed and dated lower left, 19 x 16”.

GRAND CENTRAL STATIONS AT NIGHT, 2006, acrylic painting on canvas, initialed and dated lower left, signed and dated and titled on verso, 12 x 9”.

UNDER THE BRIDGE, 2005, acrylic painting on canvas, signed and dated lower right, 18 x 14”.

UNDER THE BRIDGE, 2005, acrylic painting on canvas, signed and dated lower right, 20 x 16”.

UNTITLED, wood construction with inset glass, a signature not found, overall 32 ¾ x 22 x 5-7” depending on installation.

UNTITLED, 1978, acrylic painting on paper, signed and dated lower right, image 23 x 21”, sheet 29 ½ x 25 ½”, frame 33 ½ x 29 ½ with glass. Provenance: acquired directly from the artist by the

Maurice Kent (20th Century), Chipping Campden, watercolour, signed and dated 1974, 25cm x 40cm, framed

In the manner of William Kent, 20th century; antiqued rectangular mirror plate, within foliate carved surround cresting broken pediment with carved foliage and egg and dart, central plumage, 56 1/2 in

In the manner of William Kent, 20th century; rectangular grey breccia marble top, scroll carved apron, carved winged eagle standards on rusticated base, carved plinth base, 34 3/4 in. H., 43 1/2 in. W

A George II Style Giltwood Console Table in the Manner of William Kent 20th Century Height 35 1/2 x width 46 1/2 x depth 16 1/2 inches. This lot is located in Chicago. Property from the Estate of Eile

Two mixed media worksClaude Kent and William Tunberglate 20th/21st centuryComprising Claude Kent (20th century), Maroon & Blue, 1977, signed and dated to the reverse and William Tunberg (b. 1937), #71

Tim Washburn (20th C.) Life size sculpture of a Hopi Maiden holding a wedding basket, carved Texas Limestone. Signed on back foot. Provenance: Purchased in 1992 from Artistic Galleries of Scottsdale,

After Rockwell Kent (Am. 20th Century) Study for Winter, Monhegan Island Oil on canvas, framed "Study by N. Rockwell Winte Shore + Water" and "American Study by Rockwell Kent? Maine Coast Fisherman's

Tim Goodchild (20th century) Chiffon, Crystal and Ronnette from The Little Shop of Horrors signed and dated 'T. Goodchild 83' (lower right) watercolour over pencil, heightened with gouache 38 x 48cm P

Ruby Kent (American, 20th Century) Seascape painting with waves crashing on the rocks. Signed lower right. Kent Art Gallery Melbourne, FL label on verso. Measures 40" x 30" on canvas and 42.5" x 32.5"

Halsey Kent (American 20th Century) Acrylic on Board "Jonathan Ashley House 1705 Deerfield Massachusetts", signed lower right, in molded gilt frame 17.5 in. x 21.5 in. Framed 21 in. x 25 in.

American. 1968. Lithographed tin box, moulded plastic thermos. Marked, "Copyright 1968 Kent Productions 20th Century Fox Film Corp", "Aladdin Industries Incorporated Nashville, Tennessee". Box 6.75 x

MELANIE TAYLOR KENT (American, 20th Century), "Looney Tunes Take Manhattan," 1993, matted serigraph, (approximate dimensions - overall (sight): 35 1/4 x 32 inches); numbered 65/150, titled, signed, an

MELANIE TAYLOR KENT (American, 20th Century), "Olympic Cen'toon'ial," 1996, matted serigraph, (approximate dimensions - overall (sight): 42 1/4 x 31 3/8 inches); edition: "Remarque artist proof 36/50,

Melanie Taylor Kent (American, 20th century), "Batman," 1994, serigraph, pencil signed and dated lower right, titled lower center, edition 67/500, overall (with frame): 45"h x 32"w

INTERIOR SCENE, 2005, acrylic painting on canvas, signed and dated lower right, 84 x 96”.

TIM BAILEY (American/Texas 20th Century) A SCULPTURE IN STEEL, HOUSTON, TEXAS, CIRCA 1985, a central folded steel post with welded and tooled flat wrought iron forming facial features, enclosed within