William Keith, Landscape, oil

WILLIAM KEITH (American, 1838-1911), Landscape, oil on panel, (approximate dimensions - panel (sight): 9 x 5 1/2 inches); unsigned, artist bio verso, Condition: Surface dust, varnish gloss and aging,

William Keith (Scottish/American, 1838-1911) oil painting on canvas depicting a mountainous California landscape with snow-covered peaks, signed lower right, housed in a gilt wood frame. Image: 11" H

William Keith (American 1888-1911) Landscape Oil on Canvas Overall size: 29 1/2 x 37 1/2 in. Sight size: 18 x 26 in.2

Attrib., William Keith,Scottish-American, Landscape, 19th C., oil on canvas Dimensions: 23 x 14, framed 31 1/2 x 22 (SWER6156)(MM)

William Keith; American Oil Western Landscape Signed .William Keith (1838 - 1911) oil on board. Mountain Vista. Signed lower right; 14.75in. X 21.75in.(image), 17.75in. X 24.5in.(framed)

William Keith (American, 1838-1911), Untitled (Bucolic Landscape), oil on canvas, signed lower left, canvas: 16"h x 25"w, overall (with frame): 25"h x 34"w

William Keith (Scottish/American, 1838-1911), "Wooded Landscape", oil on canvas laid on board, signed and inscribed lower right, 11 3/4 in. x 23 3/4 in., framed, overall 15 5/8 in. x 27 1/2 in. x 1 1/

William Keith (American, 1838-1911) California Landscape, circa 1890 oil on panel signed W Keith and inscribed S.F. (lower right) 11 x 14 inches (sight). Property from the European Family Collection o

PASTORAL LANDSCAPE, oil painting on wood panel, signed lower right, sight 17 x 24", framed. Provenance: Art Center La Jolla and La Jolla Museum of Art.

Tonalist landscape Oil on canvas Signed lower left: W. Keith 15.25" H x 14.5" W

ARTIST: William Keith (California, Scottish, British, 1838 - 1911) NAME: Autumn Landscape MEDIUM: oil on canvas CONDITION: Repaired tear 2 1/2" long. One scratch 3 1/2" long. Some scattered inpainting

Signed lower left, artist's nameplate on frame. William Keith (b. Scotland, active in California,1838 - 1911). From a Garwood, NJ home. - Dimensions: 12.25' high x 14.25" wide.

William Keith. American/California. Mountainside landscape with path, possibly Western U.S. Oil on board. Appears to be unsigned. Buckle in board in upper right corner of trees. Inscription on reverse

Oil on canvas in original frame, signed "W. Keith" lower left. Recently discovered from a Union CT. home and untouched. Keith is considered the "Dean of California Painters" and was noted for depictin

William Keith (Scottish, 1838-1911) Oil on Canvas, 1909, "Forest Landscape", H 24" W 24.5" | Signed lower right. Framed H 30", W 30". from the collection of the Windorf Galleries, Mt. Clemens, Mich.

Oil painting on canvas of a landscape. Signed lower left. Sight- 15 1/4" x 21 1/2" Overall- 27" x 33"

William Keith (American 1838 - 1911) Oil on canvas on board. Wooded landscape, cattle at water's edge. Signed lower right, W. Keith. 17 1/2 x 28 1/2. Framed, overall: 27 x 36 inches.

ANTIQUE PAINTING BY WILLIAM KEITHAntique oil painting on canvas laid on board by William Keith (American 1838-1911); depicting a dark landscape, with a lone figure standing near water's edge, the surf

AMERICAN SCHOOL (20TH CENTURY), OIL ON CANVAS BOARD, LANDSCAPE, SIGNED C. KEITH. 20 X 16"; FRAMED 22 X 18"

William Keith (1838 - 1911) Scotland Oil on Canvas Measure 16"in H x 26"in W and 21 3/4"in H x 31 1/2"in W with frame Known for: Plein-aire landscape painting, history, genre, portrait Biography: Draw

House through trees in a tonalist landscape, signed and inscribed lower right: W. Keith / S.F., oil on canvas, 13.5'' H x 20'' W, est: $800/1200 Provenance: Property of an Estate, Berkeley, CA

Keith, William (American, 1838-1911) oil on board of a windmill, 8 1/2 by 5 1/2 inches, in a painted wood frame measuring 10 by 7 inches.

E. Williams (American or British, 19th century). "River Landscape", oil on canvas. Signed lower right of center; framed. Provenance: From the Estate of Joan O'Brien Diemer, Atlanta, Georgia. Approx. 2

William Keith Scotland, California,1838-1911 Plein air depiction of animals grazing on the other side of a sparkling body of water framed by trees bathed in dawn light. Keith's two main influences wer