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UTAGAWA HIROSHIGE II 1826-1869 Maiko Beach in Harima Province (Banshu Maiko no hama) Edo period,: Large format polychrome woodblock print (oban), from the series “One Hundred Famous Views in the Various Provinces” (Shokoku mesh hyakkei). A specimen is in the Museum of Fine Arts in Boston (

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UTAGAWA HIROSHIGE II 1826-1869 Maiko Beach in Harima Province (Banshu Maiko no hama) Edo period,

Jar China, 17th century: Porcelain painted in underglaze cobalt blue. The interest of this jar lies in its evidently incomplete decoration. The polychrome enamels applied in the second firing, with which it would have become

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Jar China, 17th century

ATTRIBUITO A KANO YASUNOBU 1613-1685 Chinese-style landscapes Edo period: Six-panel screen painted in ink on paper. 67.72 x 146.46 in. Yasunobu was a leading exponent of the Kano school in the 17th century. He was, among other things, the master of Ogata Korin (1658-1716),

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ATTRIBUITO A KANO YASUNOBU 1613-1685 Chinese-style landscapes Edo period

Reliquary figure Gabon, Kota, 20th century: Wood covered with copper plates and wire. This type of artifact exemplifies the extraordinary modernity of African art, with its abstraction providing countless inspirations for 20th-century artists.

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Reliquary figure Gabon, Kota, 20th century

Frieze Ancient region of Gandhara, 2nd Century: Sculpted grey schist, the front with a composition with seven cherubs holding a garland with flowers, fruits and flourishes, the left side outlined by a stylised palmette. 4.7 x 23.6 x 3.3 in. Proveni

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Frieze Ancient region of Gandhara, 2nd Century

Snuff bottle China, 19th-20th century: Porcelain with polychrome enamel decoration in relief of figures, some openwork details, apocryphal Qianlong mark impressed to the centre of the base. 3.2 x 2 x 1.2 in.

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Snuff bottle China, 19th-20th century

Buddha Thailandia, 19th century: Bronze on a wooden pedestal, the standing deity with both arms bent at the elbow and hands with open palms in a gesture of reassurance, wearing a loose robe with ornaments in relief, the face surmount

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Buddha Thailandia, 19th century

Pelota player Mexico, Pihuamo culture, 300 BC-600 AD: Earthenware. 15.9 x 7.1 x 3.9 in. Bibliografia/Literature Zanetti G. (a cura di), Prima dell’America. 4000 anni di arte precolombiana, catalogo della mostra di Bologna, Silvana Editoriale, Milano, 1

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Pelota player Mexico, Pihuamo culture, 300 BC-600 AD

UTAGAWA HIROSHIGE II 1826-1869 Hikawa Shrine at Akasaka (Akasaka Hikawa) Edo period, 1862: Large format polychrome woodblock print (oban), from the series “Views of Famous Places in Edo” (Edo meisho zue), publisher Fujiokaya Keijiro. A specimen is in the Museum of Fine Arts in Bosto

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UTAGAWA HIROSHIGE II 1826-1869 Hikawa Shrine at Akasaka (Akasaka Hikawa) Edo period, 1862

Vase Japan, Meiji period: Cloisonné enamelled metal, the base with "Pure silver" mark, red ground, one side with a polychrome decoration of chrysanthemum and plum flowers, the other side with a ton-sur-ton bamboo.. 12.2 x 7.9

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Vase Japan, Meiji period

Suzuribako Japan, Taisho period: Writing box made of lacquered wood with relief and polychrome decoration, containing an inkstone and a metal suiteki water dispenser, the outside of the lid decorated with a large fruit-bearing tree w

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Suzuribako Japan, Taisho period

KATSUSHIKA HOKUSAI 1760-1849 Numazu; Yui; Hakone; Shimada; Kanbara Edo period, circa 1804: Five small-format polychrome woodblock prints (koban), from an untitled series dedicated to the "Fifty-three Stations of the Tokaido." 5.12 x 6.89 in. the largest (5)

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KATSUSHIKA HOKUSAI 1760-1849 Numazu; Yui; Hakone; Shimada; Kanbara Edo period, circa 1804

Large cachepot China, 20th century: Porcelain painted with polychrome enamels, the outside with an exuberant decoration of mythological animals amidst the waves, the upper section with floral and geometric friezes, wooden base. 15.7 x 1

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Large cachepot China, 20th century

Dignitary China, Ming dynasty, 16th-17th Century: Bronze with traces of gilding, the figure seated on a bench in turn supported by a base with shaped feet, wearing a loose robe with incised floral decoration, the right arm bent with the hand at chest

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Dignitary China, Ming dynasty, 16th-17th Century

Vase Persia, 19th century: Ceramic painted in different shades of blue and turquoise with floral motifs within panels. ?????Defects. 9.4 x 6.3 in.

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Vase Persia, 19th century

Vase with cover China, 20th century: Dark brown hard stone with red and ochre streaks, the body with a relief decoration of dragons, dragon-head-shaped handles with a movable ring along the sides, the lid surmounted by a Buddhist lion in

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Vase with cover China, 20th century

Femalle kimono, furisode Japan, early 20th century: Silk, red ground with embroidered decoration of polychrome threads of pine trees, bamboos, cranes and turtles, all motifs connected with the wish for long life. 67.72 x 49.61 in.

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Femalle kimono, furisode Japan, early 20th century

UTAGAWA HIROSHIGE II 1826-1869 Tenpozan Hill in Osaka (Osaka Tenpozan) Edo period, 1859: Large format polychrome woodblock print (oban), from the series “One Hundred Famous Views in the Various Provinces” (Shokoku mesh hyakkei). A specimen is in the Museum of Fine Arts in Boston (

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UTAGAWA HIROSHIGE II 1826-1869 Tenpozan Hill in Osaka (Osaka Tenpozan) Edo period, 1859

Three dishes China, Kangxi period: Porcelain painted with underglazed cobalt blue with a floral decoration, one with apocryphal mark of Chengua, the other two with the mark ??????? (Ju shun mei yu tang zhi, ’Made for the Hall of Gath

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Three dishes China, Kangxi period

Bottle vase China, 20th century: Flambé glazed porcelain in shades of dark red and blue. 13 x 8.7 x 8.7 in.

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Bottle vase China, 20th century

Ananda China, Ming dynasty, 16th-17th century: Lacquered bronze, the Buddha's disciple depicted standing with his hands clasped on his chest. 6.9 x 2.6 x 2.6 in.

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Ananda China, Ming dynasty, 16th-17th century

Figure of a pensadora Mexico, Jalisco culture, 300 BC-600 AD: Painted earthenware, the female figure with the head resting on the right knee. 10.6 x 7.1 x 7.5 in. Bibliografia/Literature Zanetti G. (a cura di), Prima dell’America. 4000 anni di arte precolombia

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Figure of a pensadora Mexico, Jalisco culture, 300 BC-600 AD

Two taoist immortals China, Qing dynasty: Dehua porcelain ('blanc de chine'), the two deities depicted seated. One restored. 8.5 x 3.7 x 2.8 in.

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Two taoist immortals China, Qing dynasty

Pair of vases China, 20th century: Porcelain painted with polychrome enamels, the neck with floral meanders, the body with a decoration of horses in the landscape with inscription and seals, mark to the center of the base of both, wood

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Pair of vases China, 20th century

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