Lot 1168

FRANCESCO ZANIN

Bernardo Bellotto Sale History

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CARLO FRANCESCO NUVOLONE (attr. a): (Milano, 1608/1609 - 1661/1662) Allegoria della Carità Olio su tela, cm 26,5X33,5 Il dipinto trova precisi riscontri con la tela di medesimo soggetto pubblicata da Filippo Maria Ferro nel 2013 (cfr.

2022CARLO FRANCESCO NUVOLONE (attr. a)See Sold Price

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FRANCESCO BARATTA: (Genova, 1805 circa - 1835) Episodi storici Penna e acquerello, cm 24X33 (2) Bibliografia: G. Grasso, L'affresco in Liguria tra Ottocento e Novecento: maestri precursori e contemporanei, Varazze 2005,

2022FRANCESCO BARATTASee Sold Price

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Francesco Nonni: Francesco Nonni. Fanciulle con ghirlanda (Per Il romanzo dei piccoli). 1914 Xilografia a colori. mm 200x185. Margini di pochi millimetri. Applicata su cartoncino. In cornice. Esposta alla mostra Nonni

2015Francesco NonniSee Sold Price

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GUGLIELMO CACCIA detto il MONCALVO: (Montabone, 1568 - Moncalvo, 1625) La Vergine con il Bambino e angeli musicanti che appaiono a un santo Penna, gessetto nero e bistro su carta, cm 20,8X13,2 Allievo di Giovanni Francesco Biancaro, Gug

2022GUGLIELMO CACCIA detto il MONCALVOSee Sold Price

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Vitruvio, Marco Pollione: De Architectura libri decem, cum commentariis Danielis Barbari ... Venezia, Francesco De Franceschi & Johann Criegher, 1567. In 2Â°. Marca tipografica al frontespizio e in fine, numerose illustrazio

2018Vitruvio, Marco PollioneSee Sold Price

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[Art of Memory, Oratory] Sansovino, 1561: SANSOVINO'S COLLECTION OF THE MOST IMPORTANT SPEECHES OF ANTIQUITY Sansovino, Francesco. Diverse orationi volgarmente scritte da molti huomini illustri de tempi nostri. Nelle quali si contengono ragio

2016[Art of Memory, Oratory] Sansovino, 1561See Sold Price

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PITTORE UMBRO DEL XVII SECOLO: Visione di San Francesco Olio su tela, cm 102X80 La tela rappresenta Sant'Antonio da Padova in atto di ricevere tra le braccia GesÃ¹ Bambino contornato da cherubini. Il santo porta l'abito dei frati

2020PITTORE UMBRO DEL XVII SECOLOSee Sold Price

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Saint Teresa of Avila [Life & Works]: Saint Teresa of Avila (1515-1582); Francesco Ribera. LA VIE ET LES OEUVRES SPIRITUELLES DE LA MERE TERESE DE IESUS. FONDATRICE DES CARMES DESCHAUSSEZ. Paris: Foucault, 1621. 6.5" x 4". 3 parts in one

2017Saint Teresa of Avila [Life & Works]See Sold Price

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San Francisco Tide Lands for sale at auction: Heading: -1871 Author: Allardt, Geo. F., Surveyor Title: Map No. 6 of Salt Marsh and Tide Lands situated in the City and County of San Francisco, to be sold at public auction by order of the Board of

2022San Francisco Tide Lands for sale at auctionSee Sold Price

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An early San Francisco A-B-C Bourbon & Rye advertising sign, Ahrens-Bollwinkle Co: An early San Francisco A-B-C Bourbon & Rye advertising sign with curled corners, Ahrens-Bollwinkle Co. Liquor Merchants San Francisco, featuring a stag. 14.5" sq

2022An early San Francisco A-B-C Bourbon & Rye advertising sign, Ahrens-Bollwinkle CoSee Sold Price

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Francisco Goya (Spanish, 1746-1828): DESCRIPTION: Francisco Goya (Spanish, 1746-1828). Etching with drypoint on laid paper. "Tristes Presentimientos do lo que ha de Acontecer (Sad Forebodings of what is going to happen)". Plate 1 of Los

2017Francisco Goya (Spanish, 1746-1828)See Sold Price

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Christmas in San Francisco / Southern Pacific, Sgnd: With Santa and snow. Spindle holes four corners, edge tear at right, edge damage lower left. 16" x 23".

2021Christmas in San Francisco / Southern Pacific, SgndSee Sold Price

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San Francisco California in November 1849: San Francisco California in November 1849 A very early view of San Francisco at the beginning of the Gold Rush Sarony & Manor Print Type: Engraving. D

2023San Francisco California in November 1849See Sold Price

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C.1880 Boxed Newman's Demijohn San Francisco Ca.: C.1880 Boxed Newman's Demijohn San Francisco Ca. Demijohn manufactured by Pacific Coast Glass Works of San Francisco. The stencil on the surrounding wood box reads Newman's Improved Boxed Demijohn. Th

2018C.1880 Boxed Newman's Demijohn San Francisco Ca.See Sold Price

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John Stobart- San Francisco 1857 Signed Lithograph: The artwork "San Francisco. The Flying Cloud Arriving In Port From New York 1857" by John Stobart is a masterful portrayal of a historical maritime event. This signed and numbered piece, marked as #36

2023John Stobart- San Francisco 1857 Signed LithographSee Sold Price

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Byrds Joe Cocker PG&E San Francisco 69 Tuten - OP-1: Byrds Joe Cocker PG&E San Francisco 69 Tuten - OP-1. BG177. 1969. first. Striped overalls provided the background for this bustling port scene; a closer look revealed that the steam boat hadn't a pray

2023Byrds Joe Cocker PG&E San Francisco 69 Tuten - OP-1See Sold Price

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Item Details

Description

(Nove, 1824 - Venezia, 1884)
Veduta
Olio su tela, cm 65X131

Provenienza:
Venezia, Semenzato, 25 aprile 1993, lotto 69 (come attribuito a Bernardo Bellotto)
Londra, Christie's, 6 dicembre 2006, lotto 127 (come seguace di Bernardo Bellotto)
Vienna, Dorotheum, 24 aprile 2007, lotto 63 (come cerchia di Bernardo Bellotto)
Milano, Sotheby's, 17 novembre 2008, lotto 135 (come Francesco Zanin)

Bibliografia:
F. Magani, Francesco Zanin: un Canaletto nell'Ottocento, Milano 2008, p. 23, illustrato pp. 16-17

Il dipinto, i cui caratteri estetici rispondono a quelli della scuola veneziana del XVIII secolo, proviene probabilmente dalla Gemäldegalerie del conte del principato di Reuss-Greiz con il numero di inventario 382 (informazione desunta dal catalogo d'asta Franco Semenzato, Venezia, 25 aprile 1993, lotto 69). L'immagine raffigura un giardino e sullo sfondo un palazzo, per alcuni riconoscibile nella residenza di re Stanislaw August Poniatowski, celebre appassionato delle arti e mecenate di Bernardo Bellotto o, nel Castello di Prachtvollen nel parco di Einem. Come sappiamo, la storia critica del dipinto ha visto la sua reiterata attribuzione a Bernardo Bellotto (Venezia, 1721 - Varsavia, 1780) o alla sua cerchia, riferimento comprensibile per il tenore illustrativo e pittorico, ma tuttavia disattento a quella impalpabile sensibilità romantica della scenografia, che suggerisce quell'ideale Ritorno al Settecento, concepito da Francesco Zanin 'attraverso una nuova e originale riflessione sulle arti figurative' della tradizione veneziana. Il pittore, infatti, mostra precocemente la sua personale lettura critica neorococò attraverso la mediazione di Giovanni Bernardino Bison, Giovanni Migliara, Ippolito Caffi e Federico Moja raffigurando i siti veneziani più noti, fissati con rigore scientifico ed una particolare attenzione per la luminosità atmosferica e, nel nostro caso, misurandosi con gli esempi illustri di Canaletto e Bellotto con un sincero studio espressivo, capace non solo di descrivere oggettivamente i luoghi, ma altresì di evocarne le diverse sfumature che li legano al proprio momento storico.

Bibliografia di riferimento:
F. Magani, Francesco Zanin, in Idealità neoclassica e realismo romantico nella veduta dell'Ottocento, catalogo della mostra, Milano 1998
T. Barone, Uno sguardo su Venezia, catalogo della mostra, Milano 2008, ad vocem