NO RESERVE - Antique Prints and Maps

Unidentified Italian Artist – Etching – Portrait of Sultan Ibrahim I

Cornelis Bloemaert II (1603–1692) after Salvio Castellucci – Plate 217, Statue of Venus

Joseph Pitton de Tournefort (1656–1708) – Persica (Peach) – Hand-Coloured Copper Engraving (c.

Done

Norrkoping, Ostergotland, Sweden

Auction Details

NO RESERVE - Antique Prints and Maps

Proverde Auctions

Explore a diverse array of items at our auction, featuring antique prints and maps with starting bids at just $5 USD with no reserve prices. Don't miss out, browse our selection today!

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Carl Lindman (1856–1928) – Field Gentian – Chromolithography (1905): This lovely chromolithograph depicts Gentiana campestris L., commonly known as field gentian, and was published in Bilder ur Nordens Flora by Carl Lindman in Stockholm by Wahlström & Widstrand in

0001: Carl Lindman (1856–1928) – Field Gentian – Chromolithography (1905)

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Carl Lindman (1856–1928) – Alder Buckthorn – Chromolithography (1905): This charming chromolithograph features Rhamnus frangula L., commonly known as alder buckthorn, and was published in Bilder ur Nordens Flora by Carl Lindman in Stockholm by Wahlström & Widstrand in

0002: Carl Lindman (1856–1928) – Alder Buckthorn – Chromolithography (1905)

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Carl Lindman (1856–1928) – Common Buckthorn – Chromolithography (1905): This elegant chromolithograph depicts Rhamnus cathartica L., known as common buckthorn, and was published in Bilder ur Nordens Flora by Carl Lindman in Stockholm by Wahlström & Widstrand in 1905.

0003: Carl Lindman (1856–1928) – Common Buckthorn – Chromolithography (1905)

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Carl Lindman (1856–1928) – Sun Spurge – Chromolithography (1905): This vibrant chromolithograph shows Euphorbia helioscopia L., commonly known as sun spurge, and was published in Bilder ur Nordens Flora by Carl Lindman in Stockholm by Wahlström & Widstrand in

0004: Carl Lindman (1856–1928) – Sun Spurge – Chromolithography (1905)

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James Sowerby (1757–1822) – Chelidonium Hybridum – Hand-Coloured Engraving (1790–1814): This original hand-coloured engraving depicts Chelidonium Hybridum, also known as Violet Horned-Poppy, and was published in the monumental series English Botany or, Coloured Figures of British

0005: James Sowerby (1757–1822) – Chelidonium Hybridum – Hand-Coloured Engraving (1790–1814)

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James Sowerby (1757–1822) – Schoenoplectus Lacustris – Hand-Coloured Engraving (1790–1814): This original hand-coloured engraving features Schoenoplectus lacustris, commonly known as bulrush, and was published in the first edition of English Botany or, Coloured Figures of British Plants,

0006: James Sowerby (1757–1822) – Schoenoplectus Lacustris – Hand-Coloured Engraving (1790–1814)

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$25

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Carl Lindman (1856–1928) – Mexican Petunia – Chromolithography (1922): This delicate chromolithograph depicts Naumburgia thyrsiflora, also referenced by its Swedish name "Topplösa", and was published in Bilder ur Nordens Flora by Carl Lindman in Stockholm by Algernon

0007: Carl Lindman (1856–1928) – Mexican Petunia – Chromolithography (1922)

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Carl Lindman (1856–1928) – Common Hornwort – Chromolithography (1922): This refined chromolithograph features Ceratophyllum demersum, known in Swedish as "Hornsarv", and was published in Bilder ur Nordens Flora by Carl Lindman in Stockholm by Algernon Börtzells

0008: Carl Lindman (1856–1928) – Common Hornwort – Chromolithography (1922)

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James Sowerby (1757–1822) – Exacum Filiforme – Hand-Coloured Engraving (1790–1814): This original hand-coloured engraving features Exacum filiforme, also known as threadleaf false buttonweed, and was published in the first edition of English Botany or, Coloured Figures of British

0009: James Sowerby (1757–1822) – Exacum Filiforme – Hand-Coloured Engraving (1790–1814)

Est.

$25

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Lot Passed

James Sowerby (1757–1822) – Santolina Maritim – Hand-Coloured Engraving (1790–1814): This original hand-coloured engraving features Santolina maritim, also known as sea lavender, and was published in the first edition of English Botany or, Coloured Figures of British Plants, with

0010: James Sowerby (1757–1822) – Santolina Maritim – Hand-Coloured Engraving (1790–1814)

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Lot Passed

James Sowerby (1757–1822) – Lichen Physodes – Hand-Coloured Engraving (1790–1814): This original hand-coloured engraving features Lichen physodes, also known as physodes lichen, and was published in the first edition of English Botany or, Coloured Figures of British Plants, with

0011: James Sowerby (1757–1822) – Lichen Physodes – Hand-Coloured Engraving (1790–1814)

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James Sowerby (1757–1822) – Dwarf Bedstraw – Hand-Coloured Engraving (1790–1814): This original hand-coloured engraving features Galium pumilum, commonly known as dwarf bedstraw, and was published in the first edition of English Botany or, Coloured Figures of British Plants, with

0012: James Sowerby (1757–1822) – Dwarf Bedstraw – Hand-Coloured Engraving (1790–1814)

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James Sowerby (1757–1822) – Avena Fatua – Hand-Coloured Engraving (1790–1814): This original hand-coloured engraving features Avena fatua, commonly known as wild oat or haver, and was published in the first edition of English Botany or, Coloured Figures of British Plants, with

0013: James Sowerby (1757–1822) – Avena Fatua – Hand-Coloured Engraving (1790–1814)

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James Sowerby (1757–1822) – Primula Elatior – Hand-Coloured Engraving (1790–1814): This original hand-coloured engraving features Primula elatior, commonly known as oxlip, and was published in the first edition of English Botany or, Coloured Figures of British Plants, with their

0014: James Sowerby (1757–1822) – Primula Elatior – Hand-Coloured Engraving (1790–1814)

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Carl Joseph Meyer (1796–1856) – View of Blizzard's Grave – Lithography (1850): This beautiful antique lithograph titled Blizzard's Grave depicts a serene 19th-century landscape view in Rome and was created by German artist and publisher Carl Joseph Meyer. The engraving was

0015: Carl Joseph Meyer (1796–1856) – View of Blizzard's Grave – Lithography (1850)

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Lot Passed

Carl Joseph Meyer (1796–1856) – View of Albano Laziale – Lithography (1850): This elegant antique lithograph presents a scenic view of Albano Laziale in Italy and was created by Carl Joseph Meyer, a 19th-century German artist and publisher known for his topographical

0016: Carl Joseph Meyer (1796–1856) – View of Albano Laziale – Lithography (1850)

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Lot Passed

Otto Henrik Wallgren (1834–1917) – Fermer from Skytts – Lithography (1872): This antique Swedish costume print titled Fermer from Skytts originates from the series Scanian Folk Costumes, published in Stockholm in 1872. The costumes were drawn by Otto Henrik Wallgren and the

0017: Otto Henrik Wallgren (1834–1917) – Fermer from Skytts – Lithography (1872)

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Lot Passed

Otto Henrik Wallgren (1834–1917) – Woman from Onsjo – Lithography (1872): This antique Swedish costume print titled Woman from Onsjo comes from the series Scanian Folk Costumes, originally published in Stockholm in 1872 and based on drawings by Otto Henrik Wallgren. The

0018: Otto Henrik Wallgren (1834–1917) – Woman from Onsjo – Lithography (1872)

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Otto Henrik Wallgren (1834–1917) – Woman from Jarrestad – Lithography (1872): This antique Swedish costume print titled Woman from Jarrestad originates from the series Scanian Folk Costumes, published in Stockholm in 1872 and based on drawings by Otto Henrik Wallgren. Compiled

0019: Otto Henrik Wallgren (1834–1917) – Woman from Jarrestad – Lithography (1872)

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James Sowerby (1757–1822) – Colchicum Phoenicium – Hand-Coloured Engraving (1790–1814): This original hand-coloured engraving features Colchicum phoenicium, also known as red horned-poppy, and was published in the first edition of English Botany or, Coloured Figures of British Plants,

0020: James Sowerby (1757–1822) – Colchicum Phoenicium – Hand-Coloured Engraving (1790–1814)

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Frans Theodor Hedberg (1828–1908) – Motala, Swedish Canal Town – Chromolithography (1861): This chromolithograph depicts the town of Motala, an important stop along Sweden’s famed Göta Canal, and comes from Pittoreskt Sverige. Första serien: Kanalfärden mellan Stockholm och Göteborg

0021: Frans Theodor Hedberg (1828–1908) – Motala, Swedish Canal Town – Chromolithography (1861)

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Frans Theodor Hedberg (1828–1908) – Vadstena – Chromolithography (1861): This chromolithograph presents a view of Vadstena, prominently featuring its historic castle, and is part of Pittoreskt Sverige. Första serien: Kanalfärden mellan Stockholm och Göteborg

0022: Frans Theodor Hedberg (1828–1908) – Vadstena – Chromolithography (1861)

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Frans Theodor Hedberg (1828–1908) – View of Häleberg and Hunneberg Hills – Chromolithography: This chromolithograph offers a striking view of the Häleberg and Hunneberg hills, two prominent geological formations in western Sweden. The print comes from Pittoreskt Sverige. Första serien:

0023: Frans Theodor Hedberg (1828–1908) – View of Häleberg and Hunneberg Hills – Chromolithography

Est.

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Frans Theodor Hedberg (1828–1908) – Lesjöfors Castle, Värmland – Chromolithography (1861): This chromolithograph features a view of Lesjöfors Castle in the Värmland region of Sweden and originates from Pittoreskt Sverige. Första serien: Kanalfärden mellan Stockholm och Göteborg

0024: Frans Theodor Hedberg (1828–1908) – Lesjöfors Castle, Värmland – Chromolithography (1861)

Est.

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Auction Details

Proverde Auctions

Avignon, France

4.5

64 Reviews

368 Followers

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Payments for winning lots should be paid within 10 days, as all items are antiques and/or vintage please contact us before bidding if you have any concerns regarding the condition, we are happy to answer any questions. We usually answer within 1 day. While we do request you put a credit card on file to bid, we do not require this and may not automatically charge you for the lots, though we do reserve this right.